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As debates around sexuality rumble on within certain sections of the church, and become increasingly entrenched and embittered, there is an increasing need from non-evangelicals and evangelicals alike to grasp the historical and cultural context in which current debates about sexuality are happening. Offering a detailed examination of the development, consolidation and fracturing of an evangelical anglican consensus on the sexuality, Defusing the Sexuality Debate seeks to explain why current disagreements are so intractible and offer some suggestions as to how all sides could facilitate a more constructive conversation. Building on an exploration of the development of tradition and biblical scholarship in evangelical anglicanism during the twentieth century, the book makes the case that conflicts over sexuality are symbolic of deeper disagreements over the place of christianity in the modern world.
Church dialogues, including official reports and debates within the General Synod, operate under the premise that canonical authority can shape a viable theology and coherent ecclesiastical and liturgical practices. In a groundbreaking departure from conventional methodologies, Queering the Church offers a rigorous examination of the hermeneutical frameworks that inform discussions on homosexuality within ecclesiastical governance. Drawing inspiration from Halberstam's concept of the 'queer art of failure,' Doe advocates for a fundamental shift—a move away from entrenched institutionalized debates toward a more inclusive, deconstructive discourse. Rather than perpetuating cycles of authoritative rhetoric, Doe proposes a transformative realignment—one that challenges traditional power dynamics and fosters a more equitable theological dialogue. Provocative and timely, this book promises to illuminate new avenues toward a nuanced comprehension of church discourse.
Pulitzer Prize–winning author David J. Garrow’s stirring and essential history of the politics of abortion and America’s battle for the right to choose In 1973, the Supreme Court handed down its landmark Roe v. Wade decision legalizing abortion, and more than forty years later the issue continues to spark controversy and divisiveness. But behind this historic legal case lie the battles women fought to establish their rights to use contraceptives and choose to have an abortion. Liberty and Sexuality traces these political and legal struggles in the decades leading up to Roe v. Wade—including the momentous 1965 Supreme Court ruling in Griswold v. Connecticut that established a constitutional “right to privacy.” Garrow personalizes the struggles by detailing the vital contributions made by dozens of crusaders who tirelessly paved the way. This expansive and substantial work also addresses the threats to sexual privacy and the legality of abortion that have risen since Roe v. Wade. With abortion still a contentious subject on the national political landscape, Liberty and Sexuality is not just a historical account of the right to choose, but an indispensable read about preserving a freedom that continues to divide America.
Love for Sale is the first study to examine the ubiquity of commercial sex in Russian literary and artistic production from the nineteenth century through the fin de siècle. Colleen Lucey offers a compelling account of how the figure of the sex worker captivated the public's imagination through depictions in fiction and fine art, bringing to light how imperial Russians grappled with the issue of sexual commerce. Studying a wide range of media—from little-known engravings that circulated in newspapers to works of canonical fiction—Lucey shows how writers and artists used the topic of prostitution both to comment on women's shifting social roles at the end of tsarist rule and to express anxieties about the incursion of capitalist transactions in relations of the heart. Each of the book's chapters focus on a type of commercial sex, looking at how the street walker, brothel worker, demimondaine, kept woman, impoverished bride, and madam traded in sex as a means to acquire capital. Lucey argues that prostitution became a focal point for imperial Russians because it signaled both the promises of modernity and the anxieties associated with Westernization. Love for Sale integrates historical analysis, literary criticism, and feminist theory and conveys how nineteenth-century beliefs about the "fallen woman" drew from medical, judicial, and religious discourse on female sexuality. Lucey invites readers to draw a connection between rhetoric of the nineteenth century and today's debate on sex workers' rights, highlighting recent controversies concerning Russian sex workers to show how imperial discourse is recycled in the twenty-first century.
English evangelicals give the appearance of being a community at war, with each other and with the world around them. The issue of homosexuality is one of the key battlegrounds. How has this issue become so significant to evangelicals? Why is it provoking such violent responses? How is it changing evangelicals, and what might this mean for the future? This book examines the history of evangelical responses to the issue of homosexuality, setting them in a wider historical and cultural context and drawing on the work of Rene Girard to argue that the issue of homosexuality has come to symbolise deeply-held convictions within evangelicalism. The conflict over the issue that is now becoming apparent within evangelicalism reveals deep divisions within the evangelical community that will have great significance for the future. The Scandal of Evangelicals and Homosexuality offers an alternative perspective, seeking not to present an answer to the ethical question, but rather to examine the way the debate has become scandalised and consider the cost. It offers a window into contemporary English evangelicalism and provides an important contribution to international and ecumenical debate.
Sharge explores the moral pemises of feminist sexual politics, focusing in particular on the emotive issues of abortion, prostitution and adultery, in order to develop an interpretative and pluralist approach to feminist ethics.
If God means for us to save sex for marriage, why doesn't he just zap us with sexuality on our wedding night? Why do most of us experience sexual feelings throughout our adult lives, not just in the safe confines of marriage? Is limiting marriage to the union of a man and a woman anything but outdated prejudice? What is our sexuality actually for? Today's culture overwhelmingly tells us that sex is essential for human flourishing. Far too often the church perpetuates the same message - as long as you are married. But far from being liberating, this idolising of sex leaves us even more sexually broken than before. With refreshing honesty and clarity, Ed Shaw calls on the church to rediscover its confidence in the Bible's teaching about our ability to experience or express sexual feelings. He points us to how God's word reveals that sexuality's ultimate purpose is to help us better know God and the full power of his passionate love. He shows us how this is surprisingly good news for all our joys and struggles with sexuality.
This is a ground-breaking edition of three seventeenth-century plays that all engage in diverse and exciting ways with questions of gender and performance. The collection, edited by three pioneering scholars of elite female culture and early modern drama, makes the texts of three much-discussed plays - John Fletcher's The Wild-Goose Chase, James Shirley's The Bird in a Cage and Margaret Cavendish's The Convent of Pleasure - available together in a full scholarly edition for the first time.The Wild Goose Chase (1621) and The Bird in a Cage (1633) were both performed in the commercial London theatres in the Jacobean and Caroline periods respectively. The Convent of Pleasure (1668) is a so-called 'closet' drama, designed primarily for reading but drawing on a tradition of aristocratic theatricals. In a wide-ranging co-authored introduction to the volume, the editors explore the concerns of these playtexts in relation to contemporary debates surrounding popular festivity and anti-theatricalism, as well as the agency of elite female culture in the Stuart period and the emergence of the professional female actor in the Restoration.The volume will be an invaluable teaching and research tool for students and scholars of early modern drama, women's writing and performance studies more generally, as well as providing a rich sourcebook for the reader interested in seventeenth-century theatrical culture.
God, Sex, and Politics examines both sides of the church controversy over homosexuality to consider the ways in which people develop, in everyday thought and interaction, their beliefs about God and justice. Dawne Moon explores how members of Protestant congregations determine what is just and what is not, what is right and what is wrong, what is loving and what is sinful. Through this compelling work we learn that the considerable turmoil surrounding homosexuality in churches has less to do with homosexuality than with the fear of weakening the church's spiritual, communal solidarity. We learn too how the church mirrors the secular world—the fear of division and politics leads members to avoid conflict in the congregations Moon examines. And so, the Protestants who are the subject of her study avoid debating the key issue of whether homosexuality is sinful because of its potentially polarizing effects. The religious culture Moon uncovers is ultimately critical of politics and of the intense moral and social discord that members believe it entails. God, Sex, and Politics will be of enormous value to sociologists of religion and anyone interested in religious controversies over sexuality.
'Building the Population Bomb' carefully examines how the rise of the world's human population came to be understood as problematic by scientists and governments across the globe. It challenges our assumption of population growth as inherently problematic by demonstrating how it is our anxieties over population growth - and not population growth itself - that have detracted from the pursuit of economic, environmental, and reproductive justice.