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Dem Haoles is an innovative and entertaining study of white privilege. Set against the backdrop of Hawaii, Dem Haoles explores how white people or haoles are portrayed and why. The exploration is guided by the concept of images or archetypes, employed to classify and dissect haole representation. Dem Haoles mines normally mundane entertainment vehicles like romantic comedies and action hero dramas and reveals that these artifacts of popular culture are more than mindless entertainment. They are in fact well camouflaged political messaging. The focus on popular culture examined through image analysis makes Dem Haoles entertaining and informative. The examination of popular media is detailed and thorough and will evoke deep nostalgic sentiments. While the insightful analysis of images, its mechanics, and intent will provoke critical thinking. Together this combination makes Dem Haoles a unique and rewarding experience that will both invalidate old perceptions about Hawaii and ruin the simple pleasure of mindless entertainment.
From a hospital bed a dying man unfolds the tale of an arduous life on the fringes of a Hawai‘i sugar plantation in the 1920s. There Kim Sung Wha—laborer, patriot, revolutionary, aviator—envisioned building an airplane from ricepaper, bamboo, and the scrap parts of a broken-down bicycle, an airplane that would carry him back to his Korean homeland and to his wife and children. From the start Sung Wha’s dream is destined to fail, but this moving and passionate work is the story of a man who dares to life past the wreckage of shattered visions. His is a heroic story of loss, of deep love, and of rebirth.
In Hawaii an exciting tradition of local drama is reaching new audiences with plays that deal directly, often humorously, with life in this polychrome island state. The eight plays collected in this anthology celebrate the spirit of that tradition and offer an uninhibited feast for the ear — local language as it is spoken in contemporary Hawaii. In style and subject matter, the plays fall naturally into pairs: Ashes and Reunion are realistic dramas about problems of identity among the Japanese in Hawaii; Oranges Are Lucky and All Brand New Classical Chinese Theater add a touch of surrealism to their treatment of Chinese Americans; In the Alley and Paradise Tours depict the urbanized pressures of jet-age Hawaii at odds with older rhythms of life; and the last two plays, although written for a contemporary audience, draw on classical models- The Travels of Heikiki follows the structure of the historical pageant play, and the hugely popular Twelf Nite O Wateva! is a pidgin adaptation of Shakespeare’s play. Carroll’s introduction is a pioneering essay on the development of local drama that outlines the historical and theatrical context of these plays. The book is complete with a glossary of the pidgin words that appear in five of the eight plays.
This book reclaims Korean history in Hawaii through the examination of works by three local writers of Korean descent: Margaret Pai, Ty Pak, and Gary Pak.
“Carl Hiaasen, meet Hannibal Lecter” in this comedy about a vengeful Hawaiian chef, his greedy rivals, and some very bad table manners (Kirkus Reviews). Joseph Tanumafili’s family-owned food-service business in Honolulu has been the only game in town for years. But when competing caterers from Las Vegas arrive to accommodate the cast and crew of a film shoot, the battle for paradise begins. As far as Joseph and his hotheaded Samoan uncle are concerned, no mainlanders are going to muscle in on native territory. Lines are drawn and everyone’s taking a side: a gay TV producer on romantic rebound; his androgynous New Age–y assistant; a horny stroke survivor in a state of perpetual, chemically induced arousal; an aspiring missionary; a dimwitted bodybuilder; and a sweet-natured pimp. But when the Sin City boys decide to enlist the services of an ecstasy-popping ex-Marine hit man, Joseph hits back. And for such a resourceful chef, the revenge is going to be absolutely delicious. Mark Haskell Smith offers a guide to Hawaii that definitely hasn’t been endorsed by the tourist bureau, nor is it “for those with weak stomachs, prudish minds or delicate ears, but that leaves the rest of us to savor the novel’s many twisted charms” (Baltimore Sun). “Think Elmore Leonard meets Mario Batali.” —Richard Rayner, Los Angeles Times “Perverse black humor and sensuality, totally unexpected situations . . . simply breathtaking.” —Liz Smith, New York Post
Edward Sakamoto is one of Hawai'i's most popular playwrights. His skillfully constructed depictions of "local life" and command of stylized narrative devices have earned him recognition and acclaim both in the Islands and elsewhere in the U.S. The three plays collected here present an expertly dramatized panorama of life in Hawai'i from 1959 to 1994. A'ala Park explores a working-class milieu with honesty and humor in this gripping study of a young man stunted by a slum environment at the time of statehood. Stew Rice, juxtaposing the hopes of the late 1950s with the realities of the late 1970s, charts the fortunes of three highschool buddies and the consequences of their individual decisions to leave or remain in Hawai'i. Aloha Las Vegas centers on a retired baker, land rich but cash poor, who wrestles with the decision to relocate to Las Vegas in 1994. Sakamoto is quick to challenge easy affirmations and identifications. Beneath their feel-good humor and celebration of local language and culture, the plays have a depth and an unpredictability. As Dennis Carroll observes in his Introduction, all of them center on the theme of "Hawai'i versus the mainland" and the challenges of relocation--the ambiguities of the definition of "home" and whether it can ever be recovered or regained--and the special qualities of local life that can or cannot be transplanted. This theme is relevant to all Americans familiar with the immigrant experience, not only those living in Hawai'i. A glossary of pidgin words and terms is included. Edward Sakamoto's trilogy Hawai'i No Ka Oi is available from Lightning Press. Booksellers: To order, please contact: Ingram Book Co., P.O. Box 3006, La Vergne, TN 37086. Phone: 888-884-6472/Fax: 800-876-0186. Individuals: Please order through your local bookseller.
The Weasel--a name that perfectly captured the man. Skinny, with a complexion like sunbaked earth, this Hawaiian in his 40s was a fixture of Waikiki’s underbelly. He lived a transient life, his van doubling as his home when the waves weren't calling. Tourists were his bread and butter, easy marks for the pot he peddled on the sun-drenched beaches. Nights found him smoking ice, mesmerized by Bonnie Lim, a Chinese girl who danced on a stage bathed in colored lights. I’ve known the Weasel for over 20 years, and he has never changed since the day that I met him. A couple of days ago, the Weasel, ever the picture of decorum, was arrested while urinating on a palm tree in front of the Royal Hawaiian Hotel on Kalakaua Street. It wasn’t his first brush with the law, but this time, things were different. Passed out in the drunk tank, he'd become an unwitting victim of identity theft. A parole violator named Mike Dana had appropriated the Weasel's name to secure his own freedom, because there is no bail for a parole violation. So, when the shift changed, Mike said he wanted to bail out using the Weasel’s name, thus leaving the real Weasel holding the bag. My name is Daniel Huna, I’m the Chief Inspector for the Hawaiian State Police, a nickname born from my impressive stature. Three-hundred and thirty pounds, topped with a head the size of a small pumpkin--I wasn't exactly built for subtlety. My demeanor, however, often surprised people. Sweet, even gentle, leading some to question my sexual orientation, but at my size, I answer to no one but myself--and act however I damn well please. This darkly funny crime novel is the fourth installment in the Big Huna series. It’s a wild ride you won't soon forget!
The Bunkers Picking up where Spam Sushi left off, this outrageous crime caper follows the adventures of the Bunkers, a mischievous crew of seven, ten-year-old boys who are back in business. Peddling dried seaweed as pot to tourists in Waikiki is their usual hustle, but when a purse-snatching escapade turns up a kilo of crystal meth instead of cash, their lives take a hilarious and dangerous turn. Selling seaweed as pot is easy, but offloading a kilo of ice? That's a whole other can of worms, especially when you're only ten years old. Enter the Weasel, a colorful forty-year-old surfer with a shady past, who seems like the perfect solution to offload the ice. Except unfortunately, it seems the ice belongs to the ruthless North Korean Mafia. Now, the Bunkers are on the run, pursued by gangsters with serious intent. Can these pint-sized entrepreneurs outrun the mob and avoid a permanent dirt nap? Buckle up for a hilarious, action-packed ride through the neon jungle of Waikiki, where the only thing more dangerous than the streets are the ten-year-old gangsters who rule them. This darkly funny nostalgic crime heist is the second installment in the Big Huna series. It’s a wild ride you won't soon forget!