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This is a winning and accessible critique of postmodernist philosophy. Postmodernism is a term used to describe a contemporary school of philosophy that takes a highly critical stance toward the conceptual underpinnings of the modern worldview. In this critical assessment of postmodernism, philosopher Jerry Gill argues that, however insightful the critiques of the postmodernists, they did little or nothing to offer constructive approaches to overcoming the impasse their criticism of modernism created. Instead, he turns to an earlier generation of 20th century philosophers - Alfred Whitehead, Ludwig Wittgenstein, Maurice Merleau-Ponty, and Michael Polanyi - who anticipated later postmodern trends but offered alternative approaches to the dilemmas of modernism regarding the nature of reality, knowledge, and language
Deep Surfaces explores the relations between mass culture - especially as reflected in and perpetuated by film, television, and advertising - and historical thinking in the work of such contemporary American novelists as Thomas Pynchon, Don DeLillo, E. L. Doctorow, Ishmael Reed, Bobbie Ann Mason, and Nicholson Baker. By considering mass culture from a postmodern theoretical perspective, Philip E. Simmons places his readings of fiction within a larger argument about how mass culture is shaping postmodern conditions of knowledge. In particular, Simmons shows how mass culture is related to the ways we construct and perceive history, and how certain developments in fiction mark the novel's participation in a larger mass culture.
The philosophies of French thinkers Derrida, Lyotard, and Foucault form the basis for postmodern thought and are seemingly at odds with the Christian faith. However, James K. A. Smith claims that their ideas have been misinterpreted and actually have a deep affinity with central Christian claims. Each chapter opens with an illustration from a recent movie and concludes with a case study considering recent developments in the church that have attempted to respond to the postmodern condition, such as the "emerging church" movement. These case studies provide a concrete picture of how postmodern ideas can influence the way Christians think and worship. This significant book, winner of a Christianity Today 2007 Book Award, avoids philosophical jargon and offers fuller explanation where needed. It is the first book in the Church and Postmodern Culture series, which provides practical applications for Christians engaged in ministry in a postmodern world.
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
In The Story of Post-Modernism, Charles Jencks, the authority on Post-Modern architecture and culture, provides the defining account of Post-Modern architecture from its earliest roots in the early 60s to the present day. By breaking the narrative into seven distinct chapters, which are both chronological and overlapping, Jencks charts the ebb and flow of the movement, the peaks and troughs of different ideas and themes. The book is highly visual. As well as providing a chronological account of the movement, each chapter also has a special feature on the major works of a given period. The first up-to-date narrative of Post-Modern Architecture - other major books on the subject were written 20 years ago. An accessible narrative that will appeal to students who are new to the subject, as well as those who can remember its heyday in the 70s and 80s.
Modernity has radically challenged the assumptions that guide our ordinary lives as persons, in ways we are not normally aware. We live our concrete lives taking for granted that personal decisions, desires, relationships, actions, aspirations, values, and knowledge are central to our existence. But in modernity, we think of these matters as private, idiosyncratic, and subjective, even irrational. This modern conception of ourselves and the associated way of reflection known as modern critical thinking came to dominate our thinking is culminates in the dualistic philosophy of René Descartes. This dualism has spawned a reductionist view of persons and tainted “the personal” with connotations of bias, partiality, and privacy, leaving us with the presumption that if we seek to be objective and intellectually respectable, we must expunge the personal. William H. Poteat’s work in philosophical anthropology has confronted this concern head on. He undertakes a radical critique of the various forms of mind-body dualism and materialist monism that have dominated Western intellectual concepts of the person. In a unique style that Poteat calls post-critical, he uncovers the staggering incoherencies of these dualisms and shows how they have resulted in a loss of the personal in the modern age. He also formulates a way out of this modern cultural insanity. This constructive dimension of his thought is centered on his signature concept of the mindbody, the pre-reflective ground of personal existence. The twelve contributors in this collection explore outgrowths and implications of Poteat’s thought. Recovering the Personal will be of interest to a broad range of intellectual readers with interests in philosophy, psychology, theology, and the humanities.
This reader provides a selection of articles and essays by leading figures in the postmodernism debate.
Revisiting Postmodernism offers an engaging, wide-ranging and highly illustrated account of postmodernism in architecture from its roots in the 1940s to its ongoing relevance today. This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning, furniture design, art and literature. Looking at Postmodernism through the lens of examples from around the world, each chapter explores the movement in the UK on the one hand, and its international counterparts on the other, reflecting on the historical movement but also how postmodernism influences practices today. This book offers the insider’s view on postmodernism by the author, a recognised pioneer in the field of postmodern architecture and a prestigious and authoritative participant in the postmodern movement.
V.1 Foundational essays -- V.2 Critical Texts -- V.3 Disciplinary texts: Humanities and social sciences -- V.4 Legal studies, psychoanalytic studies, visual arts and architecture.