Download Free Defenseless America Book in PDF and EPUB Free Download. You can read online Defenseless America and write the review.

In 1877, the American Humane Society was formed as the national organization for animal and child protection. Thirty years later, there were 354 anticruelty organizations chartered in the United States, nearly 200 of which were similarly invested in the welfare of both humans and animals. In The Rights of the Defenseless, Susan J. Pearson seeks to understand the institutional, cultural, legal, and political significance of the perceived bond between these two kinds of helpless creatures, and the attempts made to protect them. Unlike many of today’s humane organizations, those Pearson follows were delegated police powers to make arrests and bring cases of cruelty to animals and children before local magistrates. Those whom they prosecuted were subject to fines, jail time, and the removal of either animal or child from their possession. Pearson explores the limits of and motivation behind this power and argues that while these reformers claimed nothing more than sympathy with the helpless and a desire to protect their rights, they turned “cruelty” into a social problem, stretched government resources, and expanded the state through private associations. The first book to explore these dual organizations and their storied history, The Rights of the Defenseless will appeal broadly to reform-minded historians and social theorists alike.
The Conning of America examines for the first time from a literary perspective the propaganda writings produced in the United States during the period of World War I. This American propaganda literature was written in two distinct stages: the first stage was written by the pro-War establishment based on the East Coast of the United States before American entry into the conflict. It attempted to vilify Germany and her Allies while at the same time showing England, France, and Russia as the victims of a well-planned organized German plan for world domination—beginning with the invasion of neutral Belgium. The literature urged the United States to prepare for a German invasion of America and to be wary of German-Americans, who most likely were spies in the employ of the Imperial German government. The second stage of propaganda literature occurred when America declared war on the Central Powers in April 1917. While still using the blood thirsty militaristic Hun as a symbol of German inherent evil, the propaganda literature began to portray the Americans as the saviors of European culture. American boys were being sent to Europe on a spiritual mission to purify decadent European culture, while at the same time their sacrifice would rejuvenate and sanctify American values in the fire of the conflict in order for America to take her proper place in the new post-war order.
Even before the attack on Pearl Harbor, Americans feared an invasion or attack would occur on US soil. In this timely and authoritative book, Matthew Dallek narrates the creation of a federal agency, the Office of Civilian Defense, founded to protect the homeland.
An analysis of “the Trump era, but not about Trump. . . . but on how incentives across a range of institutions have created corruption” (New York Times Book Review). “There is not a single American awake to the world who is comfortable with the way things are.” So begins Lawrence Lessig's sweeping indictment of modern-day American institutions and the corruption that besets them—from the selling of Congress to special interests to the corporate capture of the academy. And it’s our fault. What Lessig brilliantly shows is that we can’t blame the problems of contemporary American life on bad people, as our discourse all too often tends to do. Rather, he explains, “We have allowed core institutions of America’s economic, social, and political life to become corrupted. Not by evil souls, but by good souls. Not through crime, but through compromise.” Through case studies of Congress, finance, the academy, the media, and the law, Lessig shows how institutions are drawn away from higher purposes and toward money, power, quick rewards—the first steps to corruption. Lessig knows that a charge so broad should not be levied lightly, and that our instinct will be to resist it. So he brings copious detail gleaned from years of research, building a case that is all but incontrovertible: America is on the wrong path. If we don’t acknowledge our own part in that, and act now to change it, we will hand our children a less perfect union than we were given. It will be a long struggle. This book represents the first steps. “A devastating argument that America is racing for the cliff's edge of structural, possibly irreversible tyranny.” —Cory Doctorow
America: Hope for Change explores the causes and remedies to the seven most difficult issues confronting (and confounding) our culture and country. Tackling complex issues, former Maryland Governor, US Congressman, Bob Ehrlich presents an urgent call to action on behalf of a conservative, common sense political force that will determine the quality of life for generations to come. Ehrlich tackles the tough issues, including, the role of government vis-à-vis the individual, strengthening American culture, fiscal practices and debt, healthcare delivery, job creation, social security, and national security. With his more then 25 years of experience leading the charge to restore the greatness of America, Ehrlich offers a solid direction on the policy changes needed for our culture, our government, our health, our jobs, our retirement, our defense, and ourselves. A must read for Americans seeking a battle plan to defeat the progressive agenda in time for the 2016 election year!
Exploring what the Great War meant to a large portion of the white American population while providing a historic precedent for modern-day conceptions of presumably dangerous foreign Others, Age of Fear is a compelling look at how the source of wartime paranoia can be found in deep-seated understandings of racial and millennial progress.
In this innovative analysis of the interconnections between nation and aesthetics in the United States during the late nineteenth century and the early twentieth, David A. Gerstner reveals the crucial role of early cinema in consolidating a masculine ideal under American capitalism. Gerstner describes how cinema came to be considered the art form of the New World and how its experimental qualities infused other artistic traditions (many associated with Europe—painting, literature, and even photography) with new life: brash, virile, American life. He argues that early filmmakers were as concerned with establishing cinema’s standing in relation to other art forms as they were with storytelling. Focusing on the formal dimensions of early-twentieth-century films, he describes how filmmakers drew on European and American theater, literature, and painting to forge a national aesthetic that equated democracy with masculinity. Gerstner provides in-depth readings of several early American films, illuminating their connections to a wide range of artistic traditions and cultural developments, including dance, poetry, cubism, realism, romanticism, and urbanization. He shows how J. Stuart Blackton and Theodore Roosevelt developed The Battle Cry of Peace (1915) to disclose cinema’s nationalist possibilities during the era of the new twentieth-century urban frontier; how Paul Strand and Charles Sheeler positioned a national avant-garde through the fusion of “American Cubism” and industrialization in their film, Manhatta (1921); and how Oscar Micheaux drew on slave narratives and other African American artistic traditions as he grappled with the ideological terms of African American and white American manhood in his movie Within Our Gates (1920). Turning to Vincente Minnelli’s Cabin in the Sky (1943), Gerstner points to the emergence of an aesthetic of cultural excess that brought together white and African American cultural producers—many of them queer—and troubled the equation of national arts with masculinity.
A riveting new account of Theodore Roosevelt’s impassioned crusade for military preparedness as America fitfully stumbles into World War I, spectacularly punctuated by his unique tongue-lashings of the vacillating Woodrow Wilson, his rousing advocacy of a masculine, pro-Allied “Americanism,” a death-defying compulsion for personal front-line combat, a gingerly rapprochement with GOP power brokers—and, yes, perhaps, even another presidential campaign. Roosevelt is a towering Greek god of war. But Greek gods begat Greek tragedies. His own entreaties to don the uniform are rebuffed, and he remains stateside. But his four sons fight “over there” with heartbreaking consequences: two are wounded; his youngest and most loved child dies in aerial combat. Yet, though grieving and weary, TR may yet surmount everything with one monumentally odds-defying last triumph. Poised at the very brink of a final return to the White House, death stills his indomitable spirit. In his lively, witty, blow-by-blow style, David Pietrusza captures, through the lens of the Bull Moose, the 1916 presidential campaign, America’s entry into the Great War in 1917, Woodrow Wilson’s presidency, and the last years of one of American history’s greatest men, who said on his death bed at the age of sixty, “I promised myself that I would work up to the hilt until I was sixty, and I have done it. I have kept my promise….” Pietrusza not only transports readers with his dramatic portraits of TR, his hated rival Wilson, and politics in wild flux but also poignantly chronicles the horrific price a family pays in war.