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Covering Daniel Defoe's many interests, both literary and historical, this edition is the fourth volume in "Pickering and Chatto's" 18-volume series.
Covering Daniel Defoe's many interests, both literary and historical, this edition is the fourth volume in "Pickering and Chatto's" 18-volume series.
Discusses one of Daniel Defoe's greatest, but least known works, his periodical the "Review of the State of the British Nation". Defoe's Review played a significant role in the birth of the modern press. It was not a newspaper dealing in facts but a journal of opinion and discussion.
Defoe's Review played a significant role in the birth of the modern press. It was not a newspaper dealing in facts but a journal of opinion and discussion. This series is the first complete scholarly edition of the entire run of Defoe's Review. It is fully reset and supported by full editorial apparatus.
One of Daniel Defoe's greatest achievements was the writing and publication of his "Review". Covering his many interests, both contemporary and historical, Defoe published his journal twice and latterly three times a week. This volume reproduces the "Review" from the year 1704.
Discusses one of Daniel Defoe's greatest, but least known works, his periodical the "Review of the State of the British Nation". Defoe's Review played a significant role in the birth of the modern press. It was not a newspaper dealing in facts but a journal of opinion and discussion.
One of Daniel Defoe's greatest achievements was the writing and publication of his "Review". Covering his many interests, both contemporary and historical, Defoe published his journal twice and latterly three times a week. This volume reproduces the "Review" from the year 1704.
Defoe's Review played a significant role in the birth of the modern press. It was not a newspaper dealing in facts but a journal of opinion and discussion. This series is the first complete scholarly edition of the entire run of Defoe's Review. It is fully reset and supported by full editorial apparatus.
This comprehensive and authoritative edition of the correspondence of Daniel Defoe situates each letter in its biographical, literary, and historical contexts. A unique source for a turbulent period of British history, Defoe's correspondence spans topics including the first age of party marked by Tory and Whig rivalry, religious tensions between the Church and Dissenters, the uncertainty of the monarchical succession, the birth of Great Britain and its establishment as a global empire, and the use of the press to mould public opinion. As well as an introduction discussing Defoe's epistolary habits and the distinctive features of his letters, headnotes and annotations explain each document's occasion, beginning in 1703 with Defoe hunted by the government for sedition, and ending in 1730 with him again in hiding, fleeing creditors months before his death. The volume is illustrated with examples of Defoe's letters, offering a fresh window onto Defoe's manuscript habits.
A highly conscious wordsmith, Daniel Defoe used expository styles in his fiction and non-fiction that reflected his ability to perceive material and intellectual phenomena from opposing, but not contradictory perspectives. Moreover, the boundaries of genre within his wide-ranging oeuvre can prove highly fluid. In this study, Robert James Merrett approaches Defoe’s body of work using interdisciplinary methods that recognize dialectic in his verbal creativity and cognitive awareness. Examining more than ninety of Defoe’s works, Merrett contends that this author’s literariness exploits a conscious dialogue that fosters the reciprocity of traditional and progressive authorial procedures. Along the way, he discusses Defoe’s lexical and semantic sensibility, his rhetorical and aesthetic theories, his contrarian theology, and more. Merrett proposes that Defoe’s contrarian outlook celebrates a view of consciousness that acknowledges the brain’s bipartite structure, and in so doing illustrates how cognitive science may be applied to further explorations of narrative art.