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“Get your coat, Rox. You’re going home.” Monsignor Scrivener. Dragon Rider. Orator. The titles bestowed on Baz sound as ridiculous to him as he suspects they do to everyone around him. But Tessa appointed him leader of the uprising, and Baz intends to keep those entrusted to him safe. Except, that’s proving exceedingly difficult. Erstwhile’s army has discovered a new weapon that renders spells useless; Baz’s sole advantage over his enemy’s much larger force—his one remaining dragon—is badly hurt; and Baz’s troops are exhausted. They’ll be overrun for sure before they reach Tome. But there is one chance: escape into the Icy Heights and head for the frozen city of Enigma. Meanwhile, Deliritous is struggling with his choice to return to his place at the top of society, opposing the rebels Baz is leading. When his aunt reveals a stunning secret, Del finally thinks he knows where his life is headed. But in the upper echelons of Oration, schemes run rampant as a fire in a Library, and Del’s never been one for scheming. As betrayal strikes both Baz and Del, their paths will once more cross. But they’ll both discover that war has a way of dividing loyalties that once seemed unquestionable. Will Baz find a way to save his rebellion from a premature demise? Will Deliritous finally decide who he truly wants to be? Find out in Declaimer’s Stand, Part IV of The Spoken Books Uprising! “I’m hooked… Great world building on display, and such a cool concept for a story!” -Reviewer on The Acktus Trials, Part I of The Spoken Books Uprising “You’ll be gripping your seat…” -Review on Declaimer’s Discovery, Part II of The Spoken Books Uprising
“How do you plan to get past the city walls?” Baz asked. “Easy," she replied. "We’ll fly.” Baz has found the fabled Declaimer’s Transcendence, the prophecy that promises to lead Oration’s slaves to freedom. But Baz and his companions are battered and on the run, danger at every turn and no aid in sight. Worse still, no one believes Baz when he says he knows where to find the prophesied savior. In an ironic twist of fate, Baz finds his closest ally is none other than his one-time master, a member of the ruling class against whom the rebels are fighting. When Baz returns to where his adventure—or is it a nightmare?—began, his path finally becomes clear. But even then, there are forces working to betray him, both external and in Baz’s own head. Once more, he must face the dark terror beneath the ruined city of Tome, while simultaneously battling the trauma he suffered in the dungeons of Leamina Library. And that’s all before the dragons show up. Will Baz persevere and find Oration’s savior? Find out in Part III of the Spoken Books Uprising, Declaimer’s Flight! “I’m hooked… Great world building on display, and such a cool concept for a story!” -Amazon Reviewer on The Acktus Trials, Part I of The Spoken Books Uprising “D. T. Kane gives us even more of everything we loved from the first book, and then some. I laughed, I cried, I could not put this one down.” -Amazon Reviewer on Declaimer’s Discovery, Part II of The Spoken Books Uprising
Situated at the crossroads of rhetoric and fiction, the genre of declamatio offers its practitioners the freedom to experiment with new forms of discourse. This volume places the literariness of Roman declamation into the spotlight by showcasing its theoretical influences, stylistic devices, and generic conventions as related by Seneca the Elder, the author of the Controversiae and Suasoriae, which jointly make up the largest surviving collection of declamatory speeches from antiquity. Authored by an international group of leading scholars of Latin literature and rhetoric, the chapters explore not only the historical roles of individual declaimers, but also the physical and linguistic techniques upon which they collectively drew. In addition, the 'dark side of declamation' is illuminated by contributions on the competitiveness of the arena and the manipulative potential of declamatory skill and, in keeping with the overall treatment of declamation as a literary phenomenon, a section has also been dedicated to intertextuality. Drawing on thought-provoking analyses of Seneca the Elder's works, the volume highlights the complexity of these texts and maps out, for the first time, the socio-cultural context for their composition, delivery, and reception, as well as providing a comprehensive, innovative, and up-to-date treatment of Roman declamation that will be essential for both students and scholars in the fields of Latin literature, Republican Roman history, and rhetoric.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech, be it that the speaker is (represented as) the author of a work, be it that they feature as characters in the work, narrating their own story or that of others. In doing so, they do not only offer new insights into the rhetorical strategies and literary techniques used to construct a gendered ‘I’ in ancient literature. They also address the form and function of first-person discourse in classical literature in general, touching on fields of research that have increasingly come into focus in recent years, such as authorship studies, studies concerning the ancient notion(s) of the literary persona, as well as a historical narratology that discusses concepts such as the narrator or the literary character in ancient literary theory and practice.