Download Free Deleuze And American Literature Book in PDF and EPUB Free Download. You can read online Deleuze And American Literature and write the review.

Bourassa demonstrates what happens when the set of concepts developed by Deleuze come into contact with the complex and philosophically problematic worlds of William Faulkner, Cormac McCarthy, Edith Wharton and Ralph Ellison.
Although he is best known as a philosopher, Deleuze's interests were extremely far reaching - in addition to his important critiques of major philosophers like Kant, Hume and Spinoza, he also wrote extensively on literature, cinema and art. Characteristically, he didn't apply philosophy to the arts, he always tried to extract philosophy from them. Deleuze wrote widely on literature, but always with an eye to extract something new and interesting, never merely to interpret. Indeed, his most notorious slogan was 'don't ask what it means? Ask how it works?' He wrote monographs on Proust, Kafka and Sacher-Masoch. He also wrote essays on Beckett, Melville, Jarry, T.E. Lawrence, D.H. Lawrence, and Whitman. The essays collected in this volume are the first devoted solely to Deleuze's work on literature. Written by leading Deleuzian scholars the essays focus on two main questions: how does Deleuze read literary texts? And how can we read texts in a Deleuzian way? Contributors: Bruce Baugh, Ian Buchanan, Claire Colebrook, Andre Pierre Colombat, Tom Conley, Hugh Crawford, Marlene Goldman, Eugene W. Holland, Greg Lambert, John Marks, Timothy S. Murphy and Kenneth Surin
In Kafka Deleuze and Guattari free their subject from his (mis)intrepreters. In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.
Song from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately connected to the awakening of Azerbaijanian national consciousness while ruled by the Russian Empire and the USSR, mugham is inseparable from the contexts in which it is produced and heard. Inna Naroditskaya provides the historical and political contexts for mugham and profiles the musicians, musical genealogies, and musical institutions of Azerbaijan.
This collection takes up the challenge of thinking spatially by exploring Deleuze's spatial concepts in applied contexts: architecture, cinema, urban planning, political philosophy and metaphysics. In doing so, it brings together some of the most accomplished Deleuze scholars writing today - Reda Bensmaia, Ian Buchanan, Claire Colebrook, Tom Conley, Manuel DeLanda, Gary Genosko, Gregg Lambert and Nigel Thrift.
Gilles Deleuze has been labelled as the "post-x" thinker: post-structuralist, post-modern, post-Spinozist, post-Nietzschean, and even post-utopian. An Introduction to the Philosophy of Gilles Deleuze explores such categorizations and places Deleuze and Deleuzian method at the heart of contemporary thought.Contributors include: Giorgio Agamben, Mary Bryden, Gilles Deleuze, Jean Khalfa, Claude Imbert, Alain MTnil, Bento Prado, Juliette Simont, Ronald Bogue, Jonathan Philippe.
Deleuze and the Genesis of Representation is a systematic study of three of Deleuze's central works: Difference and Repetition, The Logic of Sense and, with Guattari, Anti-Oedipus. Hughes shows how each of these three works develops the Husserlian problem of genetic constitution. After an innovative reading of Husserl's late work, Hughes turns to a detailed study of the conceptual structures of Deleuze's three books. He demonstrates that each book is surprisingly similar in its structure and that all three function as nearly identical accounts of the genesis of representation. In a highly original and crucial contribution to Deleuze Studies, this book offers a provocative perspective on many of the questions Deleuze's work has raised: What is the status of representation? Of subjectivity? What is a body without organs? How is the virtual produced, and what exactly is its function within Deleuze's thought as a whole? By contextualizing Deleuze's thought within the radicalization of phenomenology, Hughes is able to suggest solutions to these questions that will be as compelling as they are controversial.
>
This book offers a readable and compelling introduction to the work of one of the twentieth century's most important and elusive thinkers. Other books have tried to explain Deleuze in general terms. Todd May organizes his book around a central question at the heart of Deleuze's philosophy: how might we live? The author then goes on to explain how Deleuze offers a view of the cosmos as a living thing that provides ways of conducting our lives that we may not have dreamed of. Through this approach the full range of Deleuze's philosophy is covered. Offering a lucid account of a highly technical philosophy, Todd May's introduction will be widely read amongst those in philosophy, political science, cultural studies and French studies.
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.