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This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.
Eighteenth and nineteenth century European, British and American newspapers constitute a rich and largely untapped source of contemporary, often eyewitness accounts of historical events and opinions concerning Iran from the late Safavid (1712) through the Qajar (c. 1797-1920) period. This study collects and annotates thousands of articles published in the Colonial and early Republican American newspapers, from the first mention of events in Persia in the American press (1712) to the death of Mohammad Shah (1848), unlocking for the first time a wealth of information on Iran and its place in the world during the 18th and early 19th century.
Sir Thomas Grahams Netherlands Campaign of 18131814 has produced a surprisingly rich crop of memoirs and letters. This compelling new book brings together six of the shorter accounts, several of them never before seen in print, to help shed new light on the triumphs and disasters of these forgotten operations. Mixing formal reports with lively personal narratives, and contemporary letters and diaries with later reflections, this selection covers all the major actions of the campaign and the authors range from one of Grahams senior staff to an NCO in one of his infantry battalions. In addition to explanatory notes throughout, detailed appendices resolve some of the controversies arising from these and other eyewitness accounts, helping to increase our understanding of these little-known but important operations. Carefully researched and expertly compiled by historian Andrew Bamford, this is a valuable and absorbing new source, which will be of great interest to any student of the period.
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Its capital is named after German-born Queen Adelaide, its main street after her English husband, King William IV, so it is not surprising that little is known about South Australia's Irish background. However, the first European to discover Adelaide's River Torrens in 1836 was Cork-born and educated George Kingston, who was deputy surveyor to Colonel Light; the river was named in turn for Derryman Colonel Torrens, Chairman of the South Australian Colonisation Commission. Adelaide's first judge and first police commissioner were immigrants from Kerry and Limerick. Irish South Australia charts Irish settlement from as far north as Pekina, to the state's south-east and Mount Gambier. It follows the diverse fortunes of the Irish-born elite such as George Kingston and Charles Harvey Bagot, as well as doctors, farmers, lawyers, orphans, parliamentarians, pastoralists and publicans who made South Australia their home, with various shades of political and religious beliefs: Anglicans, Catholics, Dissenters, Federationalists, Freemasons, Home Rulers, nationalists, and Orangemen. Irish markers can be found in South Australian archaeology, architecture, geography and history. Some of these are visible in the hundreds of Irish place names that dot the South Australian landscape, such as Clare, Donnybrook, Dublin, Kilkenny, Navan, Rostrevor, Tipperary, and Tralee (as Tarlee). The book's editors are twentieth-century Irish immigrants from Dublin (Dymphna Lonergan), Portadown (Fidelma Breen), Trim (Susan Arthure), and by descent from eight Irish-born (Stephanie James).