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Federico García Lorca (1898–1936) is perhaps Spain’s most famous writer and cultural icon. By the age of thirty, he had become the most successful member of a brilliant generation of poets, winning critical and popular acclaim by fusing traditional and avant-garde themes and techniques. He would go on to reinvent Spanish theater too, writing bold, experimental, and often shocking plays that dared openly to explore both female and homosexual desire. A vibrant and mercurial personality, by the time Lorca visited Argentina in late 1933, he had become the most celebrated writer and cultural figure in the Spanish-speaking world. But Lorca’s fame could not survive politics: his identification with the splendor of the Second Spanish Republic (1931–36) was one of the reasons behind Lorca’s murder in August 1936 at the hands of right-wing insurgents at the start of the Spanish Civil War. In this biography, Stephen Roberts seeks out the roots of the man and his work in the places in which Lorca lived and died: the Granadan countryside where he spent his childhood; the Granada and Madrid of the 1910s, ’20s, and ’30s where he received his education and achieved success as a writer; his influential visits to Catalonia, New York, Cuba, and Argentina; and the mountains outside Granada where his body still lies in an undiscovered grave. What emerges is a fascinating portrait of a complex and brilliant man as well as new insight into the works that helped to make his name.
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
The magic of Andalusia is crystallized in Federico Garcia Lorca's first major work, Poem of the Deep Song, written in 1921 when the poet was twenty-three years old, and published a decade later. In this group of poems, based on saetas, soleares, and siguiriyas, Lorca captures the passionate flamenco cosmos of Andalusia's Gypsies, ""those mysterious wandering folk who gave deep song its definitive form. Cante jondo, deep song, comes from a musical tradition that developed among peoples who fled into the mountains in the 15th century to escape the Spanish Inquisition. With roots in Arabic instruments, Sephardic ritual, Byzantine liturgy, native folk songs, and, above all, the rhythms of Gypsy life, deep song is characterized by intense and profound emotion. Fearing that the priceless heritage of deep song might vanish from Spain, Lorca, along with Manuel de Falla and other young artists, hoped to preserve ""the artistic treasure of an entire race."" In Poem of the Deep Song, the poet's own lyric genius gives cante jondo a special kind of immortality. Carlos Baur is the translator of Garcia Lorca's The Public and Play Without a Title: Two Posthumous Plays, and of Cries from a Wounded Madrid: Poetry of the Spanish Civil War. He has also translated the work of Henry Miller and other contemporary American writers into Spanish.
A collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.
Recommended by Cosmopolitan, USA Today, Shondaland, & Book Riot “It’s not often that fat women feel such thorough representation of themselves not only in poetry but in any media and not only in the beautiful moments but in the sorrowful ones, ranging throughout life. James does a brilliant job of portraying this and all her themes brilliantly; highly recommended.” —Starred review by Library Journal The raw poems inside Song of My Softening studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.
Rich selection of traditional songs and contemporary verse by Seminole, Hopi, Arapaho, Nootka, other Indian writers and poets. Nature, tradition, Indians' role in contemporary society, other topics.
Collected here in one bilingual edition are new translations of four small books of poems that were published during Federico Garcia Lorca's lifetime and span his most creative years. First Songs, poems inspired by the Andalusian countryside are comparable in style and theme to those in his masterpiece Poem of the Deep Song. This charming little book was given by Lorca to his friend Manuel Altolaguirre and his wife as a gift to their first child. Ode to Walt Whitman, a passionate meditation on homosexuality in a society that proscribes it, is perhaps the best-known book to have come out of the poet's New York Cycle of poems, a damning vision of urban life under capitalism. Perhaps Lorca's finest poem, A Flood of Tears for Ignacio Sanchez Mojis, is a moving elegy to his friend, a renowned bullfighter who was also a writer and a hero to a generation of poets. With Six Galician Poems, written in the Galician language, Lorca returns to themes of the simple life and folklore of the Spanish people. Published only a few months before the Spanish Civil War broke out, this book-a classic of Galician literature-never won the prominence it deserved.
As if convinced that all divination of the future is somehow a re-visioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones: A Testament constitute a restless jeremiad for our times, and Dawes’s inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future. As the twentieth collection in the poet’s hallmarked career, City of Bones reaches a pinnacle, adding another chapter to the grand narrative of invention and discovery cradled in the art of empathy that has defined his prodigious body of work. Dawes’s formal mastery is matched only by the precision of his insights into what is at stake in our lives today. These poems are shot through with music from the drum to reggae to the blues to jazz to gospel, proving that Dawes is the ambassador of words and worlds.
Reproduction of the original.