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Arthur Machen has finally been recognized as a key contributor to the glittering age of British Decadence. Best known for the novella The Great God Pan and for his formative influence on weird fiction, in fact much of Machen’s writing profoundly challenges literary and cultural convention. From the demonic horror of “The Recluse of Bayswater” to the plush occultism of The Hill of Dreams and the prose poems of Ornaments in Jade, this selection of works from throughout Machen’s career brings to life his unique symbolist aesthetics and spiritual philosophy. This is the first edition of Machen’s work to foreground his Decadent and occult writing. It includes a scholarly introduction, extensive annotations, and revealing contextual materials. Engaging with the gems of Machen’s oeuvre, the collection invites readers to open their minds to a reality beyond the veil, the reality – in Machen’s view – that matters most.
This book is the first study of how ‘weird fiction’ emerged from Victorian supernatural literature, abandoning the more conventional Gothic horrors of the past for the contemporary weird tale. It investigates the careers and fiction of a range of the British writers who inspired H. P. Lovecraft, such as Arthur Machen, M. P. Shiel, and John Buchan, to shed light on the tensions between ‘literary’ and ‘genre’ fiction that continue to this day. Weird Fiction in Britain 1880–1939 focuses on the key literary and cultural contexts of weird fiction of the period, including Decadence, paganism, and the occult, and discusses how these later impacted on the seminal American pulp magazine Weird Tales. This ground-breaking book will appeal to scholars of weird, horror and Gothic fiction, genre studies, Decadence, popular fiction, the occult, and Fin-de-Siècle cultural history.
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
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The Three Impostors; or, The Transmutations is an episodic horror novel by British writer Arthur Machen, first published in 1895 in The Bodley Head's Keynote Series. It was revived in paperback by Ballantine Books as the forty-eighth volume of the Ballantine Adult Fantasy series in June 1972. The novel comprises several weird tales and culminates in a final denouement of deadly horror, connected with a secret society devoted to debauched pagan rites. The three impostors of the title are members of this society who weave a web of deception in the streets of London-relating the aforementioned weird tales in the process-as they search for a missing Roman coin commemorating an infamous orgy by the Emperor Tiberius and close in on their prey: "the young man with spectacles". (wikipedia.org)
"The Novel of the Black Seal" by Arthur Machen is a classic tale that delves into the mysterious and the unknown. Machen's signature style of blending the supernatural with the mundane is evident in this work, making it a captivating read for those who enjoy tales that challenge the boundaries of reality.
The Hill of Dreams is a semi-autobiographical novel by the Welsh writer Arthur Machen. The novel recounts the life of a young man, Lucian Taylor, focusing on his dreamy childhood in rural Wales, in a town based on Caerleon. The Hill of Dreams of the title is an old Roman fort where Lucian has strange sensual visions, including ones of the town in the time of Roman Britain. Later, the novel describes Lucian's attempts to make a living as an author in London, enduring poverty and suffering in the pursuit of art and history. The Hill of Dreams was little noticed on its publication in 1907 save in a glowing review by Alfred Douglas. It was actually written between 1895 and 1897 and has elements of the style of the decadent and aesthetic movement of the period, seen through Machen's own mystical preoccupations. (wikipedia.org)
From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Machen loved the medieval world view because he felt it combined deep spirituality alongside a rambunctious earthiness.