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A magnificent and inspiring book about the only Art Deco District in America by the woman who made it come alive again. The triumphs and despairs described in Capitman's text are the result of the struggle between the pressure for development and the necessity for preservation. 135 color plates.
An unparalleled tour of the Art Deco-style architecture, interiors, decoration, and art objects of Havana, this colorful book shows the work of Cuban artists, open to the winds of change and to outside influences, who filtered the movement born in Paris through the dazzling beauty of Caribbean nature and made the art their own.
"Born out of fantasy and speculation, designed for fun and profit, Miami Beach has been, from its inception, a city of mythical composition. Its famed Art Deco District was designated a Historic District by the National Register of Historic Places in 1979, and today the area is basking in a revival of interest and attention. Nevertheless, while fashion photographers and entrepreneurs, artists, developers, restaurateurs and club owners flock to the neighborhood, it is still struggling, after years of deterioration and neglect, to recreate itself out of its own forgotten glamour. Despite a new palette of confectionery colors and the renovation of numerous buildings, the Art Deco District remains in need of urban cultivation, of a reinterpretation that transcends its original resort identity. Author Laura Cerwinske introduces Tropical Deco: The Architecture and Design of Old Miami Beach by discussing both the area's past and its future. Throughout her comprehensive exploration of the most concentrated neighborhood of Art Deco buildings in the world, she details the style's evolution and examines its design. Tropical Deco: The Architecture and Design of Old Miami Beach treats its readers to a delightful view of a unique adaption of a historic architectural style. For, while Miami Beach's Art Deco architecture derives its stylistic roots from the streamlined and electric visions of the cosmopolitan North, Tropical Deco design is much softer and more temperately seductive. These are buildings whose narrative and evocative nature is at once sophisticated, naive and filled with humor."--Publisher.
Since 1872 when traveling salesman Aaron Montgomery Ward realized he could eliminate the middleman and sell goods directly to his customers, Americans have had an ongoing love affair with the mail-order catalog, which continues undiminished even in today's online-driven world. The practical can find deals on furniture and clothing in L.L.Bean and Sears, the extravagant can consider his and hers matching helicopters, windmills, hot-air balloons, and submarines in the Neiman Marcus Fantasy Catalog; those looking to get their pulses racing can browse Victoria's Secret and Abercrombie & Fitch; while our inner swashbuckler can travel the world through the pages of the J. Peterman Owner's Manual where Moroccan caftans, Russian Navy t-shirts, and wooden water buckets from rural China entice the imagination. In Catalog: The Illustrated History of Mail Order Shopping, Robin Cherry traces the timeline of these snapshots from American history and discovers along the way how we dressed, decorated our houses, worked, played, and got around. From corsets to bell-bottoms, from baby-doll dresses and Doc Martens all the way to iPods, the history of these catalogs is the history of our lives and our culture. GIs during World War II were kept company by the models in the pages of lingerie catalogs; hockey goalies fashioned makeshift shin guards out of them during the Great Depression, and creative children across the country still play with homemade paper dolls cut from clothing catalogs. A number of celebrities got their start modeling for catalogs: Gregory Peck, Lauren Bacall, Katherine Heigl, Matthew Fox, and Angelina Jolie. Jimi Hendrix and Bob Dylan both got their first guitars from the Sears catalog. Organized into categories such as clothing, food, animals, and houses, author Robin Cherry explores the vivid stories behind Sears, Montgomery Ward, Lillian Vernon, Harry & David, Jackson & Perkins, and of course, 45 years of the Neiman Marcus Christmas Book. Insightful historical commentary places these catalogs in their social context, making this book a visual pleasure and a historically important piece of Americana.
"Transformed from a cattle depot into the Oil Capital of the World, Tulsa emerged as an iconic Jazz Age metropolis. The Magic City attracted some of the nation's most talented architects, including Bruce Goff, Francis Barry Byrne, Frank Lloyd Wright, Joseph R. Koberling Jr., Leon B. Senter and Frederick Kershner. Like their brazen oil baron clients, they were not afraid to take chances, and the city still reflects the splendor of that fabulous era. Writer Suzanne Wallis and photographer Sam Joyner celebrate the city's enduring Art Deco legacy and its daring revival" -- Page 4 of cover.
Use this handy, comprehensive illustrated guidebook to discover the often-overlooked rich cultural, historical, and natural attractions of the Bronx—one of the five boroughs of New York City. Author and foremost Bronx historian Lloyd Ultan and educator Shelley Olson provide detailed descriptions, information, and maps visitors need, including hours and directions, to enjoy both famous and lesser-known historic and architectural marvels, museums, art galleries, performance venues, gardens, parks, and recreation facilities.
From the acclaimed bestselling author of Philistines at the Hedgerow comes a remarkably revealing profile of the Miami Beach no one knows–a tale of fabulous excess, thwarted power, and rekindled lives that will take its place among the decade’s best works of social portraiture. Created from a mix of swampland and dredged-up barrier reef, Miami Beach has always been one part drifter-mecca and one part fantasyland, simultaneously a catch basin for con men, fast-talk artists, and shameless self-promoters, and a Shangri-La for sun worshippers and hardcore hedonists. In Miami Beach it’s often said that "if you’re not indicted you’re not invited." But the city’s mad, fascinating complexity resists easy stereotyping. Fool’s Paradise is more than just a present-day profile of a dark Eden. Gaines journeys back into the city’s social and cultural history, unearthing stories of the resort’s past that are every bit as absorbing–and jaw-dropping–as those of its present. The book begins with a snapshot of the city’s current excess (this is, after all, a sun-washed hamlet that boasts, on a per capita basis, more bars–and breast implants–than any other place in America), then plunges into the Beach’s origins, chronicling the audacious rise of such hoteliers as the Fontainebleau’s Ben Novack and the Eden Roc’s Harry Mufson, the sharp-elbowed tactics of Al Capone and Frank Sinatra, and the Mac-10 shooting sprees of the Marielito and Colombian drug lords. From there, the narrative shifts to two wildly eccentric souls who gave their lives to preserving the city’s architectural dazzle and creating its color palette, introduces us to "the Most Powerful Man in Miami Beach," and arrives finally in the modern day, where we meet, among others, a kinky German playboy who once owned a quarter of South Beach and publicly flaunts his sexual escapades; a fabulously successful nightclub promoter whose addictive past seems to have given him a portal into the night world’s id; and a gaggle of young sexy models, dreamers, and schemers on a mission to achieve significance. Evoking the Beach’s surreal blend of flashy Vegas and old Hollywood glamour, as well as its manic desperation and reckless wealth, Gaines persuasively demonstrates that though the Beach is–in the words of its most famous drag queen–"an island of broken toys . . . a place where people get away with things they’d never get away with anyplace else," it casts an irresistible spell.
Knox’ in-situ studies present 50 especially significant city districts from the whole of Europe in words and pictures. His field research focuses on typologically outstanding city districts that have developed a high degree of individuality. Cities are the symbiosis of diverse districts: the smaller units serve to provide an important identity function: business centers and amusement districts such as the City and the West End in London, technology and science quarters (Adlershof in Berlin), designer districts such as the Zona Tortona in Milan and the Fashion District in New York. Two other factors that play a major role are the conversion of industrial wastelands and new districts colored by a supranational capitalism or a sustainable or dubious planning – such as the Vauban residential quarter in Freiburg in South Germany or the Lower Ninth District in New Orleans. Paul Knox also always analyzes how and why these districts have turned out the way they are: outlining their visible and also their hidden and often blurred "biography". A fascinating journey through space and time!
Art Deco buildings still lift their modernist principles and streamlined chrome into the skies of Baltimore and Washington, D.C. Second Place Winner of the Design and Effectiveness Award of the Washington Publishers The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality—streamlined, chrome, and glossy black—along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York’s Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore’s John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures—along with apartment houses and government buildings—typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.
Steven Brooke, whose dazzling photography of Miami's Art Deco District once helped spur the area's preservation, now captures the incredible architectural restoration of this glamorous international playground. During the 1930s, Miami Beach emerged as an epicenter of Art Deco architecture. Against the azure sky gleamed buildings that boasted voluptuous curves, nautical elements, Jazz Age ornamentation, and seductive neon. After the area fell into decline in the 1970s and '80s, Steven Brooke and others successfully campaigned to protect the Art Deco District's architectural treasures from the wrecking ball. Now, with the district's buildings finally restored to their eye-popping glory, Brooke offers Miami- and Art Deco-lovers the most up-to-date celebration of the inimitable architecture that has made the city a style magnet for artists, designers, and travelers from around the globe.