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On the road to easy living, Twister and Chuckaluck ride straight into a heapin’ mess of mystery and intrigue Twister Malone and Chuckaluck Thompson can’t catch a break. These two wisecracking friends—the first lean and clever, the second stout and tough—have ridden together from the Rocky Mountains to the deserts of West Texas. All they want is a trail to follow straight through to Mexico, where a ranching job offers honest work, peace, and quiet. But no matter how fast they ride, trouble keeps hot on their heels. A gunshot breaks the silence of the lonely wagon road. By the time Twister and Chuckaluck reach the corpse, the killer is long gone. In the victim’s pocket they find a letter from a woman begging for help, a woman whose savior now lies dead in the alkali dust. Twister and Chuckaluck have no choice but to take up his mission—even if it means facing down the quickest draw they’ve ever been up against. Death Rides the Pecos is the 2nd book in the Twister and Chuckaluck Mysteries, but you may enjoy reading the series in any order.
Once upon a time in the Old West, Slash and Pecos were two of the wiliest robbers this side of the Rio Grande. Now they’re fighting three of the nastiest killers this side of Hell. . . . Johnstone Country. Where Two Guns Kill Better Than One. Not many men get a second chance at life. But thanks to a chief U.S. marshal who needs their help, the bank-robbing duo of Jimmy “Slash” Braddock and Melvin “Pecos Kid” Baker are on the right side of the law. As unofficial marshals, they’ve agreed to pick up three prisoners from a Milestown jail and escort them to Denver. Sounds easy enough—until they learn the prisoners are an unholy trio of sadistic cutthroat killers known as Talon, “Hellraisin’” Frank, and the Sioux called Black Pot. And they’ve managed to escape before Slash and Pecos even show up . . . The three convicts have turned Milestown into their own savage slayground. Drinking, killing, ravaging—and worse—they’re painting the town red with blood and burning it to the ground. Slash and Pecos manage to stop them in a nick of time. But getting these three to Denver is another story—because the trio’s leader has offered a thousand-dollar bounty to anyone who can kill Slash and Pecos. This is going to be one wicked ride that Slash and Pecos will never forget—if they live to tell about it . . . Live Free. Read Hard.
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
The economy didn't go through the Great Depression - people did. Margaret DuBois grew up in a period of historic deprivation. Her family had to retreat to her grandparents' Ozark farm to survive. The farm patriarch, her grandfather, was an orator - a minister who had once served as a State Legislator. Their home-life differed from most similarly-situated Ozark families in its focus on spiritual duties and the love of learning. Books lined their shelves. Political bombast and pious sermon occupied their dinners. They didn't get up pre-dawn as most farm families did. Hard times drew out the best and worst of human character. As she watched her family cope with all manner of human failing, and unremitting rotten luck, Margaret saw that people are complex and rife with contradictions. In her family's composure through bitter disappointments she saw a strength of character worthy of remembrance. And on that rocky ground where the DuBois family held fast, she hatched her dreams.
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
Relates some of the legends of Pecos Bill, from the moment he bounced out of his family's covered wagon to the day his long-lost brother appears and explains that Bill is not like the coyotes that have raised him.