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In a unique collection of essays that covers the expanse of the Arab popular protest movements, this volume offers spirited contributions that elucidate the remarkable variation and context behind the fourth estate's engagement with these mass protests.
An introduction and research guide to onomastics, this book covers the major areas of name study in individual chapters on personal names, place names, acronyms, brand names and trade names. Every topic comprises a discussion of underlying principles as well as numerous illustrative examples.
Quinn looks for his missing dog Barley in Central Europe, while Barley looks for Quinn. Friendly strangers help the two along the way, as they encounter strange creatures, troublesome squirrels, and wondrous landscapes. In takes a journey through half a dozen countries for the two friends to find the true meaning of home.
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as “the father of modernist primitivism.” In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.
Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts.