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The Truth of Delhi Riots is Unearthing Gradually “As per our plan, on February 24 we called several people and told them how stones, petrol bombs and acid bottles are to be thrown. I shifted my family to another place. At about 1.30 p.m. in the afternoon on February 24 we began pelting stones.” Only those who are not familiar with the real face of the Aam Aadmi Party will be surprised or shocked by the above statements made by the now expelled counsellor Tahir Hussain. The Aam Aadmi Party used its network of people associated with mosques and madarsas and relied on leaders such as Tahir Hussain and Amanat Ulla Khan to bag the Muslim votes in Delhi. In return for the votes, it seems that the party gave the license to a specific community to consign north east Delhi to flames. Now that the chargesheet has been finalised by the Delhi Police about the riots that took place in East Delhi, it will be a fallacy to disassociate the riots that took place in places such as Jafrabad, Maujpur, Babarpur, Gokul Puri, Karawal Nagar, Bhajanpura, Yamuna Vihar from the violence that took place during the anti-CAA protests. The violence that occurred during the anti-CAA protests in places such as Shaheen Bagh, Jamia Nagar, Seelampur were actually the precursor to a big riot. The riot that took place in the north-east parts of Delhi during US President Donald Trump's visit from February 23-26, 2020. For the violence that was orchestrated during these riots, the work of collecting empty bottles, stones and storing these on rooftops of houses had begun on February 4. Many people of the Muslim community had filled petrol in their vehicles so that this fuel could later be used for making petrol bombs. In many Muslim families, pamphlets about such riots were distributed with instructions on how to deal with Hindus. It is not rocket science to understand that the Muslim community was already prepared for the riots that broke out in north-east Delhi. Hindus did not get a chance to get their act together. Slowly the conspiracy behind the riots is unraveling and the lies perpetrated by the Communist ecosystem are falling flat. "DELHI RIOTS: Conspiracy Unravelled" by Aditya Bhardwaj / Ashish Kumar Anshu: Authored by Aditya Bhardwaj and Ashish Kumar Anshu, this book appears to be a work of investigative journalism that delves into the Delhi riots, aiming to unravel the alleged conspiracy behind the violent events. It may provide a detailed account of the incidents, key players, and their motivations. Key Aspects of the Book "DELHI RIOTS: Conspiracy Unravelled": Investigative Reporting: Aditya Bhardwaj and Ashish Kumar Anshu likely offer an in-depth investigation into the Delhi riots, shedding light on the behind-the-scenes developments. Alleged Conspiracy: The book may present a narrative that suggests a conspiracy was involved in the riots, exploring the motives and actions of those believed to be responsible. Contemporary Events: "DELHI RIOTS: Conspiracy Unravelled" may provide readers with a comprehensive understanding of the Delhi riots and their implications. Both Aditya Bhardwaj and Ashish Kumar Anshu are likely investigative journalists committed to uncovering the truth behind significant events.
The book 'Delhi Riots 2020: The Untold Story' is published from ground research material on the Delhi Riots that occurred in February 2020. This material was collected by the authors and their team during their many visits to the riot-affected areas of North East Delhi. The research team met both Hindu and Muslim victims of the violence and religious leaders of both communities who attempted to de- escalate the situation. The book contains eight chapters which narrate the fact and evidence-based story of the dharna-to-danga model, planned and executed by Urban Naxal and Jihadi elements in Delhi.
Memoirs of an Indian freedom fighter and social worker.
Winner of the 2020 Association for Political and Legal Anthropology Book Prize Shortlisted for the Orwell Prize Shortlisted for the New India Foundation Book Prize Anthropologist Alpa Shah found herself in an active platoon of Naxalites—one of the longest-running guerrilla insurgencies in the world. The only woman, and the only person without a weapon, she walked alongside the militants for seven nights across 150 miles of dense, hilly forests in eastern India. Nightmarch is the riveting story of Shah's journey, grounded in her years of living with India’s tribal people, an eye-opening exploration of the movement’s history and future and a powerful contemplation of how disadvantaged people fight back against unjust systems in today’s world. The Naxalites have fought for a communist society for the past fifty years, caught in a conflict that has so far claimed at least forty thousand lives. Yet surprisingly little is known about these fighters in the West. Framed by the Indian state as a deadly terrorist group, the movement is actually made up of Marxist ideologues and lower-caste and tribal combatants, all of whom seek to overthrow a system that has abused them for decades. In Nightmarch, Shah shares some of their gritty untold stories: here we meet a high-caste leader who spent almost thirty years underground, a young Adivasi foot soldier, and an Adivasi youth who defected. Speaking with them and living for years with villagers in guerrilla strongholds, Shah has sought to understand why some of India’s poor have shunned the world’s largest democracy and taken up arms to fight for a fairer society—and asks whether they might be undermining their own aims. By shining a light on this largely ignored corner of the world, Shah raises important questions about the uncaring advance of capitalism and offers a compelling reflection on dispossession and conflict at the heart of contemporary India.
Revolutionary Desires examines the lives and subjectivities of militant-nationalist and communist women in India from the late 1920s, shortly after the communist movement took root, to the 1960s, when it fractured. This close study demonstrates how India's revolutionary women shaped a new female – and in some cases feminist – political subject in the twentieth century, in collaboration and contestation with Indian nationalist, liberal-feminist, and European left-wing models of womenhood. Through a wide range of writings by, and about, revolutionary and communist women, including memoirs, autobiographies, novels, party documents, and interviews, Ania Loomba traces the experiences of these women, showing how they were constrained by, but also how they questioned, the gendered norms of Indian political culture. A collection of carefully restored photographs is dispersed throughout the book, helping to evoke the texture of these women’s political experiences, both public and private. Revolutionary Desires is an original and important intervention into a neglected area of leftist and feminist politics in India by a major voice in feminist studies.
This book is a collection of letters and debates exchanged between Mahatma Gandhi and Rabindranath Tagore between 1915 and 1941. The introduction by the compilor examines the historical context of the correspondence and provides an overview of the major issues discussed.
The states of West Asia continue to grapple with dramatic changes taking place in the domestic and regional environment. Security has emerged as a significant concern for them. Political upheavals, civil strife, sectarian violence and terrorism in the area have implications on a regional and global order. As the region grapples with myriad socio-economic problems, many extra-regional players and non-state actors, and a few regional ones, are attempting to carve out their own areas of influence. These developments across West Asia demand constant monitoring and careful analyses. This book is a collection of essays exploring various aspects of the changing security paradigm in West Asia and the regional and international responses. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
The fifty-one essays compiled in this book were written over a forty-year period by India's leading independent filmmaker. They provide new insights into a turbulent era in modern India's cultural history. Although known primarily as a filmmaker, Kumar Shahani has taught, spoken and written on a variety of subjects over this period, that include the cinema, but also politics, aesthetics, history and psychoanalysis. In these essays Shahani addresses diverse political issues, aesthetic practice, questions of artistic freedom and censorship. There are also personal essays on filmmakers and artists including his teachers and colleagues. Shahani's often polemical positions, as they occur in several previously unpublished essays and presentations, are essential contributions to film and cultural histories of the Indian cinema as well as of the New Cinema worldwide. The book includes a comprehensive introductory essay, "Kumar Shahani Now," by Ashish Rajadhyaksha.
This volume is a collection of scholarly papers that explore the complex issues concerning English Studies in the present Indian context. The discussions in this volume range from historical perspectives to classroom-specific pedagogies, from sociological and political hierarchies to the dynamics of intellectual development in the English language environment. Interrogating both policy and practice pertaining to English Studies in the context of Indian society, culture, history, literature and governance, the chapters seek to formulate contemporary perspectives to these debates and envision alternative possibilities. Since the introduction of English to India more than 2 centuries ago, the language has transmuted the very fabric of Indian society, culture, history, literature and governance. The idea of India cannot be conceived in its entirety without taking into consideration the epistemological role that English has played in its formation. The present globalized world order has added dimensions to English Studies which are radically different from those of India’s colonial and postcolonial past. It is therefore imperative that the multitudinous shades and shadows of the discipline be re-examined with inputs drawn from the present context. This volume is for scholars and researchers of English literature and language studies, linguistics, and culture studies, and others interested in exploring new paradigms of engagement with the disciplinary formulation of English Studies in India.
This book foregrounds the subjectivity of ‘acting women’ amidst violent debates on femininity and education, livelihood and labour, sexuality and marriage. It looks at the emergence of the stage actress as an artist and an ideological construct at critical phases of performance practice in British India. The focus here is on Calcutta, considered the ‘second city of the Empire’ and a nodal point in global trade circuits. Each chapter offers new ways of conceptualising the actress as a professional, a colonial subject, simultaneously the other and the model of the ‘new woman’. An underlying motif is the playing out of the idea of spiritual salvation, redemption and modernity. Analysing the dynamics behind stagecraft and spectacle, the study highlights the politics of demarcation and exclusion of social roles. It presents rich archival work from diverse sources, many translated for the first time. This book makes a distinctive contribution in intertwining performance studies with literary history and art practices within a cross-cultural framework. Interdisciplinary and innovative, it will appeal to scholars and researchers in South Asian theatre and performance studies, history and gender studies.