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Andr? Loiselle presents the first in-depth analysis of both Arcand films within the context of Quebec culture.
The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.
Denys Arcand is best known outside Canada for three films that were nominated for Academy Awards for Best Foreign-Language Film: The Decline of the American Empire (1986), Jesus of Montreal (1989), and The Barbarian Invasions (2003), the last of which won the Award. Yet Arcand has been making films since the early 1960s. When he started making films, Quebec was rapidly transforming from a relatively homogeneous community, united by its Catholic faith and French language and culture, into a more fragmented modern society. The Films of Denys Arcand sheds light on how Arcand addressed the impact of these changes from the 1960s, when the long-drawn-out debate on Quebec's possible separation from the rest of Canada began, to the present, in which the traditional cultural heritage has been further fragmented by the increasing presence of diasporic communities. His career and films offer an ideal case study for exploring the contradictions and tensions that have shaped Quebec cinema and culture in a period of increasing globalization and technological change.
This guidebook contains: 18 walking, cycling or driving tours to help you discover the city's hidden treasures, star-rated so you can better organize your time; More than 250 restaurants and 70 hotels, with our favourites clearly indicated; More than 30 maps to help you get your bearings and make sure you don't miss a thing! Entire chapters devoted to entertainment (with 70 of the best nightspots) and shopping (including everything from hip second-hand stores to upscale boutiques)!
Ever since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan. As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Qubec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking.
Since Greek antiquity, the ‘barbarian’ captivates the Western imaginary and operates as the antipode against which self-proclaimed civilized groups define themselves. Therefore, the study of the cultural history of barbarism is a simultaneous exploration of the shifting contours of European identity. This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. Critically responding to the contemporary popularity of the term ‘barbarian' in political rhetoric and the media, and its violent, exclusionary workings, the study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently.
The Rough Guide to Montréal is your definitive guide to this delightful city. From the churches and cobblestone streets of Vieux-Montréal to the parks and gardens sprinkled throughout the city, the full-colour introduction highlights all the ‘things-not-to-miss’. There are insider reviews of all the best places to stay, eat and drink, whatever your budget, with the new ‘Author’s Pick’ feature highlighting the very best options. There is extensive coverage of Québec City, as well as the Laurentian Mountains and Eastern Townships. The guide also takes and insightful look at Montréal’s history and background and comes complete with maps and plans for every neighbourhood. The Rough Guide to Montréal is like having a local friend plan your trip!
Montreal and Quebec City are like outposts of European culture in the heart of Canada just hours from the US, distinctively Canadian but with a palpable French spirit. The Rough Guide to Montreal takes you through everything in great detail, providing informative and entertaining accounts of what the city has to offer in terms of attractions, restaurants, accomodation and its vibrant nightlife. There is extensive coverage of Quebec City, as well as the snow-capped peaks of the Laurentian Mountains and Eastern Townships, all accessible day-trips from Montreal. In each chapter there are detailed maps and plans covering every neighbourhood. The contexts section includes a useful French language section and glossary.
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.