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Debates on Stalinism introduces major debates about Stalinism during and after the Cold War. Did 'Stalinism' form a system in its own right or was it a mere stage in the overall development of Soviet society? Was it an aberration from Leninism or the logical conclusion of Marxism? Was its violence the revenge of the Russian past or the result of a revolutionary mindset? Was Stalinism the work of a madman or the product of social forces beyond his control? The book shows the complexities of historiographical debates, where evidence, politics, personality, and biography are strongly entangled. Debates on Stalinism allows readers to better understand not only the history of history writing, but also contemporary controversies and conflicts in the successor states of the Soviet Union, in particular Russia and Ukraine.
Debates on Stalinism introduces major debates about Stalinism during and after the Cold War. It introduces major debates and major historians of the Soviet Union during the brutal reign of Stalin. Readers will better understand not only the history of our current understanding of Stalinism but also contemporary debates in Russia and Ukraine.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
'Stalin and Stalinism' examines Stalin's ambiguous personal and political legacy, his achievements and his crimes - all the subject of major reappraisal both in the West and in the former Soviet Union.
Introduction: Stalin, science, and politics after the Second World War -- "A Marxist should not write like that": the crisis on the "philosophical front" -- "The future belongs to Michurin": the agricultural academy session of 1948 -- "We can always shoot them later": physics, politics, and the atomic bomb -- "Battles of opinions and open criticism": Stalin intervenes in linguistics -- "Attack the detractors with certainty of total success": the Pavlov session of 1950 -- "Everyone is waiting": Stalin and the economic problems of communism -- Conclusion: science and the fate of the Stalinist system.
'Stalinism and the Politics of Mobilization' provides a new explanation of the political violence in Stalin's Soviet Union during the late 1930s by examining the thinking of Stalin and his allies, and placing it in the broader context of Bolshevik ideas since 1917.
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.
In the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
This book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history. Cinema's role in the legitimization of Stalinism and the production of a new Soviet identity was enormous. Both Lenin and Stalin saw in this 'most important of arts' the most effective form of propaganda and 'organisation of the masses'. By examining the works of the greatest Soviet filmmakers of the Stalin era--Sergei Eisenstein, Vsevolod Pudovkin, Grigorii Kozintsev, Leonid Trauberg, Fridrikh Ermler--the author explores the role of the cinema in the formation of the Soviet political imagination.
Distinguished historian of the Soviet period Robert V. Daniels offers a penetrating survey of the evolution of the Soviet system and its ideology. In a tightly woven series of analyses written during his career-long inquiry into the Soviet Union, Daniels explores the Soviet experience from Karl Marx to Boris Yeltsin and shows how key ideological notions were altered as Soviet history unfolded. The book exposes a long history of American misunderstanding of the Soviet Union, leading up to the "grand surprise" of its collapse in 1991. Daniels's perspective is always original, and his assessments, some worked out years ago, are strikingly prescient in the light of post-1991 archival revelations. Soviet Communism evolved and decayed over the decades, Daniels argues, through a prolonged revolutionary process, combined with the challenges of modernization and the personal struggles between ideologues and power-grabbers.