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With the end of apartheid rule in South Africa and the ongoing economic crisis in Zimbabwe, the border between these Southern African countries has become one of the busiest inland ports of entry in the world. As border crossers wait for clearance, crime, violence, and illegal entries have become rampant. Francis Musoni observes that border jumping has become a way of life for many of those who live on both sides of the Limpopo River and he explores the reasons for this, including searches for better paying jobs and access to food and clothing at affordable prices. Musoni sets these actions into a framework of illegality. He considers how countries have failed to secure their borders, why passports are denied to travelers, and how border jumping has become a phenomenon with a long history, especially in Africa. Musoni emphasizes cross-border travelers' active participation in the making of this history and how clandestine mobility has presented opportunity and creative possibilities for those who are willing to take the risk.
This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways. From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public’s perception of empire. By covering diverse topics from Anthony Lejeune’s radio talk-show ‘London Letters’ – which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence – as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote ‘colonization in reverse’, the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.