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The IFLA Religious Libraries in Dialogue Special Interest Group is dedicated to libraries serving as places of dialogue between cultures through a better knowledge of religions. This book based on experiences of libraries serving interreligious dialogue, presents themes like library tools serving dialogue between cultures, collections dialoguing, children and young adults dialoguing beyond borders, story telling as dialog, librarians serving interreligious dialogue.
Napoleon Bonaparte dominated the public life of Europe like no other individual before him. Not surprisingly, the story of the man himself has usually swamped he stories of his subjects. This book looks at the history of the Napoleonic Empire from an entirely new perspective – that of the ruled rather than the ruler. Michael Broers concentrates on the experience of the people of Europe – particularly the vast majority of Napoleon's subjects who were neither French nor willing participants in the great events of the period – during the dynamic but short-lived career of Napoleon, when half of the European content fell under his rule.
Histories of the Napoleonic period are almost exclusively biographies of the man, or political-military accounts of his wars. But such wars were only the first stage in a far more ambitious programme; the establishment of a rational state which would force the pace of modernising society. Through an examination of the experiences of French domination, Napoleon's Integration of Europe explores the implications of such a project for France and its relationship with the rest of Europe. It examines the problems of ruling a progressively expanding empire, as seen through the eyes of a trained corps of bureaucrates who were convinced that their scientific methods would enable them to understand and govern the mechanisms of society. However it also looks at the populations subjected to French rule, at the nature of their resistance and adaptation to the principles of the Napoleonic project. This book is the first overall comparative study of Europe in the Napoleonic years. It is a study not only of an early exercise in imperialism, but of the conflict that is aroused between the rationalising tendencies of the modern state and the spatial and cultural heterogeneity of individual societies. As well as a history of France, it is also a history of Italy, Germany, Belgium, Holland, Switzerland, Poland and Spain at a crucial moment in the history of each nation state.
First produced in Venice in 1761, The Impresario From Smyrna is a comedy depicting the vanities of eighteenth century Italian opera singers. Ali, a wealthy merchant from Smyrna, is planning to introduce Italian opera into Turkey and has enlisted the aid of two agents, Count Lasca and Nibio. Ali is attracted to three pretty sopranos, Lucrezia, Tognina and Annina, but their constant bickering over who is to be considered the prima donna and the exorbitant demands of all concerned make him reconsider his plans. He returns to the relative peace of his Smyrna harem, leaving the company a small sum of money, which they decide to spend on launching a theatre.From the performers to the impresario, the play is a funny look at behind-the-scene rivalries, diva fits, casting couches and audition gossip but it is also about the beautiful vulnerability of the romanticized artistic personae and the mythologies that surround stage life."
This encyclopedic guide explores the rich and varied meanings of more than 2,000 symbols—from amethyst to Zodiac.
This republication gives a new generation of readers access to an important intervention in Marxism and social theory. Making History is about the question of how human agents draw their powers from the social structures they are involved in.