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Del “imperium a la auctoritas” es un homenaje a Michael Grant, quien en 1946 publicaba su célebre libro sobre la oscura historia romana entre César y Augusto, basado esencialmente en las emisiones monetarias imperiales de Ae. “From Imperium to Auctoritas” es un libro que ha provocado múltiples replanteamientos y un avance importante en el conocimiento de este periodo. Las novedades surgidas en diferentes disciplinas epigráficas, literarias y arqueológicas, las mismas que utilizó M. Grant para arropar sus propuestas numismáticas, han dado lugar a la organización de un coloquio celebrado en Zaragoza en mayo del 2007. Este libro recoge las aportaciones de tal coloquio unido a contribuciones posteriores con el objeto de presentar novedades arqueológicas y replanteamientos históricos valiosos sobre este periodo.
Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.
This title brings together contributions which rethink the role of public speech in the Roman Republic. With careful attention to a range of evidence, it shines a light on orators and considers the oratory of diplomatic exchanges and impromptu heckling and repartee alongside the familiar genres of forensic and political speech.
What changes in the material culture can we observe, when a state is overwhelming a local population with soldiers, katoikoi, and civil officials or merchants? What were the mutual influences between native and colonial cultures? This collection addresses these questions and many more, focusing on the Hellenistic and Roman East.
A richly illustrated introduction to the contribution of Roman and provincial coinage to the history of this period, aimed at undergraduates.
This volume addresses the fundamental importance of the army, warfare, and military service to the development of both the Roman Republic and wider Italic society in the second half of the first millennium BC. It brings together emerging and established scholars in the area of Roman military studies to engage with subjects such as the relationship between warfare and economic and demographic regimes; the interplay of war, aristocratic politics, and state formation; and the complex role the military played in the integration of Italy. The book demonstrates the centrality of war to Rome’s internal and external relationships during the Republic, as well as to the Romans’ sense of identity and history. It also illustrates the changing scholarly view of warfare as a social and cultural construct in antiquity, and how much work remains to be done in what is often thought of as a "traditional" area of research. Romans at War will be of interest to students and scholars of the Roman army and ancient warfare, and of Roman society more broadly.
In the Roman world, landscapes became legal and institutional constructions, being the core of social, political, religious, and economic life. The Romans developed ambitious urban transformations, seeking to equate civic monumentality and legal status. The built environment becomes the axis of the legal, administrative, sacred, and economic system and the main element of dissemination of imperial ideology. This volume follows the modern trend of a multifaceted, composite, multi-layered Roman world, but at the same time reduces its complexity. It views ‘Roman’ not only in the sense of power politics, but also in a cultural context. It highlights ‘landscapes’ and puts into the shadow important administrative and legal structures, i.e., individuals viz. local and imperial members of the elites living in cities, which ran the Roman world.
Material Connections eschews outdated theory, tainted by colonialist attitudes, and develops a new cultural and historical understanding of how factors such as mobility, materiality, conflict and co-presence impacted on the formation of identity in the ancient Mediterranean. Fighting against ‘hyper-specialisation’ within the subject area, it explores the multiple ways that material culture was used to establish, maintain and alter identities, especially during periods of transition, culture encounter and change. A new perspective is adopted, one that perceives the use of material culture by prehistoric and historic Mediterranean peoples in formulating and changing their identities. It considers how objects and social identities are entangled in various cultural encounters and interconnections. The movement of people as well as objects has always stood at the heart of attempts to understand the courses and process of human history. The Mediterranean offers a wealth of such information and Material Connections, expanding on this base, offers a dynamic, new subject of enquiry – the social identify of prehistoric and historic Mediterranean people – and considers how migration, colonial encounters, and connectivity or insularity influence social identities. The volume includes a series of innovative, closely related case studies that examine the contacts amongst various Mediterranean islands – Sardinia, Corsica, Sicily, Crete, Cyprus, the Balearics – and the nearby shores of Italy, Greece, North Africa, Spain and the Levant to explore the social and cultural impact of migratory, colonial and exchange encounters. Material Connections forges a new path in understanding the material culture of the Mediterranean and will be essential for those wishing to develop their understanding of material culture and identity in the Mediterranean.
Rome was an empire of images, especially images that bolstered their imperial identity. Visual and material items portraying battles, myths, captives, trophies, and triumphal parades were particularly important across the Roman empire. But where did these images originate and what shaped them? Empire of Images explores the development of the Roman visual language of power in the Republic in Iberian Peninsula, the Gallic provinces, and Greece and Macedonia, centering the development of imperial imagery in overseas conquest. Drawing on a range of material evidence, this book argues that Roman imperial imagery developed through prolonged interaction with and adaptation by subjugated peoples. Despite their starring role in Roman imagery, the populations of Rome’s provinces continuously reinterpreted and reimagined Roman images of power to navigate their membership in the new imperial community, and in doing so, contributed to the creation of a universal visual language that continues to shape how Rome is understood.
An illustrated history exploring the Imperial Roman army’s many facets, including uniforms, weapons, buildings, and their duties. Compared to modern standard, the Roman army of the Imperial era was surprisingly small. However, when assessed in terms of their various tasks, they by far outstrip modern armies—acting not only as an armed power of the state in external and internal conflicts, but also carrying out functions nowadays performed by police, local government, customs, and tax authorities, as well as constructing roads, ships, and buildings. With this volume, Thomas Fischer presents a comprehensive and unique exploration of the Roman military of the Imperial era. With over 600 illustrations, the costumes, weapons and equipment of the Roman army are explored in detail using archaeological finds dating from the late Republic to Late Antiquity, and from all over the Roman Empire. The army’s buildings and fortifications are also featured. Finally, conflicts, border security, weaponry, and artifacts are all compared, offering a look at the development of the army through time. This work is intended for experts as well as to readers with a general interest in Roman history. It is also a treasure-trove for re-enactment groups, as it puts many common perceptions of the weaponry, equipment, and dress of the Roman army to the test.