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A collection of essays on Florentine history by a seasoned and innovative Renaissance scholar
The sixth volume of The New Cambridge Medieval History covers the fourteenth century, a period dominated by plague, other natural disasters and war which brought to an end three centuries of economic growth and cultural expansion in Christian Europe, but one which also saw important developments in government, religious and intellectual life, and new cultural and artistic patterns. Part I sets the scene by discussion of general themes in the theory and practice of government, religion, social and economic history, and culture. Part II deals with the individual histories of the states of western Europe; Part III with that of the Church at the time of the Avignon papacy and the Great Schism; and Part IV with eastern and northern Europe, Byzantium and the early Ottomans, giving particular attention to the social and economic relations with westerners and those of other civilisations in the Mediterranean.
This volume retraces the history, art and culture of the city of Florence through three unique festivities: the festival of New Year ab Incarnatione Domini and those celebrating the figures of Saint Anne and of Saint Reparata. All these festivals with their sacred connotations have been characterised, since ancient times, by political, civic or secular values. As Florentine citizens, curious about the world and in love with our city, the authors would like to underline how these values have continued to be vigorously represented up to the present day in new forms, and have also contributed to forming the distinctive character of the city of the lily. In this book, the reader will find both very famous and lesser-known artists and works of art that will allow them to better understand the history of this Tuscan city.
Originally published in 1967. With the waning of the Middle Ages, the life of the Italian polis underwent a gradual but unmistakable transformation. The leisurely decentralization of the medieval commune, which had its roots in feudalism, the code of chivalry, and religious faith, gave place to the tight despotism of the fourteenth century. This in turn yielded to democratized government and finally to a stricter legalistic and puritanical rule. Marvin Becker's two-volume study of Florence examines this metamorphosis and establishes its relationship to the emergence of the Renaissance state. Volume One traces the decline of the communal paideia in its political, social, and cultural aspects. Through an intensive examination of the fiscal and juridical records of the period and the documents of contemporary literature, Dr. Becker demonstrates the relationship between the death of communal ideals and the centralization of political power, and between the emergence of a strong middle class and a respect for public law. He shows the patricians discovering a community of interest with the burghers, and the vendetta being replaced by courts of law. Finally, he traces the growing ability of the Florentine citizenry to cope with crisis through the newly strengthened organs of the republic. Volume Two will discuss the establishment of Florence as a Renaissance city-state with particular emphasis on the continuum between the medieval commune of the late thirteenth and early fourteenth centuries and the centralized city of the mid-fourteenth century. A unique contribution of this volume lies in the use made of painstaking and detailed investigation of the voluminous archival resources of the Archivio di Stato of Florence—some of which have since been destroyed by the 1966 flood. In pursuit of what actually took place during communal council meetings, what legislation was passed and what rejected, Dr. Becker scrutinized tens of thousands of documents in a variety of categories, obtaining first-hand knowledge of the careers of those in power, and gaining illuminating insights into motivations and actions. Political, social, and cultural historians will find Florence in Transition, Volume One, a helpful elucidation of the dynamics of historical change and the birth of a state.
This book, analyzing the government of Florence during one of her most critical periods, and the forces that destroyed it, is the first study of the Florentine Trecento to use archival sources of the communal government systematically. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Lust for Liberty challenges long-standing views of popular medieval revolts. Comparing rebellions in northern and southern Europe over two centuries, Samuel Cohn analyzes their causes and forms, their leadership, the role of women, and the suppression or success of these revolts. Popular revolts were remarkably common--not the last resort of desperate people. Leaders were largely workers, artisans, and peasants. Over 90 percent of the uprisings pitted ordinary people against the state and were fought over political rights--regarding citizenship, governmental offices, the barriers of ancient hierarchies--rather than rents, food prices, or working conditions. After the Black Death, the connection of the word liberty with revolts increased fivefold, and its meaning became more closely tied with notions of equality instead of privilege. The book offers a new interpretation of the Black Death and the increase of and change in popular revolt from the mid-1350s to the early fifteenth century. Instead of structural explanations based on economic, demographic, and political models, this book turns to the actors themselves--peasants, artisans, and bourgeois--finding that the plagues wrought a new urgency for social and political change and a new self- and class-confidence in the efficacy of collective action.
Best known as the author of the Decameron, Giovanni Boccaccio is a key figure in Italian literature. In the mid-fourteenth century, however, Boccaccio was also deeply involved in the politics of Florence and the extent of his involvement steered and inspired his work as a writer. Boccaccio’s Florence explores the financial, political, and social turbulence of Florence at this time, as well as the major players in literary and political circles, to understand the complex ways they emerged in Boccaccio’s writing. Based on extensive archival research and close reading of Boccaccio’s works, the book aims to recover the dynamics of the Florentine conspiracy of 1360 and how this event affected Boccaccio’s writing, arguing that his works reveal clear references to this episode when read in light of the reconstructed historical context. In this rich and textured picture of the man in his time, Elsa Filosa documents a microhistory of connections and interconnections and offers new, more political and historically imbedded readings of Boccaccio’s seminal works.