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The expert readings in this collection explore the ten stories of Day Six of Boccaccio's Decameron - a day that involves meditations on language, narration, and meaning
In the time of a devastating pandemic, seven women and three men withdraw to a country estate outside Florence to give themselves a diversion from the death around them. Once there, they decide to spend some time each day telling stories, each of the ten to tell one story each day. They do this for ten days, with a few other days of rest in between, resulting in the 100 stories of the Decameron. The Decameron was written after the Black Plague spread through Italy in 1348. Most of the tales did not originate with Boccaccio; some of them were centuries old already in his time, but Boccaccio imbued them all with his distinctive style. The stories run the gamut from tragedy to comedy, from lewd to inspiring, and sometimes all of those at once. They also provide a detailed picture of daily life in fourteenth-century Italy.
This inaugural book in a new series of critical essays on the Decameron will provide an important guide to reading the complex series of narratives that constitute the opening of the Decameron and will serve as a guide to reading the entire work.
A group of escapees from plague-ridden Florence pass the time by telling tales of romance in this landmark of medieval literature. Features 25 of the original 100 stories. J. M. Rigg translation.
"Addressing herself equally to those who argue for proto-feminist Boccaccio - a quasi-liberal champion of women's autonomy - and to those who argue for a positivistically secure, historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent."--Jacket.
The new novel from the acclaimed author of Six Days of the Condor—set on a heart-pounding cross-country train ride. "Grady's style is loose, colorful, challenging and fun. I sometimes thought of Orwell’s novel 1984, sometimes of the Dylan song 'Desolation Row.'"—Patrick Anderson,The Washington Post "Grady is a master of intrigue."—John Grisham This Train races us through America's heartland, carrying secrets. There is treasure in the cargo car, along with an invisible puppeteer. There is a coder named Nora, Mugzy, the yippy dog, and Ross, the too-curious poet. On board, it's a countdown to murder… On this train there is a silver madman, a targeted banker, and crises of conscience. This train harbors the "perfect" couple's conspiracies, the chaos of being a teenager, and parenthood alongside the wows of being nine. There is a widow and a wannabe, and the sleaziest billionaire. On this train, there is the suicide ticket, the bomb, sex, love, and loneliness. The heist. Revenge. Redemption. This Train is a ticking clock, roaring through forty-seven fictional hours of non-stop suspense and action, through the challenges of now: Racism. Sexism. Global warming. What it means to be alive. This train carries all of us. All aboard!
"Previously published as The decameron project."
This valuable resource introduces readers to the Old Testament books of wisdom and poetry--Job, Psalms, Proverbs, Ecclesiastes, and Song of Songs--and helps them better understand each book's overall flow. Estes summarizes some of each book's key issues, offers an exposition of the book that interacts with major commentaries and recent studies, and concludes with an extensive bibliography. Now in paperback.
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.