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August 2010: the San Jose mine in Chile collapses trapping 33 men half a mile underground for 69 days. Faced with the possibility of starvation and even death, the miners make a pact: if they survive, they will only share their story collectively, as 'the 33'. 1 billion people watch the international rescue mission. Somehow, all 33 men make it out alive, in one of the most daring and dramatic rescue efforts even seen.
Award-winning journalist Jonathan Franklin chronicles the harrowing account of the 33 Chilean miners who were trapped underground for fourteen weeks in the fall of 2010. A resident of Chile since 1994, award-winning investigative reporter Jonathan Franklin gained access to the miners, their families, rescuers, and government officials that other journalists could only dream of. He developed such a bond of trust with the miners that they described in great detail the dramatic first seventeen days of their confinement. Once the miners were rescued, Franklin interviewed virtually all of them—at their homes, at his house, on horseback, and at the beach. The result is 33 Men, the most authoritative book on the Chilean mine disaster. Written with the author’s renowned eye for detail, it captures the remarkable story of the miners who grasped the essence of the human spirit in order to survive their entrapment, and the men and women who literally moved a mountain to set them free.
Just before summer begins, 13-year-old Ali finds an odd photograph in the attic. She knows the two children in it are her mother, Claire, and her aunt Dulcie. But who’s the third person, the one who’s been torn out of the picture? Ali figures she’ll find out while she’s vacationing in Maine with Dulcie and her four-year-old daughter, Emma, in the house where Ali’s mother’s family used to spend summers. All hopes for relaxation are quashed shortly after their arrival, though, when the girls meet Sissy, a kid who’s mean and spiteful and a bad influence on Emma. Strangest of all, Sissy keeps talking about a girl named Teresa who drowned under mysterious circumstances back when Claire and Dulcie were kids, and whose body was never found. At first Ali thinks Sissy’s just trying to scare her with a ghost story, but soon she discovers the real reason why Sissy is so angry. . . . Mary Downing Hahn is at her chilling best in this new supernatural tale that’s certain to send shivers down her readers’ spines.
As a child, Jessie Lockwood spent many hours helping her mother, Mariah, count the endangered ginseng plants hidden in the local woods of Deep Down, Kentucky. There she learned to appreciate the tiny Appalachian town--and ginseng's healing powers. Now a PhD, she's made her home in Lexington, even though that meant leaving Deep Down and her beloved mother--and Sheriff Drew Webb, the man she secretly loved. When Jessie is notified that her mother never returned from her last walk in the woods, she comes home to Deep Down--and to Drew. As Jessie and Drew race to find her mother, several suspects emerge: an agent for those who market the herb for its life-giving properties; Mariah's disgruntled suitor; and an old Cherokee desperate to protect the sacred tribal herb. In the mist of legend and fear, only two things make sense to Jessie. At any cost, she is desperate to find her mother. And she can't help falling desperately in love with Drew all over again.
With the growth of interest in folklore, it becomes increasingly evident that the presentation of a collection needs some rationale more than the fact that traditional materials have been collected and properly annotated. Much has been gathered and is now accessible through journals, archives, and lists. If a corpus of lore is not presented in some way, which bears new light on the process of word-of-mouth transmission, on traditional forms or expressions, or on the group among whom the lore was encountered, there is little reason to present it to the public. This work represents an attempt to present a body of folklore collected among one small group of Black Americans in a neighborhood in South Philadelphia. The author's approach toward collection and presentation has been intensive. He has tried to collect "in depth," and to recreate in his presentation the social background in which the lore was found, and to relate the lore with the life and the values of the group. Abraham's work is a departure from any past methods of analyzing folklore, and therefore a description of the author's point of view and his method will be given first. The majority of this work was written before his methodology was actually formulated. However throughout the project û the object was to illuminate as fully as possible the lore of one small group of African Americans from urban Philadelphia. The methodology, which developed, did so because of this objective more than anything else. Though the formulation of this theory may seem ex post facto, it is included because it clarified much during the rewritings of this book, and more importantly, because it will clarify many matters for the lay reader and for the professional folklorist.
A homicide detective hunts down his wife's killers while struggling between his thirst for revenge and a twinge of conscience forbidding him to take the law into his own hands. Homicide Detective Max Rupert never fully accepted his wife’s death, even when he believed that a reckless hit-and-run driver was to blame. Haunted by memories both beautiful and painful, he is plagued by feelings of unfinished business. When Max learns that, in fact, Jenni was murdered, he must come to terms with this new information—and determine what to do with it. Struggling to balance his impulses as a vengeful husband with his obligations as a law enforcement officer, Max devotes himself to relentlessly hunting down those responsible. For most of his life, he has thought of himself as a decent man. But now he’s so consumed with anguish and thoughts of retribution that he finds himself on the edge, questioning who he is and what he stands for. On a frozen lake at the US–Canadian border, he wrestles with decisions that could change his life forever, as his rage threatens to turn him into the kind of person he has spent his entire career bringing to justice.
Antonio Bernal is a Guatemalan refugee in Los Angeles haunted by memories of his wife and child, who were murdered at the hands of a man marked with yellow ink. In a park near Antonio's apartment, Guillermo Longoria extends his arm and reveals a sinister tattoo—yellow pelt, black spots, red mouth. It is the sign of the death squad, the Jaguar Battalion of the Guatemalan army. This chance encounter between Antonio and his family's killer ignites a psychological showdown between these two men. Each will discover that the war in Central America has migrated with them as they are engulfed by the quemazones—"the great burning" of the Los Angeles riots. A tragic tale of loss and destiny in the underbelly of an American city, The Tattooed Soldier is Pulitzer Prize–winning reporter Héctor Tobar's mesmerizing exploration of violence and the marks it leaves upon us.
"A YA memoir of sexual abuse in the Air Force academy, and the author's survival and healing."--Provided by publisher.
Cocktail Hour Under the Tree of Forgetfulnesstells the story of the author's mother, Nicola Fuller. Nicola Fuller and her husband were a glamorous and optimistic couple and East Africa lay before them with the promise of all its perfect light, even as the British Empire in which they both believed waned. They had everything, including two golden children - a girl and a boy. However, life became increasingly difficult and they moved to Rhodesia to work as farm managers. The previous farm manager had committed suicide. His ghost appeared at the foot of their bed and seemed to be trying to warn them of something. Shortly after this, one of their golden children died. Africa was no longer the playground of Nicola's childhood. They returned to England where the author was born before they returned to Rhodesia and to the civil war. The last part of the book sees the Fullers in their old age on a banana and fish farm in the Zambezi Valley. They had built their ramshackle dining room under the Tree of Forgetfulness. In local custom, this tree is the meeting place for villagers determined to resolve disputes. It is in the spirit of this Forgetfulness that Nicola finally forgot - but did not forgive - all her enemies including her daughter and the Apostle, a squatter who has taken up in her bananas with his seven wives and forty-nine children. Funny, tragic, terrifying, exotic and utterly unself-conscious, this is a story of survival and madness, love and war, passion and compassion.
“A vividly detailed, heartbreaking tale about a dark, alien place, the people who loved working there and a town that has never been the same. He brings to life the hot, dirty, treasure-hunt environment where danger was a miner's heroin." —Seattle Times “Investigation at its best.” —Tucson Citizen On May 2, 1972, 174 miners entered Sunshine Mine in Kellogg, Idaho, on their daily quest for silver. From his office window, safety engineer Bob Launhardt could see the air shafts that fed fresh air into the mine, which was more than a mile below the surface. Sunshine was a fireproof hardrock mine, full of nothing but cold, dripping wet stone. There were many safety concerns, but fire wasn’t one of them. So when thick black smoke began pouring from one of the air shafts, Launhardt was as amazed as he was struck with fear. When the alarm sounded, less than half of the dayshift was able to return to the surface. The others were too deep in the mine to escape. Scores of miners died almost immediately, but in one of the deepest corners of the mine, Ron Flory and Tom Wilkinson were left alone and in total darkness, surviving off a trickle of fresh air from a borehole. The miners’ families waited and prayed, while Launhardt refused to give up the search until he could be sure that no one was left underground. In The Deep Dark, Gregg Olsen looks beyond an intensely suspenseful story of the rescue and into the wounded heart of Kellogg, a quintessential company town that has never recovered from its loss.