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No stranger to violence, professional thief Charlie Trace is still unprepared for an encounter with the Demogorgon, a disciple of Satan sent to earth in the guise of a man.
Collection of ninety-five articles on Roman and European mythologies, reproduced in full with illustrations, from the two-volume Mythologies.
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on poets and poems.
"Frosch offers a fuller psychoanalytic account of Shelley's poetry than previously available, discussing both oedipal and pre-oedipal conflict, the positive and negative attitudes toward both the father and the mother, and the subtle workings, defensive and creative, of the ego."--Jacket.
While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth a
Stranger Things and Philosophy is an important book, the first of its kind to examine the fantastical world of this award-winning, widely beloved, phenomenal show with a philosophical lens. This is important precisely because the show rests so heavily on a complex and thought-provoking mythos based around secretive government experiments and a parallel dimension that darkly reflects readers' own. The series as a whole has asked more questions than it has delivered answers, and the chapters in this volume will explore these topics. From the deepest recesses of the Upside Down, its tunnels snaking beneath the local bookstores of Hawkins, Indiana and who knows where else, this collection of philosophical musings on the world of Stranger Things promises to enlighten readers. This volume considers many of the philosophically related ideas that that come up in the show such as: What are the moral implications of secret government projects? What is the nature of friendship? Does scientific research need to be concerned with ethics? What might it be like to experience the world from the perspective of the Mind Flayer? Is it possible to understand the metaphysics of the Upside Down?
This vocabulary text helps beginning students gain knowledge of basic North American English vocabulary. This North American English edition of the popular English Vocabulary in Use series is appropriate for classroom use and for self-study reference and practice. An easy-to-use format presents a content or grammar-based area of vocabulary on the left-hand page and innovative practice activities on the right-hand page. Sixty units cover approximately 1,200 new vocabulary items. Firmly based on current vocabulary acquisition theory, Vocabulary in Use promotes good learning habits and teaches students how to discover rules for using vocabulary correctly. Both an intermediate and upper-intermediate level are also available. Each level offers an index with phonetic transcriptions and a complete answer key, as well as an edition without answers.
The last two decades have seen the business of researching and writing about Percy Bysshe Shelley change in positive and significant ways. Shelleyan characteristics which were once deemed negative are now reviewed as critically engaging qualities. The New Shelley: Later Twentieth-Century Views is a collection of original essays by some of the leading Romanticists which situates Shelley for our own age, but not only by contextualizing him within our own scene of critical practice, but also by replacing him within his own scene of poetic production.
Shelley has long been viewed as a dreamer isolated from reality, a "beautiful and ineffectual angel," in Arnold's words. In contrast, Stuart Sperry's book emphasizes the life forces originating in the poet's childhood that impelled and shaped his career, and reasserts Shelley's relevance to the social and cultural dilemmas of contemporary life. Concentrating on the major narrative and dramatic poems and the patterns of development they reveal, Sperry reintegrates Shelley's poetry with his life by showing how, following the traumatic events of his early years, the poet sought to preserve and extend those life impulses by creating a network of personal relationships that provided the inspiration and model for his poems. As the circumstances of his life and his relationships to others changed and as his thought evolved, he was led to reshape his major poems. Three chapters at the center of the book, devoted to Shelley's visionary masterpiece Prometheus Unbound, provide the finest introduction so far to its conceptions and intent as well as a powerful vindication of the poet's enduring idealism. In defining Shelley's true originality, Sperry defends the poet against his harshest critics by suggesting that his vision of human potential may represent a vital resource against the competitive drives and self-destructive compulsions of our own day. Sperry's approach to the poetry through the formative events of Shelley's early life provides an excellent biographical introduction. His reinterpretation of the major works and the career will appeal to first-time readers as well as to mature students of Shelley.