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The collection is split into two halves. "Departmental Ditties," the first section, is made up of satirical poems that parody the administrative and bureaucratic features of British colonial life in India, the country where Kipling spent a large portion of his formative years. This section's poetry frequently offers amusing perspectives into the daily life of colonial establishment figures such as soldiers and government officials. The narrative and lyrical poetry in the collection's second section, "Ballads and Barrack Room Ballads," depict the experiences of British army soldiers. These poems explore the friendships, struggles, and distinctive features of military life while combining pathos, humour, and astute observations of human nature. All things considered, Kipling's "Departmental Ditties and Ballads and Barrack Room Ballads" exhibits his wit, astute social commentary, and masterful ability to capture the myriad personalities and settings of late 19th-century British colonial and military life.
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Poetry. "Lindsay Turner's ravishing SONGS & BALLADS takes account of colors, architectures, skies, and the many ways the world is speculatively used and re-used for short-term ends. When to refrain? Refrain now, hold back from harm now, hold on to the world now and now, these elegiac, mysteriously worldy poems sing."--Catherine Wagner "'The sunlight was prettier for its uneven distribution,' observes Lindsay Turner, alerting us to the collectivist imperative subtending perception itself. 'Oh share it, share it.' SONGS & BALLADS re-imagines historical poetics--'what's the ragged quatrain's job?'--as a critique of our unsustainable political economies. Employing recursive forms from the Medieval ballad to Modernism's differential repetitions, Turner's contemporary stanzas in meditation remediate 'a range of arrangements / demanding attention' for the continuous present. Whether it be 'the pentagons of space in the chainlink' or 'what the animals we saw never knew,' we find, in this work, a world on the verge: 'all systems go and some places broken.'"--Srikanth Reddy "Witty, mordant, despairing, yet peculiarly refreshing poems: Lindsay Turner has done the thing few can do--she has made lyric critical; she makes thought sing. 'Tuesday and I want an image / of the ecological condition / these raindrops just aren't normal." These are incantations of and against a seeping duress--with weird skies, ugly offices, bank holidays, ominous weather, bad feelings and wrong life. Her antennae quiver in this mood of disaster, as her poems become a 'keeper of our collective distress.' Songs, ballads, ditties, fractured meditations: these poems offer a countermeasure, a countersong against the modern regime of blighting calculation. With their beguiling and wrong-footing music, these poems keep time and keep our time; they are insistent, seductive, surprising. The ocean, love, a day's measure: are they 'nothing to us'? Are we 'good for nothing'? Keenly intelligent poems of dispossession and divestiture, they crack a smart whip in their ludic and paradoxically soulful deadpan."--Maureen N. McLane
Rudyard Kipling was an English short-story writer, novelist and poet, remembered for his celebration of British imperialism and heroism in India and Burma. Kipling was the first Englishman to receive the Nobel Prize for Literature (1907). His most popular works include The Jungle Book (1894) and The Just So Stories (1902), a collection of tales about how animals came to be the way they are today, also The Day's Work, a novel (1898). Book jacket.