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This book tells the story of south Wales valleys born Margaret Maund who experienced a remarkable life as a nurse and midwife in central Africa in the late 1960s. Margaret was later ordained as an Anglican priest; indeed she was amongst the first group of women to be ordained in Wales. Her autobiography charts the highs and lows of a life spent breaking new ground.
Historian Robert Peel traces the influences of Eddy's life, from her early years through the time of her discovery of Christian Science and the publication in 1875 of Science and Health, the primary work on Christian Science.
A lavish coffee-table book featuring spectacular images from the Chandra X-Ray Observatory, the most powerful X-Ray telescope ever built Take a journey through the cosmos with Light from the Void, a stunning collection of photographs from the Chandra X-Ray Observatory's two decades of operation. The book showcases rarely-seen celestial phenomena such as black holes, planetary nebulae, galaxy clusters, gravitational waves, stellar birth and death, and more. Accompanying these images of incredible natural phenomena are captions explaining how they occur. The images start close to home and move outward: beginning with images of the Chandra launch, then moving into the solar system, through the nearby universe, and finally to the most distant galaxies Chandra has observed, the book brings readers on a far-out visual voyage.
After being dominant during about a century since its invention by Baudouin de Courtenay at the end of the nineteenth century, morpheme is more and more replaced by lexeme in contemporary descriptive and theoretical morphology. The notion of a lexeme is usually associated with the work of P. H. Matthews (1972, 1974), who characterizes it as a lexical entity abstracting over individual inflected words. Over the last three decades, the lexeme has become a cornerstone of much work in both inflectional morphology and word formation (or, as it is increasingly been called, lexeme formation). The papers in the present volume take stock of the descriptive and theoretical usefulness of the lexeme, but also adress many of the challenges met by classical lexeme-based theories of morphology.
The bestselling author of Dogs That Know When Their Owners Are Coming Home offers an intriguing new assessment of modern day science that will radically change the way we view what is possible. In Science Set Free (originally published to acclaim in the UK as The Science Delusion), Dr. Rupert Sheldrake, one of the world's most innovative scientists, shows the ways in which science is being constricted by assumptions that have, over the years, hardened into dogmas. Such dogmas are not only limiting, but dangerous for the future of humanity. According to these principles, all of reality is material or physical; the world is a machine, made up of inanimate matter; nature is purposeless; consciousness is nothing but the physical activity of the brain; free will is an illusion; God exists only as an idea in human minds, imprisoned within our skulls. But should science be a belief-system, or a method of enquiry? Sheldrake shows that the materialist ideology is moribund; under its sway, increasingly expensive research is reaping diminishing returns while societies around the world are paying the price. In the skeptical spirit of true science, Sheldrake turns the ten fundamental dogmas of materialism into exciting questions, and shows how all of them open up startling new possibilities for discovery. Science Set Free will radically change your view of what is real and what is possible.
This collection of insightful essays by outstanding artists, anthropologists, historians, classicists and humanists was developed to broaden the study of popular culture and to provide instances of original and innovative interdisciplinary approaches. Its first purpose is to broaden the study of popular culture which is too often regarded in the academic world as the entertainment and leisure time activities of the 20th century. Second, the collection gives recognition to the fact that a number of disciplines have been investigating popular phenomena on different fronts, and it is designed to bring examples of these disciplines together under the common rubric of "popular culture." Related to this is a third purpose of providing instances of original and innovative interdisciplinary approaches. Last, the collection should be a worthwhile contribution to the component disciplines as well as to the study of popular culture.
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Judith Moore knew she had bene brought up by loving parents. Before age 40 she had no memory of childhood trauma, although she knew she had bene sick a lot mor ethan most peoople -- but it wasn't until she joinged an incest survivors' group to help her adopted daughter that the memories began surfacing. In this brave and groundbreaking work, Judith Moore shares her shattering revelations of the reality of HIGH-LEVEL MIND CONTROL. She opens the pages of her journal and the innermost feelings of her heart to share with the reader her JOUNREY TO WHOLENESS and to healing. Her early environment, rich in NATIVE AMERICAN FOLK-LORE, helps her in her quest. With the help of caring prefessionals, she researces, travels, investigates and meditates in an effort to set herself free, to reclaim her very sense of herself a sa person. Her search leads her into terrifying, unknown territory and ILLUMINATING DISCVOERIES about her own psyche and that of today's society as a whole.