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En este mi primer trabajo se lo dedico a mi madre Eusebia Pizarro y mi padre Lázaro Morales Ramos por la vida que me otorgaron pues gracias a ellos soy un hombre de bien. También a mí adorada esposa Sharon Lynch de Morales porque ella siempre ha sido buena guía instruyéndome para que obtenga buen provecho a mi talento poético.
In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites. Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contemporáneos through Guadalupe Marín, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contemporáneos' desire to merge high and popular culture and create a space where those on the margins could move to the center.
Poetry. Latino/Latina Studies. Gay & Lesbian Studies. Translated from the Spanish by D.M. Stroud and a preface and afterword by Elias Nandino. Xavier Villaurrutia (1903-1950) was the most distinguished member of Mexico's most celebrated literary group, the Contemporaneos. A closet queen who escaped his closet, instead of bursting forth with the energy of a Whitman, he flits about the corridors of his dreams like a sinister black moth. The very suppression of energy here is what creates its intensity, as in the unforgettable Decimas. This is the first complete bilingual edition of Villaurrutia's poems and will fill an important gap in the study of both gay and Mexican literature. "These beautiful translations convey perfectly the mixture of fear, hope, guilt, sensuality and elegance that are so typical of Villaurrutia"--Manuel Duran.
Essays compare early modern Spanish writers to their contemporaries in other countries and to modern Spanish and Latin American literature