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There’s no such thing as a free cruise in Cuban American author Teresa Dovalpage's addictively clever new Havana mystery. Cuban-born Mercedes Spivey and her American husband, Nolan, win a five-day cruise to Cuba. Although the circumstances surrounding the prize seem a little suspicious to Mercedes, Nolan’s current unemployment and their need to spice up their marriage make the decision a no-brainer. Once aboard, Mercedes is surprised to see two people she met through her ex-boyfriend Lorenzo: former University of Havana professor Selfa Segarra and down-on-his-luck Spanish writer Javier Jurado. Even stranger: they also received a free cruise. When Selfa disappears on their first day at sea, Mercedes and Javier begin to wonder if their presence on the cruise is more than coincidence. Mercedes confides her worries to her husband, but he convinces her that it’s all in her head. However, when Javier dies under mysterious circumstances after disembarking in Havana, and Nolan is nowhere to be found, Mercedes scrambles through the city looking for him, fearing her suspicions were correct all along.
Teresa Dovalpage’s deliciously twisted novella, set on a Caribbean cruise, showcases the dark—sometimes deadly—side of celebrity. Former Havana detective Marlene Martínez, now happily running a bakery in Miami, has booked a week-long cruise to Mexico and the Caribbean with her niece, Sarita, as the girl’s quinceañera present. Sarita is beyond thrilled to discover that a Cuban telenovela star, Carloalberto, is also aboard for the trip. But even while trying to keep her niece away from the unsettlingly handsome actor, Marlene gets the feeling Carloalberto is in some kind of trouble—he is constantly on edge, and shady characters seem to find their way to him. When murder occurs aboard the North Star, Marlene will rely on instincts she hoped never to use again.
One Book, One Minnesota Selection for Summer 2021 Introducing Cash Blackbear, a young Ojibwe woman whose visions and grit help solve a brutal murder in this award-winning debut. 1970s, Red River Valley between North Dakota and Minnesota: Renee “Cash” Blackbear is 19 years old and tough as nails. She lives in Fargo, North Dakota, where she drives truck for local farmers, drinks beer, plays pool, and helps solve criminal investigations through the power of her visions. She has one friend, Sheriff Wheaton, her guardian, who helped her out of the broken foster care system. One Saturday morning, Sheriff Wheaton is called to investigate a pile of rags in a field and finds the body of an Indian man. When Cash dreams about the dead man’s weathered house on the Red Lake Reservation, she knows that’s the place to start looking for answers. Together, Cash and Wheaton work to solve a murder that stretches across cultures in a rural community traumatized by racism, genocide, and oppression.
In her new compilation of short fiction The Astral Plane: Stories of Cuba, the Southwest and Beyond, Teresa Dovalpage offers a diversity characters in the midst of decisions and transitions. In the presence of South Indian Yogis, New Mexican Santeros, Afro-Cuban Orishas, Edgar Allen Poe, The Beatles and La Llorona, the author details moments in the lives of Cubans, Nuevo Mexicanos and Anglo-Americans. The stories are sometimes comical and often tragic but always engaging. In each one, Dovalpage reminds us that any choice we make, from deciding to leave the country, to walking around the block to engaging in a conversation with a total stranger, could become momentous. In the blink of an eye, the insignificant turns historic. Although each story is self contained and can be read independently, it is when they are read together that they are most affective, unsettling, comic and heartfelt. Characters, storylines, and motifs reappear from one tale to the next, informing and enriching each other. While every story is distinct, these protagonists, who are from varied cultural and economic backgrounds, share common struggles as they stumble in search for a way to escape or a place to land, to live, to be who they are. There are no heroes in these stories but they are not villains either, much like in everyday life. Oddly, that is what is most comforting, for lack of a better word, about The Astral Plane: Stories of Cuba, the Southwest and Beyond, at least for this reader. Dovalpage's characters exude an unapologetic normalcy in their flaws that even toothless false prophets, calculating serial killers, conniving prostitutes, and scheming mothers-in-law become endearing in the end. (Carolina Caballero LatinoLA, February 2, 2012) The stories are thoroughly Cuban, original, delightful, and unexpected. In this cohesive collection, Ms. Dovalpage’s prodigious talent takes us on a dazzling journey of high drama, whimsical imagery, nail-biting suspense, and laugh-out-loud hilarity. Along the way she lays bare the reality of life in Cuba and totally debunks the myths of the Castro Revolution. One favorite passage includes a lyrical, evocative description of El Malecón that made me weep with longing for the sights, sounds, and smells of that drive; a paragraph later I erupted in laughter at a character’s offhand comment. This savory collection is certain to become a favorite read, highly recommended. (February 4, 2012) Teresa Dovalpage’s latest collection of short stories The Astral Plane features a set of stories where the characters have a tenuous connection to each other. The stories showcase how the Cuban Hispanic diaspora spread with contacts with former relatives, escapees via the rafts, and with contacts with visitors and universities that can travel to Cuba with ease. Thus, stories take place partly in Cuba, in Miami, and in Albuquerque. Throughout the tales, the change brought about by Fidel Castro seep out in details about the way people live, the food they eat, the political pressures to conform, the desire for US Cash and lifestyle and the turn to the Santeria religion. Teresa Dovalpage constructs her stories with a heavy dose of metaphor that is artfully shared by taking a distant point of view and by carefully constructing her plots. The plots unfold in a chatty fashion where you learn about the people that surround a character, their family, their friends, and their style of life. Readers will enjoy the unusual mix of character types, settings, and plots that can introduce them to a politically strong minority population in the United States. They make a potent case for democracy and capitalism. (Sheri Fresonke Harper The Compulsive Reader, March 2012) The Astral Plane is the latest book by Cuban author Teresa Dovalpage. Ziva Sahl describes the stories in Dovalpage's collection as, 'thoroughly Cuban, original, delightful, and unexpected.' I had the chance to read the book and can only say that The Astral Plane is another fine accomplishment by one of our most talented Latina writers these days. (Mayra Calvani The Examiner, May 22, 2012)
Nineteen-year-old Cash Blackbear helps law enforcement solve the mysterious disappearance of a local girl from Minnesota's Red River Valley. 1970s, Fargo-Moorhead: it’s the tail end of the age of peace and love, but Cash Blackbear isn’t feeling it. Bored by her freshman classes at Moorhead State College, Cash just wants to play pool, learn judo, chain-smoke, and be left alone. But when one of Cash’s classmates vanishes without a trace, Cash, whose dreams have revealed dangerous realities in the past, can’t stop envisioning terrified girls begging for help. Things become even more intense when an unexpected houseguest starts crashing in her living room: a brother she didn’t even know was alive, from whom she was separated when they were taken from the Ojibwe White Earth Reservation as children and forced into foster care. When Sheriff Wheaton, her guardian and friend, asks for Cash’s help with the case of the missing girl, she must override her apprehension about leaving her hometown—and her rule to never get in somebody else’s car—in order to discover the truth about the girl’s whereabouts. Can she get to her before it’s too late?
In the wee hours of a 1960s Tokyo morning, a dead body is found under the rails of a train, and the victim's face is so badly damaged that police have a hard time figuring out the victim’s identity. Only two clues surface: an old man, overheard talking in a distinctive accent to a young man, and the word “kameda.” Inspector Imanishi leaves his beloved bonsai and his haiku and goes off to investigate—and runs up against a blank wall. Months pass in fruitless questioning, in following up leads, until the case is closed, unsolved. But Imanishi is dissatisfied, and a series of coincidences lead him back to the case. Why did a young woman scatter pieces of white paper out of the window of a train? Why did a bar girl leave for home right after Imanishi spoke to her? Why did an actor, on the verge of telling Imanishi something important, drop dead of a heart attack? What can a group of nouveau young artists possibly have to do with the murder of a quiet and “saintly” provincial old ex-policemen? Inspector Imanishi investigates.
The follow-up to Murder in Chianti finds ex-NYPD detective Nico Doyle recruited by Italian authorities to investigate the murder of a prominent wine critic. One year after moving to his late wife’s Tuscan hometown of Gravigna, ex-NYPD detective Nico Doyle has fully settled into Italian country life, helping to serve and test recipes at his in-laws’ restaurant. But the town is shaken by the arrival of wine critic Michele Mantelli in his flashy Jaguar. Mantelli holds his influential culinary magazine and blog over Gravigna’s vintners and restaurateurs. Some of Gravigna's residents are impressed by his reputation, while others are enraged—especially Nico's landlord, whose vineyards Mantelli seems intent of ruining. Needless to say, Mantelli’s lavish, larger-than-life, and often vindictive personality has made him many enemies, and when he is poisoned, the local maresciallo, Perillo, has a headache of a high-profile murder on his hands—and once again turns to Nico for help.
From the author of New York Times Notable book The Ice Harvest, a cult classic of Western noir set in a 19th century Kansas frontier town rocked by a series of brutal murders Introducing photographer and saloon owner Bill Ogden. Perfect for fans of Deadwood and Justified In 1872, Cottonwood, Kansas, is a one-horse speck on the map; a community of run-down farms, dusty roads, and two-bit crooks. Self-educated saloon owner and photographer Bill Ogden looks on his adopted town with an eye to making a profit or getting out. His brains and ambition bring him to the attention of one Marc Leval, a wealthy Chicago developer with big plans for the small town. The advent of the railroad and rumors of a cattle trail turn Cottonwood into a wild and wooly boomtown—and with Leval as a partner, Ogden dreams of bringing civilization to the prairie. But civilizing the Great Plains was never that simple. While many in Cottonwood distrust Leval’s motives, and mob violence threatens to derail the town’s dreams of greatness, Ogden finds himself dangerously obsessed with Leval’s stunningly beautiful wife. Meanwhile, plying its sinister trade unnoticed, an apparently ordinary local farm family quietly butchers traveling salesmen, weary travelers, and other unsuspecting wanderers. In his own inimitable brand of narrative wizardry, Scott Phillips traces the metamorphosis of a frontier town that becomes a lightning rod for sin, corruption, and murder. He also brings to life actual crimes that befell Kansas in the 1870s and 1880s, carried out by a strange clan who popularly became known as the Bloody Benders. Brilliantly written, maliciously fun, and full of many surprises, Cottonwood is historical fiction at its finest.
Private eye Ivan Monk takes on his most personal mystery to date—and chases answers deep into America’s haunted past. Long ago, Marshall Spears was a hero of the ballpark. In a time when baseball—and the nation—was segregated, he played in the vaunted Negro Leagues. Decades later, Old Man Spears is living out his days as a fixture in a barbershop in South Central. One afternoon, PI Ivan Monk—a shop regular—learns that Spears’s former teammate was Kennesaw Riles. From family lore, Monk knows Riles is his cousin who was ostracized for the damning testimony he gave during a controversial murder trial in the ’60s—testimony that put a firebrand civil rights leader behind bars. Before Monk can hear more, Old Man Spears drops dead while listening to a ballgame on the radio. Even stranger, the long missing Riles shows up at the Old Man’s funeral services, and dies soon after. Monk knows the timing is not a coincidence. He follows the mystery to the Mississippi Delta. There, he unravels the truth behind the murder of two civil rights era activists. Eventually Monk zeroes in on a group of shadowy Mississippi businessmen-turned-philanthropists who may not have reformed their ways as they claim. Far from Los Angeles, the tenacious private eye confronts his own family history as well as a brand of hatred thought to have died with Jim Crow.
Black private eye Ivan Monk’s search for a connection between three Black men murdered in Los Angeles leads to the unraveling of a white supremacist conspiracy that spans the West Coast. The mystery series that launched Gary Phillips's career. Robert “Scatterboy” Williams is a small-time hustler selling bogus Cartier watches in Pacific Shores, a port city south of Los Angeles. One day, he’s gunned down in the street, seemingly at random. Then drug dealer Ronny Aaron is shot and killed leaving a liquor store. Shortly thereafter, college student Jimmy Henderson is rendered comatose after two bullets to his body. The three victims have nothing in common save the neighborhood where they were shot—and the color of their skin. The police categorize Scatterboy’s murder as business as usual. But his girlfriend convinces private eye Ivan Monk to find the killer. What looks like three unrelated shootings of Black men in Southern California will put Monk on a tortuous trail unraveling a larger nefarious plan: the rise of an extremist demagogue.