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One of the great love stories of the world - Synghe's moving Irish play recreated
A play based upon an Irish myth. In the story a strong, independent woman is doomed by her own beauty to win and lose the man of her choice, Naoise. Ordered to marry King Conchobor, she escapes with Naoise and his two brothers to Scotland. Conchobor tricks them into returning, then kills all three brothers. Deirdre chooses to kill herself rather than marry the King. --www.livingmyths.com.
This is the story of the beautiful Deirdre, of her love for a handsome young warrior, and of a king's love for her. It is a tragic tale, part of the much longer story known as the Ulster Cycle from ancient Ireland.
Unveil the Timeless Magic of Ireland’s Most Cherished Folk Tales Step into a world where ancient gods walk the earth, heroes are born in the heat of battle, and love transcends the boundaries of time and space. Folk Tales from Ireland: Timeless Legends of Myth, Magic, and Heroic Tales from Irish Folklore and Mythology is a captivating collection of Ireland's most treasured stories, brought together in a beautifully crafted volume that invites readers of all ages to explore the rich and mystical heritage of the Emerald Isle. In this book our Folk Tales World series, we invite you to journey through the ancient landscapes of Ireland alongside legendary figures such as Cú Chulainn, the greatest of Irish heroes, whose epic exploits are the stuff of legend. Marvel at the tragic beauty of Deirdre of the Sorrows, whose love defied kings and led to inevitable heartbreak. Experience the enchanting tale of The Children of Lir, transformed by a wicked curse into swans and condemned to centuries of sorrow. These timeless stories, woven into the fabric of Ireland’s cultural heritage, offer profound insights and enduring lessons that resonate across generations. Each tale is steeped in the mysticism of the Tuatha Dé Danann, the ancient gods and goddesses who shaped Ireland’s destiny, and the magical elements that make these stories as relevant today as they were when first told around the firelight. A Treasure Trove of Timeless Wisdom More than just stories, these folk tales are the distilled teachings of human culture, brimming with profound knowledge and timeless wisdom. A pleasure to read, filled with universal themes of courage, transformation, and the eternal struggle between fate and free will, this collection is perfectly suited for readers of all ages. These tales serve not only as a source of entertainment but also as a bridge to understanding the rich and vibrant culture from which they originate. At the heart of this collection is a mission to preserve the invaluable cultural inheritance that these stories represent. Folk tales are the foundation of human storytelling, offering a unique window into the values, beliefs, and dreams of a people. Understanding a culture is best done through the stories it tells, and in this volume, you’ll find a rich tapestry of Irish tradition, ready to be passed down and cherished for generations to come. A Must-Have for Any Library or Bookshelf We envision this collection as a treasure that any library or bookshelf can hold and pass on to future generations—so they too can be inspired and draw teachings from our ancestors' stories. Whether you’re a lover of mythology, a seeker of adventure, or a parent wanting to introduce your children to the wonders of storytelling, this book is an essential addition to your collection. Key Features: Epic Irish Legends: Immerse yourself in the rich folklore of Ireland, with stories that have been passed down through generations, capturing the essence of the country’s mythological heritage. Perfect for All Ages: With stories that are as entertaining as they are educational, this collection is suitable for readers young and old, offering something for everyone. Cultural Insight: Gain a deeper understanding of Irish culture and values through interpretations and analyses of the folk tales that have shaped the nation’s identity. Beautifully Crafted: Designed to be a timeless keepsake, this book is a treasure that will enhance any personal library or bookshelf. Folk Tales from Ireland is more than just a book; it’s a journey into the heart of a culture, a celebration of the art of storytelling, and a preservation of a priceless cultural heritage. Add this volume to your collection today and become a part of the timeless tradition of folk tales that continue to inspire and teach us about the world and ourselves.
Deirdre of the Sorrows is a three-act play written by Irish playwright John Millington Synge, first performed at the Abbey Theatre by the Irish National Theatre Society in 1910. The play is based on Irish mythology, in particular the myths concerning Deirdre and Conchobar. The work was unfinished at the author's death in 1909, but was completed by William Butler Yeats and Synge's fiancee, Molly Allgood. Plot synopsis[edit] Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony. Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness. Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing.... Edmund John Millington Synge (16 April 1871 - 24 March 1909) was an Irish playwright, poet, prose writer, travel writer and collector of folklore. He was a key figure in the Irish Literary Revival and was one of the co-founders of the Abbey Theatre. He is best known for his play The Playboy of the Western World, which caused riots in Dublin during its opening run at the Abbey Theatre. Although he came from a privileged Anglo-Irish background, Synge's writings are mainly concerned with the world of the Roman Catholic peasants of rural Ireland and with what he saw as the essential paganism of their world view. Synge developed Hodgkin's disease, a metastatic cancer that was then untreatable. He died several weeks short of his 38th birthday as he was trying to complete his last play, Deirdre of the Sorrows.
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