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A Lakota shaman embarks on a quest to exorcise a dangerous ghost in this true account of paranormal activity and spiritual power. A summoning gone awry leads to problems for Penelope, who is driven from her home by phantom parties, a dancing stove, and demonic force that toss her around like a ragdoll. Looking for help, she turns to her friend Robbie, who brings her to David Rountree, a Lakota shaman. Robbie and David embark on a desperate search for metaphysical knowledge, visiting sites of spiritual power, and acquiring artifacts and allies in their quest to exorcise the demon before it’s too late. David and Robbie’s mission culminates in an astonishing psychic battle on Halloween night. Demon Street, USA is a thrilling account of their encounter with evil and a warning to those who would explore the paranormal. Evil exists—but it can be battled and won!
Fledging guardian angel and yoga teacher Serena St. Clair dares to enter Devil's Paradise nightclub on a mission—to retrieve the wayward Hollywood "It Boy" she's assigned to protect. But she's ambushed by the club's owner, arch demon Julian Ascher. The most powerful demonic entity in Los Angeles, Julian is handsome as sin, a master of temptation who loves nothing more than corrupting pleasure-seeking humans. He won't release the lost soul Serena is supposed to guard. Unless she accepts his dangerous wager… After the disastrous way his human life ended, Julian vowed that no woman would get the better of him again. Yet this sexy-sweet angel, smelling of fresh ocean air and happiness, triggers centuries-old feelings. Now, their high-stakes game of seduction, where angels fall from grace and where demons fear to tread, will lead them either to an eternity in hell…or a deliciously hot heaven.
In the realm between the living and the undead, between human and immortal, four of today's most thrilling authors explore the delight that ensues when opposites come together in these never-before-published paranormal tales... New York Times bestselling author MaryJanice Davidson challenges a charlatan exorcist with a sexy dead woman-and an unnatural romance. USA Today bestselling author Emma Holly introduces a beautiful scientist to the realm of the Demon World...and an irresistible male she has experimented on. National bestselling author Vickie Taylor throws a hell-bent man into the arms of a beautiful dark angel who is driven by ethereal desires of her own. And national bestselling author Catherine Spangler gives a vampire prostitute a last chance at redemption when an angelic hunk offers her a night of divine lovemaking.
The Demon King has started a new monarchy in the United States. It used to be that the president was the most powerful person in the country. That all changed when Wrath crossed over to our world. Nothing could stop him. Nothing can kill him. Eventually we all bowed at his altar. Now there are websites dedicated to worshipping him. Countless internet memes about how ridiculously gorgeous he is. And yeah, I can admit he's fine as hell. But he's a villain to end all villains. There's no way I'm falling prey to that. That is until I accidentally cross paths with the Demon King. Wrath demands I bow to him. For a second, I almost do. Being around him is...consuming. But dying is better than surrendering and I refuse. Except when Wrath turns his dark, dangerous power on me...it doesn't work. And now the villain is looking at me like I'm the enemy. I manage to get away, but word quickly spreads -- Rain Low, a nobody from a tourist town is somehow immune to the Demon King. Now Wrath is hellbent on destroying me and those who want to destroy him are hellbent on using me. But I'm no heroine. And I'm certainly no villain. But if I'm going to survive, I have to play the game. If the Demon King wants a fight, he's going to get one. Note: Ruthless Demon King is the first book in a villain enemies-to-lovers paranormal romance trilogy. You can expect lots of tension, action, twists and hate kissing, and a villain you love to love. Ruthless Demon King is a full novel (55k) and will end on a cliffhanger.
Lord Vandeimen returns home from Waterloo to ruined estates, his family all dead. His attempts to recreate something of his heritage leave him deep in debt, and he is ready to commit suicide when a woman bursts into his room with an extraordinary proposal. Mrs. Maria Celestin, widow of a wealthy foreign merchant, will pay him a small fortune to pretend to be her betrothed husband for six weeks. Van cannot refuse, but he is wary of this outrageous good fortune. He is also intent on getting into the widow’s bed. He doesn’t expect to be dragged back into life, and into love, or into a battle to win the woman who bought him.
Demons in the USA argues that the discourse on the demonic that developed in the nineteenth century continues to exert a powerful hold over the American spiritual imagination. The book begins by tracing the conservative Christian encounter with Spiritualism in the nineteenth century and the mode of thinking about the demonic which developed. As Spiritualism’s core principles reappeared in the New Age, Christian interlocutors once more drew on this "anti-Spiritualist" paradigm to condemn the movement. This condemnation is absorbed by and amplified through the film The Exorcist. The author considers how the success of the film disseminates the anti-Spiritualist paradigm in surprising ways, entangling it with entertainment, science, and politics such that it influences psychology, the Satanic Panic of the 1980s, and the contemporary QAnon movement. This entanglement points to the broader argument of the work: While we may wish to think of a film as "entertainment" (and thus, having no bearing on "reality") or demonic material as "religious" (and thus exempt from categories like "politics" or "science"), the truth is that categories are not so easily separated. The author contends that the need to enforce the boundaries of such categories (and the failure to do so) is a hallmark of the intellectual construct of modernity, and that those who believe in demons in the contemporary United States are surprisingly modern in their views. The book grounds the importance of media to the twentieth-and twenty-first- century religious experience, arguing that the United States of today would not be possible without The Exorcist and its products. Demons in the USA will be of particular interest to scholars dealing with religion in America, those with a focus on religion and film, or those involved with contemporary demonology.
Rachel Proudfoot has enough trouble resisting the temptation of rakish Lord Morden without supernatural intervention. When she plays the traditional role of the Demon's Bride at a Walpurgis Night festival, however, a mighty earth spirit attempts to unite them in passion in order to return to the world.
The stereotype of the African American male as a criminal element in society continues to be a major obstacle to greater racial harmony and the elimination of discrimination and racism on all levels in the United States. Often, this criminal stereotype is internalized by African American youth, so they are made to feel as though delinquent behavior is expected from them, and many fall into this trap. Black Demons examines this stereotype and contends that much of the blame for its perpetuation comes from U.S. mass media's negative depictions of African American males. Rome argues that these images foster the myths that help to deepen and strengthen the stereotypes that have plagued the African American community since colonial times. By examining the origins of this criminal stereotype, how it has been used historically, and how it is presently employed, Rome reveals a dangerous current in media depictions of African Americans, one that threatens that community and taints U.S. society as it tries to overcome the legacy of racism. The African American male criminal stereotype continues to be used to justify covert and overt racism in contemporary U.S. society. From television to cinema, music to news coverage, mass media continue to depict African American males running from the law, committing crimes, victimizing women, and generally engaging in illegal behavior. Here, Rome examines those images and offers an explanation for this phenomenon. He discusses the impact of these images on both the African American community and on U.S. society in general. He considers the notion that there is a black pathology, a fundamental weakness in African American families that can be traced back to their experiences as slaves. Finally, he concludes that both the news media and entertainment outlets must discontinue their practice of equating young African American males with aggressiveness, lawlessness, and violence if racism is every to be truly abolished in the United States.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.