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By affirming the relativity of the American historical imagination, political theorist Michael J. Shapiro offers a powerful polemic against ethnocentric interpretations of American culture and politics. Deforming American Political Thought analyzes issues that range from the nature of Thomas Jefferson’s vision of an egalitarian nation to the persistence of racial inequality. Shapiro offers a multifaceted argument that transcends the myopic scope of traditional political discourse. Deforming American Political Thought illustrates the various ways in which history, architecture, film, music, literature, and art provide approaches to the comprehension of diverse facets of American political thought from the founding to the present. Using these seemingly disparate disciplines as a framework, Shapiro paints a picture of American political philosophy that is as distinctive as it enlightening. Shapiro explores the historically vital role of dissenting points of view in American politics and asserts its continuing importance in today’s political landscape. Exploring such diverse works as slave narratives, contemporary films, genre fiction, and blues and jazz music, Shapiro reveals that there have always been dissenting voices casting doubt on the moral purpose and exceptionalism of the American mind. An unprecedented inquiry into American politics, Deforming American Political Thought will surely serve to reinvigorate discussions about the essence of American political thought.
Deforming American Political Thought offers an alternative to the dominant American historical imagination, treating issues that range from the nature of Thomas Jefferson's vision of an egalitarian nation to the persistence of racial inequality. Presenting multifaceted arguments that transcend the myopic scope of traditional political discourses, Michael J. Shapiro summons disparate disciplines and genres – architecture, crime stories, novels, films, and jazz/blues music (among others) to provide approaches to the comprehension of diverse facets of American political thought from the founding to the present. The book’s various investigations disclose that there have always been dissenting voices, articulated in diverse genres of expression that cast doubt on the moral purpose and exceptionalism of the American mind. This highly anticipated updated second edition features a preface focusing on aesthetic theory and the contributions of artistic genres for political analysis, and a completely new chapter on critical thinking about the US western and urban encounters afforded by the two HBO series, Deadwood and The Wire respectively.
By affirming the relativity of the American historical imagination, political theorist Michael J. Shapiro offers a powerful polemic against ethnocentric interpretations of American culture and politics. Deforming American Political Thought analyzes issues that range from the nature of Thomas Jefferson's vision of an egalitarian nation to the persistence of racial inequality. Shapiro offers a multifaceted argument that transcends the myopic scope of traditional political discourse. Deforming American Political Thought illustrates the various ways in which history, architecture, film, music, literature, and art provide approaches to the comprehension of diverse facets of American political thought from the founding to the present. Using these seemingly disparate disciplines as a framework, Shapiro paints a picture of American political philosophy that is as distinctive as it enlightening. Shapiro explores the historically vital role of dissenting points of view in American politics and asserts its continuing importance in today's political landscape. Exploring such diverse works as slave narratives, contemporary films, genre fiction, and blues and jazz music, Shapiro reveals that there have always been dissenting voices casting doubt on the moral purpose and exceptionalism of the American mind. An unprecedented inquiry into American politics, Deforming American Political Thought will surely serve to reinvigorate discussions about the essence of American political thought.
Deforming American Political Thought offers an alternative to the dominant American historical imagination, treating issues that range from the nature of Thomas Jefferson's vision of an egalitarian nation to the persistence of racial inequality. Presenting multifaceted arguments that transcend the myopic scope of traditional political discourses, Michael J. Shapiro summons disparate disciplines and genres – architecture, crime stories, novels, films, and jazz/blues music (among others) to provide approaches to the comprehension of diverse facets of American political thought from the founding to the present. The book’s various investigations disclose that there have always been dissenting voices, articulated in diverse genres of expression that cast doubt on the moral purpose and exceptionalism of the American mind. This highly anticipated updated second edition features a preface focusing on aesthetic theory and the contributions of artistic genres for political analysis, and a completely new chapter on critical thinking about the US western and urban encounters afforded by the two HBO series, Deadwood and The Wire respectively.
A New York Times bestseller The Great Deformation is a searing look at Washington's craven response to the recent myriad of financial crises and fiscal cliffs. It counters conventional wisdom with an eighty-year revisionist history of how the American state -- especially the Federal Reserve -- has fallen prey to the politics of crony capitalism and the ideologies of fiscal stimulus, monetary central planning, and financial bailouts. These forces have left the public sector teetering on the edge of political dysfunction and fiscal collapse and have caused America's private enterprise foundation to morph into a speculative casino that swindles the masses and enriches the few. Defying right- and left-wing boxes, David Stockman provides a catalogue of corrupters and defenders of sound money, fiscal rectitude, and free markets. The former includes Franklin Roosevelt, who fathered crony capitalism; Richard Nixon, who destroyed national financial discipline and the Bretton Woods gold-backed dollar; Fed chairmen Greenspan and Bernanke, who fostered our present scourge of bubble finance and addiction to debt and speculation; George W. Bush, who repudiated fiscal rectitude and ballooned the warfare state via senseless wars; and Barack Obama, who revived failed Keynesian "borrow and spend" policies that have driven the national debt to perilous heights. By contrast, the book also traces a parade of statesmen who championed balanced budgets and financial market discipline including Carter Glass, Harry Truman, Dwight Eisenhower, Bill Simon, Paul Volcker, Bill Clinton, and Sheila Bair. Stockman's analysis skewers Keynesian spenders and GOP tax-cutters alike, showing how they converged to bloat the welfare state, perpetuate the military-industrial complex, and deplete the revenue base -- even as the Fed's massive money printing allowed politicians to enjoy "deficits without tears." But these policies have also fueled new financial bubbles and favored Wall Street with cheap money and rigged stock and bond markets, while crushing Main Street savers and punishing family budgets with soaring food and energy costs. The Great Deformation explains how we got here and why these warped, crony capitalist policies are an epochal threat to free market prosperity and American political democracy.
Eulogy on King Philip (1836) is a speech by William Apes. An indentured servant, soldier, minister, and activist, Apes lived an uncommonly rich life for someone who died at just 41 years of age. Recognized for his pioneering status as a Native American public figure, William Apes was an astute recorder of a life in between. His Eulogy on King Philip celebrates the Wampanoag sachem also known as Metacomet, whose attempt to live in peace with the Plymouth colonists ended in brutal warfare. “[A]s the immortal Washington lives endeared and engraven on the hearts of every white in America, never to be forgotten in time- even such is the immortal Philip honored, as held in memory by the degraded but yet grateful descendants who appreciate his character; so will every patriot, especially in this enlightened age, respect the rude yet all accomplished son of the forest, that died a martyr to his cause, though unsuccessful, yet as glorious as the American Revolution.” Long considered an enemy of the American people, a rebel whose head was left on a pike for years in Plymouth, King Philip remained a hero to his descendants. In this fiery speech, Pequot activist William Apes portrays Philip as an impassioned defender of his people whose assassination and martyrdom serve as a reminder of the brutality of the early colonists. For Apes, a leader of the nonviolent Mashpee Revolt of 1833, Philip was a symbol of indigenous resistance whose legacy remained strategically misunderstood and misrepresented in American history. With a beautifully designed cover and professionally typeset manuscript, this edition of William Apes’ Eulogy on King Philip is a classic of Native American literature reimagined for modern readers.
Michael J. Shapiro’s writings have been innovatory with respect to the phenomena he has taken to be political, and the concomitant array of methods that he has brilliantly mastered. This book draws from his vast output of articles, chapters and books to provide a thematic yet integrated account of his boundary-crossing innovations in political theory and masterly contributions to our understanding of methods in the social sciences. The editors have focused on work in three key areas: Discourse Shapiro was one of the first theorists to demonstrate convincingly, and in a manner that has had a long-standing impact on the field, that language is not epiphenomenal to politics. Indeed, he shows that language is constitutive of politics. From his frequently-cited article on metaphor from the early 1980s to recent work on discourse and globalization, Shapiro has shown that politics happens not only with and through the use of language, but within discourse as a material practice. Culture Gabriel Almond and Sidney Verba’s (1963) famous work on ‘The Civic Culture’ established a long-held but ultimately counterproductive relationship between culture and politics, one in which culture is an independent variable that has effects on politics. Samuel Huntington’s (1998) (in)famous polemic, ‘The Clash of Civilizations’, only pushes this relationship to its breaking point. Shapiro’s rich and numerous writings on culture provide a powerful and important antidote to this approach, as Shapiro consistently shows (across wide-ranging contexts) that politics is in culture and culture is in politics, and no politically salient approach to culture can afford to turn either term into a causal variable. Violence While violence is surely not a theme foreign to political studies, no one has done more or better work in contemporary political theory to bring violence into play as a central term of political thought and to expand our understanding of violence. By reconceptualizing and reinterpreting this term, Shapiro’s work has helped us to rethink the very boundaries between political theory and international relations as putatively separate subfields of political science. And it explains why both political theorists interested in International Relations and International Relations scholars concerned with a broader understanding of international politics must both start with Shapiro’s work as required reading.
This collection of original essays by leading historians of political thought examines modern European thinkers' writings about conquest, colonization and empire. The creation of vast transcontinental empires and imperial trading networks played a key role in the development of modern European political thought. The rise of modern empires raised fundamental questions about virtually the entire contested set of concepts that lay at the heart of modern political philosophy, such as property, sovereignty, international justice, war, trade, rights, transnational duties, civilization and progress. From Renaissance republican writings about conquest and liberty to sixteenth-century writings about the Spanish conquest of the Americas through Enlightenment perspectives about conquest and global commerce and nineteenth-century writings about imperial activities both within and outside of Europe, these essays survey the central moral and political questions occasioned by the development of overseas empires and European encounters with the non-European world among theologians, historians, philosophers, diplomats and merchants.
"Why have so many figures throughout American history proclaimed their life stories when confronted by great political problems? The Claims of Experience provides a new theory for what makes autobiography political throughout the history of the United States and today. Across five chapters, Nolan Bennett examines the democratic crises that encouraged a diverse cast of figures to bear their stories: Benjamin Franklin amid the revolutionary era and its aftermath, Frederick Douglass in the antebellum and abolitionist movements, Henry Adams in the Gilded Age and its anxieties of industrial change, Emma Goldman among the first Red Scare and state opposition to radical speech, and Whittaker Chambers amid the second Red Scare that initiated the anticommunist turn of modern conservatism. These authors made what Bennett calls a "claim of experience": a life narrative that offers its audience new community by restoring to readers and author alike from prevailing political authorities the power to remake and make meaning of their lives. Whereas political theorists and activists have often seen autobiography to be too individualist or a mere documentary source of evidence, this theory reveals the democratic power that life narratives both written and spoken have offered those on the margins and in the mainstream. When successful, claims of experience redistribute popular authority from unsettled institutions and identities to new democratic visions. This book offers both a method for understanding the politics of life narrative and a call to anticipate claims of experience as they appear today. American politics, democracy, authority, life writing, autobiography, Benjamin Franklin, Frederick Douglass, Henry Adams, Emma Goldman, Whittaker Chambers"--
The third edition of Global Politics: A New Introduction continues to provide a completely original way of teaching and learning about world politics. The book engages directly with the issues in global politics that students are most interested in, helping them to understand the key questions and theories and also to develop a critical and inquiring perspective. Completely revised and updated throughout, the third edition offers up-to-date examples engaging with the latest developments in global politics, including the Syrian war and the refugee crisis, fossil fuel divestment, racism and Black Lives Matter, citizen journalism, populism, and drone warfare. Global Politics: examines the most significant issues in global politics – from war, peacebuilding, terrorism, security, violence, nationalism and authority to poverty, development, postcolonialism, human rights, gender, inequality, ethnicity and what we can do to change the world; offers chapters written to a common structure, which is ideal for teaching and learning, and features a key question, an illustrative example, general responses and broader issues; integrates theory and practice throughout the text, by presenting theoretical ideas and concepts in conjunction with a global range of historical and contemporary case studies. Drawing on theoretical perspectives from a broad range of disciplines, including international relations, political theory, postcolonial studies, sociology, geography, peace studies and development, this innovative textbook is essential reading for all students of global politics and international relations.