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Three sinfully sexy vampires. One very willing woman. Get ready for. . . Maximum Pleasure A closed door swings open. . .and Wynne Fischer enters an elegant bondage club for those who crave extremes of forbidden sensation. Within the walls of Twilight, ultra-male temptation comes in threes: the muscular brothers Rolf and Dierk, and the mysterious Master Zane. Dominance is in their blood and the natural submissiveness of the inexperienced Wynne arouses the men beyond belief. Baring herself body and soul at their command, their captive is about to satisfy her most hidden desires as she explores the dark side of sexual passion. . . Praise for Tawny Taylor "Absolutely delicious!" --Kate Douglas on Dark Master "Halloween will never be the same after this fun read!" --L.A. Banks on Sex And The Single Ghost
"The co-author of Moral Machines explores accountability challenges related to a world shaped by such technological innovations as combat drones, 3-D printers and synthetic organisms to consider how people of the near future can be protected, "--Novelist.
Osho analyses the function of the human mind in connection with meditation. Responding here to a question related to a space of 'no-mind' or mindfulness he says: "meditation covers a very long pilgrimage. When I say "meditation is witnessing", it is the beginning of meditation. And when I say "meditation is no-mind," it is the completion of the pilgrimage. Witnessing is the beginning, and no-mind is the fulfillment. Witnessing is the method to reach the no-mind. Naturally you will feel witnessing is easier. It is close to you. But witnessing is only like seeds, and then is the long waiting period. "
We live in an age of awesome technological potential. From nanotechnology to synthetic organisms, new technologies stand to revolutionize whole domains of human experience. But with awesome potential comes awesome risk: drones can deliver a bomb as readily as they can a new smartphone; makers and hackers can 3D-print guns as well as tools; and supercomputers can short-circuit Wall Street just as easily as they can manage your portfolio. One thing these technologies can't do is answer the profound moral issues they raise. Who should be held accountable when they go wrong? What responsibility do we, as creators and users, have for the technologies we build? In A Dangerous Master, ethicist Wendell Wallach tackles such difficult questions with hard-earned authority, imploring both producers and consumers to face the moral ambiguities arising from our rapid technological growth. There is no doubt that scientific research and innovation are a source of promise and productivity, but, as Wallach, argues, technological development is at risk of becoming a juggernaut beyond human control. Examining the players, institutions, and values lobbying against meaningful regulation of everything from autonomous robots to designer drugs, A Dangerous Master proposes solutions for regaining control of our technological destiny. Wallach's nuanced study offers both stark warnings and hope, navigating both the fears and hype surrounding technological innovations. An engaging, masterful analysis of the elements we must manage in our quest to survive as a species, A Dangerous Master forces us to confront the practical -- and moral -- purposes of our creations.
Thus Spoke Zarathustra is Nietzsche's most problematic text. There appears to be no thematic connection between its four Parts and numerous sections. To make it even worse, the book contains a number of thematic contradictions. The standard approach has been a method of selective reading, that is, most critics select a few brilliant passages for edification and ignore the rest. This approach has turned Nietzsche's text into a collection of disjointed fragments. Going against this prevalent approach, T.K. Seung presents the first unified reading of the whole book. He reads it as the record of Zarathustra's epic journey to find spiritual values in the secular world. The alleged thematic contradictions of the text are shown to indicate the turns and twists that are dictated by the hero's epic battle against his formidable opponent. His heroic struggle is eventually resolved by the power of a pantheistic nature-religion. Thus Nietzsche's ostensibly atheistic work turns out to be a highly religious text. The author uncovers this epic plot by reading Nietzsche's text as a baffling series of riddles and puzzles. Hence his reading is not only edifying but also breathtaking. In this unprecedented enterprise, the author takes a complex interdisciplinary approach, engaging the five disciplines of philosophy, psychology, religious studies, literary analysis, and cultural history.
Distinguished Book Award, Philosophy of Communication Division, National Communication Association, 2017 Top Book Award, Communication Ethics Division, National Communication Association, 2017 Philosopher Emmanuel Levinas’s ethics as first philosophy explicates a human obligation and responsibility to and for the Other that is an unending and imperfect commitment. In Levinas’s Rhetorical Demand: The Unending Obligation of Communication Ethics, Ronald C. Arnett underscores the profundity of Levinas’s insights for communication ethics. Arnett outlines communication ethics as a primordial call of responsibility central to Levinas’s writing and mission, analyzing it through a Levinasian lens with examination of social artifacts ranging from the Heidegger-Cassirer debate to Rupert Murdoch’s News of the World story concerning illicit possession of information. Levinas’s Rhetorical Demand offers an account of Levinas’s project and the pragmatic implications of attending to a call of responsibility to and for the Other. This book yields a rich and nuanced understanding of Levinas’s work, revealing the practical importance of his insights, and including a discussion of related theorists and thinkers.
The phrase fin de siècle conjures up images of artistic experimentation and political decadence. The contributors to this volume argue that Wilhelmine Germany—best known for its industrial and military muscle—also shared these traits. Their essays look back to the years between 1885 and 1914 to find in Germany a mixture of sociopolitical malaise and experimental exhilaration that was similar in many ways to the better-known cases of France and Austria. Revising the view that the German Second Reich was merely a precursor to the Third, this broad-scoped study presents pre–World War I Germany in its own fascinating and often contradictory terms. The foundations of the antiliberal passions that would plague the Weimar Republic are evident, but Wilhelmine society also had a lighter, more playful and moderate spirit, one that was largely extinguished by the Great War. Blending social, cultural, and intellectual history, the contributors—a distinguished cross-section of older and younger scholars—trace changing German views on liberalism, penal reform, race, women, art, popular culture, and technology. They juxtapose better-known figures such as Max Weber, Thomas Mann, and Martin Heidegger with now-forgotten individuals like the Jewish feminist novelist Grete Meisel-Hess and the iconoclastic Swiss painter Arnold Böcklin. Their essay topics range from the esoteric and erotic poetry of Stefan George to the Jewish comedy of the Herrnfeld Theater. “Modernity” is examined from the perspectives of bourgeois cinema-goers and judicial reformers, as well as from the viewpoint of Carl Jung. The result is a variegated picture of an unsettled world, rich in its innovations, ambitious in its undertakings, and often apocalyptic in its dreams.