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Drawing on a career-long exploration of 1960s French philosophy, Leonard Lawlor seeks a solution to 'the problem of the worst violence'. The worst violence is the reaction of total apocalypse without remainder; it is the reaction of complete negation and death; it is nihilism. Lawlor argues that it is not just transcendental violence that must be minimised: all violence must itself be reduced to its lowest level. He offers new ways of speaking to best achieve the least violence, which he creatively appropriates from Foucault, Derrida and Deleuze and Guattari as 'speaking-freely', 'speaking-distantly' and 'speaking-in-tongues'.
Deleuze refers to the apocalyptic both positively, declaring retrospectively that Difference and Repetition was apocalyptic in its purpose, and negatively, sharing the horror expressed in D.H. Lawrence's Apocalypse. Deleuze scholars, for their part, tend either to find in Deleuze a manner of living resistance that compels a certain apocalyptic appreciation, or to fear in Deleuze the very same and wonder how a philosophy that seems largely purposed for the promotion of disruption could be anything but escapist at best and socially-politically counterproductive at worst. This thesis is a Deleuzian investigation into the concept of apocalypse: how apocalypse can be constituted as a properly philosophical concept from Deleuze's reading of Lawrence's reading of the Book of Revelation, how that philosophical concept of apocalypse is transformed into an affirmative concept in Deleuze's thought, and how, as such, it reveals not only the importance of deterritorialization, but also that of reterritorialization, in the creative orientation towards the actual advocated by Deleuze.
Despite the ever-expanding body of Deleuzian scholarship, single volume has explored the religious dimensions of Delueze's writing. Now, Mary Bryden has assembled a team of international scholars to do just that. Their essays illustrate the ways in which Deleuzian thought is antithetical to religious debate, as well as the ways in which it contributes to those debates. This volume will be invaluable for researchers, teachers and students of theology, philosophy, critical theory, cultural studies and literary criticism as well as to students of French who read Deleuze's work in its original language.
What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new.
French philosophers Gilles Deleuze and Felix Guattari worked together extensively from the 1960s into the 1990s, and the resulting "intersections" of their different sensibilities and modes of knowing fueled powerful alternatives to Marxian and psychoanalytic orthodoxies. Yet readers approaching Deleuze and Guattari's works are often frustrated by the paucity or unfamiliarity of specific examples that might clarify their complex arguments. This timely volume "animates" key concepts and terminology by applying them to provocative readings of literary texts, films, and cultural phenomena--from Apocalypse Now to Cajun music and dance. Drawing extensively from primary and critical sources to elucidate Deleuze and Guattari's theoretical contributions, Stivale reinvigorates their "two-fold thought" for use as an analytical tool in the humanities and social sciences. The book also offers a clear introduction to the precollaborative phase of each thinker's work, an interview Stivale conducted with Guattari, and the first-time English translation of a 1967 essay by Deleuze. Winner--Board of Governors Faculty Recognition Award, Wayne State University
Seeing the Apocalypse: Essays on Bird Box is the first volume to explore Josh Malerman’s best-selling novel and its recent film adaptation, which broke streaming records and became a cultural touchstone, emerging as a staple in the genre of contemporary horror. The essays in this collection offer an interdisciplinary approach to Bird Box, one that draws on the fields of gender studies, cultural studies, and disability studies. The contributors examine how Bird Box provokes questions about a range of issues including the human body and its existence in the world, the ethical obligations that shape community, and the anxieties arising from technological development. Taken together, the essays of this volume show how a critical examination of Bird Box offers readers a guide for thinking through human experience in our own troubled, apocalyptic times.
The philosophy of Deleuze is as relevant to contemporary thought as it is obscure and complex. Deleuze at the End of the World guides readers through this maze by exploring the raw material that Deleuze took from thinkers in various fields of knowledge to construct his own concepts, some of them well known (such as Hegel, Kant, Husserl, Balibar and Blanchot) and some widely unexplored (Selme, Guillaume, Bakhtine and Dalcq). At the same time, readers will gain access to Latin American perspectives on contemporary philosophy. Contextualized with an Introduction by one of the pioneers of the Deleuzian Studies at a global level, Dorothea Olkowski, this book provides both a unique tool for comprehending the philosophy of Deleuze, but also insight into to the way it has been read in the periphery of the American and European scholarship –where “the end of the world” means not only a geographical contingency, but the encounter of thought with its own limits. This collection is both a refreshing approach to Deleuzian philosophy, as well as a continuous and innovative experience of thinking.
This volume brings together some of the leading voices in the field of Deleuze studies to explore – and practice – a variety of approaches to the schizoanalysis of religion. The authors share an enthusiasm for applying Deleuze and Guattari's schizoanalytic project to “religion,” but they display significantly different ways of carrying out its creative and destructive tasks. As a whole, the book addresses the relevance of Deleuze for contemporary developments in political theology, liberation theology, Christian doctrine, and the recent growth of interest in spirituality and atheism. Opening up new lines of flight for Deleuze studies, Deleuze and the Schizoanalysis of Religion makes rhizomic connections that will be of interest to scholars in other fields including theology, psychology of religion, philosophy of religion and the history and practice of Western esotericism.
The end of the world may be upon us, but it certainly is taking its sweet time playing out. The walkers on The Walking Dead have been "walking" for nearly a decade. There are now dozens of apocalyptic television shows and we use the "end times" to describe everything from domestic politics and international conflict, to the weather and our views of the future. This collection of new essays asks what it means to live in a world inundated with representations of the apocalypse. Focusing on such series as The Walking Dead, The Strain, Battlestar Galactica, Doomsday Preppers, Westworld, The Handmaid's Tale, they explore how the serialization of the end of the world allows for a closer examination of the disintegration of humanity--while it happens. Do these shows prepare us for what is to come? Do they spur us to action? Might they even be causing the apocalypse?
This introduction to a biblical theology of the New Testament seeks to revitalize our engagement with the Scriptures for the twenty-first century by showing not only how the assemblage of ancient writings consisting of both Old and New Testaments is intrinsically relevant, but also how we can remain faithful to Jesus Christ, the organizing principle of those writings, in the process. The book is an invitation to all people of goodwill—believers and unbelievers, liberals and conservatives—to put aside their differences in order to cooperate in the revolution that Jesus inaugurated, the creation of a new and better world in the here and now as an anticipation of the eschatological finale. In an age in which many people are overwhelmed by life and looking for ways to cope, this book offers fresh perspectives and penetrating insights that are grounded in solid biblical scholarship with the aid of contemporary philosophical concepts.