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Winner of the Nobel Prize for Literature in 1936, the American playwright Eugene O’Neill was the first to introduce into the US the drama techniques of realism, associated with Chekhov, Ibsen and Strindberg. His masterpiece, ‘Long Day’s Journey into Night’, is regarded as one of the greatest works of American drama. O’Neill saw the theatre as a valid forum for the presentation of serious ideas. Imbued with the tragic sense of life, he produced a contemporary drama that had its roots in powerful ancient Greek tragedies. This eBook presents O’Neill’s collected works, with numerous illustrations, rare plays and poetry, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to O’Neill’s life and works * Concise introductions to the major texts * All 21 full-length plays in the US public domain, with individual contents tables * Features rare dramas appearing for the first time in digital publishing * 20 one-act plays * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare poems available in no other collection * Easily locate the poems you want to read * Includes O’Neill’s sole short story * Ordering of texts into chronological order and genres CONTENTS: The Full-Length Plays Bread and Butter (1914) Servitude (1914) The Personal Equation (1915) Now I Ask You (1916) Beyond the Horizon (1918) The Straw (1919) Chris Christophersen (1919) Gold (1920) Anna Christie (1920) The Emperor Jones (1920) Diff’rent (1921) The First Man (1922) The Hairy Ape (1922) The Fountain (1923) Marco Millions (1923) All God’s Chillun Got Wings (1924) Welded (1924) Desire under the Elms (1924) Lazarus Laughed (1925) The Great God Brown (1926) Strange Interlude (1928) The One-Act Plays Bound East for Cardiff (1914) In the Zone (1917) The Long Voyage Home (1917) Moon of the Caribbees (1918) A Wife for a Life (1913) The Web (1913) Thirst (1913) Recklessness (1913) Warnings (1913) Fog (1914) Abortion (1914) The Movie Man (1914) The Sniper (1915) Before Breakfast (1916) Ile (1917) The Rope (1918) Shell Shock (1918) The Dreamy Kid (1918) Where the Cross Is Made (1918) Exorcism (1919) The Short Story Tomorrow (1917) The Poetry The Poems of Eugene O’Neill
Winner of the Nobel Prize for Literature in 1936, the American playwright Eugene O’Neill was the first to introduce into the U.S. the drama techniques of realism, associated with Chekhov, Ibsen and Strindberg. His masterpiece, ‘Long Day’s Journey into Night’, is regarded as one of the greatest works of American drama. O’Neill saw the theatre as a valid forum for the presentation of serious ideas. Imbued with the tragic sense of life, he produced a contemporary drama that had its roots in powerful ancient Greek tragedies. For the first time in publishing history, this eBook presents O’Neill’s complete works, with numerous illustrations, rare plays and poetry, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to O’Neill’s life and works * Concise introductions to the major texts * All 30 full-length plays, with individual contents tables * Features rare dramas appearing for the first time in digital publishing, including the late masterpieces ‘A Touch of the Poet’ and ‘More Stately Mansions’ * Includes all 21 one-act plays, first time in digital print * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare poems available in no other collection * Easily locate the poems you want to read * Includes O’Neill’s sole short story and his humorous sketch * Ordering of texts into chronological order and genres CONTENTS: The Full-Length Plays Bread and Butter (1914) Servitude (1914) The Personal Equation (1915) Now I Ask You (1916) Beyond the Horizon (1918) The Straw (1919) Chris Christophersen (1919) Gold (1920) Anna Christie (1920) The Emperor Jones (1920) Diff’rent (1921) The First Man (1922) The Hairy Ape (1922) The Fountain (1923) Marco Millions (1923) All God’s Chillun Got Wings (1924) Welded (1924) Desire under the Elms (1924) Lazarus Laughed (1925) The Great God Brown (1926) Strange Interlude (1928) Dynamo (1929) Mourning Becomes Electra (1931) Ah, Wilderness! (1933) Days without End (1933) The Iceman Cometh (1940) Long Day’s Journey into Night (1941) A Moon for the Misbegotten (1947) A Touch of the Poet (1958) More Stately Mansions The One-Act Plays Bound East for Cardiff (1914) In the Zone (1917) The Long Voyage Home (1917) Moon of the Caribbees (1918) A Wife for a Life (1913) The Web (1913) Thirst (1913) Recklessness (1913) Warnings (1913) Fog (1914) Abortion (1914) The Movie Man (1914) The Sniper (1915) Before Breakfast (1916) Ile (1917) The Rope (1918) Shell Shock (1918) The Dreamy Kid (1918) Where the Cross Is Made (1918) Exorcism (1919) Hughie (1941) The Short Story Tomorrow (1917) The Poetry The Poems of Eugene O’Neill The Sketch The Last Will and Testament of an Extremely Distinguished Dog (1940)
Amusement is an emotion with power. It has the power to make us laugh, but it can also have a power over us (for good or for ill) to control our attention or memory. Amusement can empower our resistance to oppression, or it can itself become an oppressive force. Our amusement can make others feel shame. Amusement even has the power to affect (and be affected by) out moral assessment of others. This volume offers twelve essays from leading and emerging scholars that explore the moral quagmire that is the emotion of amusement. It is a collection that considers the moral psychology of amusement from a range of perspectives, going as far back as ancient Chinese and Greek philosophy up to the most current psychological and sociological findings.
Reels for 1973- include Time index, 1973-
An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times
This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.