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Friends, Romans, yarn lovers: lend us your ears. For this third installment in the much-loved What Would Madame Defarge Knit? series, Heather Ordover again brings you an eclectic and beautiful collection of knitting and crochet designs inspired by great literature. This time, the focus is all on the Bard. Whether it's a necklace fit for Cleopatra, a bed jacket to soothe Lady Macbeth's tormented soul, or yellow-gartered stockings worthy of Malvolio, these designs cleverly tap into Shakespeare's writings. As in the other books in this series, each contributor has written an illuminating essay that talks about how the Bard inspired their design. These are such knits as dreams are made on.
She's back. Madame Therese Defarge, a character in the book A Tale of Two Cities by Charles Dickens, worked the names of the condemned into her knitting as she sat near the ever-active revolutionary guillotines. But Dickens never described what Madame Defarge was knitting. As in the beloved first volume in this series, this book brings together a host of knitting (and weaving ) talent to imagine what their favorite fictional characters would knit and wear. From Tristan and Iseult to Jane Bennet to Miss Marple, characters from many of your most-loved classic books finally get the knitwear they deserve."
A Tale of Two Cities (1859) is the second historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. It depicts the plight of the French proletariat under the brutal oppression of t+E3he French aristocracy in the years leading up to the revolution, and the corresponding savage brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. It follows the lives of several protagonists through these events, most notably Charles Darnay, a French once-aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a dissipated English barrister who endeavours to redeem his ill-spent life out of love for Darnay's wife, Lucie Manette.
"Madame Defarge is one of Dickens''supreme villainesses. Her secret drives her to seek a revenge so strong that it ties her to the French revolution. In this short play, the main story of Charles Dickens' A Tale of Two Cities becomes the peripheral story to that of Madame Defarge and her single-minded revenge. As the full company gathers to speak Dickens' immortal lines "It was the best of times-it was the worst of times..." Madame Defarge is revealed in her husband's wine shop in the poorest district of Paris. From here her plots and machinations involve the innocent Lucie Manette and her father, Dr. Manette, returned to life after an 18-year imprisonment in the Bastille, and the heroic Charles Darnay and his wicked uncle, the Marquis St. Evremonde. Somehow they are all involved in Madame Defarge's secret, which is revealed in the climactic trial scene before the French tribunal-where the convicted are sent to La Guillotine. This hair-raising drama unfolds at a lightening pace and beautifully dramatizes the reasons the poor of France revolted. A myriad of interesting characters and a great ensemble opportunity play out this unusual slant on Dickens' classic novel."--Publisher's website.
From the "New York Times"-bestselling author of "The Jane Austen Book Club," the story of an American family, ordinary in every way but one--their close family relative was a chimpanzee.
This 1996 book traces Dickens' interest in Shakespeare through his own reading and performance and through theatrical, literary and artistic sources.
Criminals as Animals from Shakespeare to Lombroso demonstrates how animal metaphors have been used to denigrate persons identified as criminal in literature, law, and science. Its three-part history traces the popularization of the 'criminal beast' metaphor in late sixteenth-century England, the troubling of the trope during the long eighteenth century, and the late nineteenth-century discovery of criminal atavism. With chapters on rogue pamphlets, Shakespeare, Webster, Jonson, Defoe and Swift, Godwin, Dickens, and Lombroso, the book illustrates how ideologically inscribed metaphors foster transfers between law, penal practices, and literature. Criminals as Animals concludes that criminal-animal metaphors continue to negatively influence the treatment of prisoners, suspected terrorists, and the poor even today.
Contains articles which focus on a broad spectrum of significant figures in fiction, philosophy, and criticism such as Austen, Carlyle, Dickens,Thackeray, the Brontes, Tennyson, Browning, Arnold, Emerson, Hawthorne, Thoreau, Whitman, Twain, and Henry James.