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Deification in the Greek patristic tradition was the fulfilment of the destiny for which humanity was created - not merely salvation from sin but entry into the fullness of the divine life of the Trinity. This book, the first on the subject for over sixty years, traces the history of deification from its birth as a second-century metaphor with biblical roots to its maturity as a doctrine central to the spiritual life of the Byzantine Church. Drawing attention to the richness and diversity of the patristic approaches from Irenaeus to Maximus the Confessor, Norman Russell offers a full discussion of the background and context of the doctrine, at the same time highlighting its distinctively Christian character.
'Deification' refers to the transformation of believers into the likeness of God. Of course, Christian monotheism goes against any literal 'god making' of believers. Rather, the NT speaks of a transformation of mind, a metamorphosis of character, a redefinition of selfhood, and an imitation of God. Most of these passages are tantalizingly brief, and none spells out the concept in detail.
Christians confess that Christ came to save us from sin and death. But what did he save us for? One beautiful and compelling answer to this question is that God saved us for union with him so that we might become “partakers of the divine nature” (1 Pet 2:4), what the Christian tradition has called “deification.” This term refers to a particular vision of salvation which claims that God wants to share his own divine life with us, uniting us to himself and transforming us into his likeness. While often thought to be either a heretical notion or the provenance of Eastern Orthodoxy, this book shows that deification is an integral part of Catholicism, Orthodoxy, and many Protestant denominations. Drawing on the resources of their own Christian heritages, eleven scholars share the riches of their respective traditions on the doctrine of deification. In this book , scholars and pastor-scholars from diverse Christian expressions write for both a scholarly and lay audience about what God created us to be: adopted children of God who are called, even now, to “be filled with all the fullness of God” (Eph. 3:19).
"This unique study brings together the best of contemporary exegesis with the tradition of Eastern Christianity and illustrates the biblical roots of the Eastern Church's understanding of grace as the energy of God: Grace is a transforming experience which exalts the Christian to a state in which sharing in the divine lilfe is possible, first as a pledge in this earthly life, then in paradise and at last in a glorious body at the final resurrection. The book presents, in lay terms, the shape for an Orthodox biblical theology for the 21st century and will be of interest to all Christians for whom the Bible is divine revelation and for whom tradition continues to be creative."--The publisher
An excellent introduction to patristic anthropology. Cites a number of patristic passages at length, providing helpful references and notes.
A study of the reception of the Eastern Christian Orthodox doctrine of deification by Russian religious thinkers of the immediate pre-revolutionary period.
"An argument for a unified and normative Christian view of salvation"--
This book examines the past and present of the English parish system and proposes a new way of structuring the church in England rooted in the Anglo-Saxon world. The English parish is in a state of crisis. Ideally suited to the static, agricultural, hierarchical society in which it developed, it has become a severe impediment to the Church's work today. It needs to change. In this fascinating and insightful book, Nick Spencer explores the parish's past, present and future. He shows that rather than being synonymous with English Christianity, the parish was a comparatively late arrival on the scene, and one whose main roots were economic and social rather than ecclesiastical. He goes on to explain why the parish is now singularly inappropriate for modern ministry, before proposing a genuine alternative based on the system of Anglo-Saxon minster churches out of which parishes grew.
Kyle Strobel mines the work of Jonathan Edwards in search of the Puritan minister?s personal vision for spiritual development. "In Edwards," Strobel writes, "we find a grasp of spiritual formation that tries to balance deep thought with deep passion . . . a life of love with the contemplation of divine things."
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.