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In Postcards from the Hedge, Jill Appenzeller reflects on life, family, and human nature in the context of her ever-changing garden. The book is a collection of vivid vignettes that span all four seasons as well as decades of memories both in and out of the garden. From Gossip Girls, the story of the neighborhood kids organizing a garden club, to I Don't Want It Perfect I Want It Tuesday, about all the things that never get done in life as well as in the garden, this is the story of humbling failures and unexpected surprises, of friends and friendships, and the gift of being present in the moment. Filled with humorous anecdotes and surprising insights. Postcards from the Hedge explores what gardening can teach us about ourselves and the world we live in.
This book provides original grounds for integrating the bodily, somatic senses into our understanding of how we make and engage with visual art. Rosalyn Driscoll, a visual artist who spent years making tactile, haptic sculpture, shows how touch can deepen what we know through seeing, and even serve as a genuine alternative to sight. Driscoll explores the basic elements of the somatic senses, investigating the differences between touch and sight, the reciprocal nature of touch, and the centrality of motion and emotion. Awareness of the somatic senses offers rich aesthetic and perceptual possibilities for art making and appreciation, which will be of use for students of fine art, museum studies, art history and sensory studies.
This is a complete revision of the author's 1993 McFarland book Television Specials that not only updates entries contained within that edition, but adds numerous programs not previously covered, including beauty pageants, parades, awards programs, Broadway and opera adaptations, musicals produced especially for television, holiday specials (e.g., Christmas and New Year's Eve), the early 1936-1947 experimental specials, honors specials. In short, this is a reference work to 5,336 programs--the most complete source for television specials ever published.
Unique truly describes Deidre Scherer's extraordinarily realistic three-dimensional fabric-and-thread portraits honoring elderly women and men, images that have been admired by legions of fans in museums and in reproductions, most notably on the cover of the bestseller WHEN I AM AN OLD WOMAN I SHALL WEAR PURPLE. Now, readers can see the actual working process that produces Scherer's stunning art. 150 color and b&w illustrations.