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This volume examines violence across Latin America and the Caribbean to demonstrate the importance of subnational analysis over national aggregates.
Dancehall: it's simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community. Electronically influenced, relevant to urban Jamaicans, and highly danceable, dancehall music and culture forms a core of popular entertainment in the nation. As Anne Galvin reveals in Sounds of the Citizens, the rhythms of dancehall music reverberate in complicated ways throughout the lives of countless Jamaicans. Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores. As Sounds of the Citizens illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.
The preeminent sociologist and National Book Award–winning author of Freedom in the Making of Western Culture grapples with the paradox of his homeland: its remarkable achievements amid continuing struggles since independence. There are few places more puzzling than Jamaica. Jamaicans claim their home has more churches per square mile than any other country, yet it is one of the most murderous nations in the world. Its reggae superstars and celebrity sprinters outshine musicians and athletes in countries hundreds of times its size. Jamaica’s economy is anemic and too many of its people impoverished, yet they are, according to international surveys, some of the happiest on earth. In The Confounding Island, Orlando Patterson returns to the place of his birth to reckon with its history and culture. Patterson investigates the failures of Jamaica’s postcolonial democracy, exploring why the country has been unable to achieve broad economic growth and why its free elections and stable government have been unable to address violence and poverty. He takes us inside the island’s passion for cricket and the unparalleled international success of its local musical traditions. He offers a fresh answer to a question that has bedeviled sports fans: Why are Jamaican runners so fast? Jamaica’s successes and struggles expose something fundamental about the world we live in. If we look closely at the Jamaican example, we see the central dilemmas of globalization, economic development, poverty reduction, and postcolonial politics thrown into stark relief.
Based on the author's thesis (doctoral)--University of Bradford.
The Political Logic of Poverty Relief places electoral politics and institutional design at the core of poverty alleviation. The authors develop a theory with applications to Mexico about how elections shape social programs aimed at aiding the poor. They also assess whether voters reward politicians for targeted poverty alleviation programs.
What becomes clear throughout is that there is a paradox at the heart of Latin America's democracies. Despite decades of struggle to replace authoritarian dictatorships with electoral democracies, solid economic growth (leading up to the global credit crisis), and increased efforts by the state to extend the benefits of peace and prosperity to the poor, democracy - as a political system - is experiencing declining support, and support for authoritarianism is on the rise.
Poetry. WINTER, THE UNWELCOME VISITOR is a five-section poetic cycle amending the ordinary with the extraordinary. The work shows versatility in style and form and yet maintains poetic excellence: a careful balance of metaphor, imagery and thought. Always experimental, there is no one style that characterizes the book. From brief and academic, to wordy and effusive, the style shifts according to the subject. Unstintingly political, unforgivingly critical of commonly held ideas about the relationship of humans to the natural world and to each other, the relevance of this work to both a Canadian and an international audience is undeniable.