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The assassination of John F. Kennedy ranks among the biggest stories of the 20th century, according to a survey of American historians and journalists. While numerous books cover the 1963 tragedy from a conspiracy or lone-assassin viewpoint, this work by veteran journalist Kevin James Shay tells the story that occurred between Kennedy's 1960 presidential triumph and his assassination. The narrative, infused with often behind-the-scenes details that have been brought to light in recent years, provides a compelling account that is particularly geared towards the average reader, not the assassination researcher.Shay witnessed Kennedy's funeral in Washington, D.C., as a boy and grew up in Dallas. He has researched the killing off and on since 1978, when eyewitness Bill Newman entered his college newspaper office and led him on a search. While Shay leans about lean 75 percent toward the conspiracy side, he is almost 100 percent certain that Oswald was involved in some way. Whether he was a patsy, government informant, or actually fired his rifle at Kennedy is more up in the air. If he was a shooter, he had help, and if he was trying to infiltrate and stop the plot as a government informant, he obviously didn't do enough. But then, no one did enough. Even lone-assassin author Gerald Posner admitted that the evidence against Oswald back then was circumstantial enough that a good lawyer would have gotten an acquittal. Posner has lately said there has been more evidence released that better proves his position, but Shay still thinks there are far too many questions about the evidence, cover up by LBJ and the Warren Commission, all the people who saw Ruby and Oswald together, the threats in Chicago, Florida, and other places, and more, that make the conspiracy side more believable.He unearths some information not highlighted much before, such as the involvement of Willie Somersett. The Klan leader actually opposed the racial violence in the 1950s and 1960s to the point that he risked his life exposing and helping to prevent it. He likely helped save and prolong Kennedy's life at least once. His story highlights a theme that might be relevant in dealing with the racial polarization occurring today. You can't judge a book by its cover.
Towards the end of World War II elements of the German High Command flee to Japan. Dr. Palfrey leaves for the East disguised as a German officer. He seeks ‘The Colony of the Fourth Reich’ believed to be situated in China. His disguise uncovered, he must find a way out with vital information that will affect the whole outcome of the war.
The powerful and riveting new book in the multimillion-selling Killing series by Bill O'Reilly and Martin Dugard Autumn 1944. World War II is nearly over in Europe but is escalating in the Pacific, where American soldiers face an opponent who will go to any length to avoid defeat. The Japanese army follows the samurai code of Bushido, stipulating that surrender is a form of dishonor. Killing the Rising Sun takes readers to the bloody tropical-island battlefields of Peleliu and Iwo Jima and to the embattled Philippines, where General Douglas MacArthur has made a triumphant return and is plotting a full-scale invasion of Japan. Across the globe in Los Alamos, New Mexico, Dr. J. Robert Oppenheimer and his team of scientists are preparing to test the deadliest weapon known to mankind. In Washington, DC, FDR dies in office and Harry Truman ascends to the presidency, only to face the most important political decision in history: whether to use that weapon. And in Tokyo, Emperor Hirohito, who is considered a deity by his subjects, refuses to surrender, despite a massive and mounting death toll. Told in the same page-turning style of Killing Lincoln, Killing Kennedy, Killing Jesus, Killing Patton, and Killing Reagan, this epic saga details the final moments of World War II like never before.
#1 NEW YORK TIMES BESTSELLER • From the author of Jurassic Park, Timeline, and Sphere comes this riveting thriller of corporate intrigue and cutthroat competition between American and Japanese business interests. “As well built a thrill machine as a suspense novel can be.”—The New York Times Book Review On the forty-fifth floor of the Nakamoto tower in downtown Los Angeles—the new American headquarters of the immense Japanese conglomerate—a grand opening celebration is in full swing. On the forty-sixth floor, in an empty conference room, the corpse of a beautiful young woman is discovered. The investigation immediately becomes a headlong chase through a twisting maze of industrial intrigue, a no-holds-barred conflict in which control of a vital American technology is the fiercely coveted prize—and in which the Japanese saying “Business is war” takes on a terrifying reality. “A grand maze of plot twists . . . Crichton’s gift for spinning a timely yarn is going to be enough, once again, to serve a current tenant of the bestseller list with an eviction notice.”—New York Daily News “The action in Rising Sun unfolds at a breathless pace.”—Business Week
Mario Machi survived one of the most terrible episodes in World War II. UNDER THE RISING SUN is his account of that experience. An Army private, Machi was in Manila when the Japanese attacked the Philippines in December, 1941. With the help of a diary that has miraculously survived, Machi relives the heroic campaign by the abandoned "Bastards of Bataan" to defend the Philippines. Upon surrender, Machi became part of the notorious Bataan Death March, a brutal forced march in which thousands of prisoners died. With telling detail & flashes of humor, UNDER THE RISING SUN describes the Death March, Machi's life during three years of near starvation while a prisoner of the Japanese, his liberation, & finally, many years later, his return to the Philippines. As a result of the help he gave other prisoners, Mario Machi was awarded the Bronze Star. Now he has told his story, & as Harold Stephens states in his introduction, "UNDER THE RISING SUN stands as witness to the values that sustained the author on his terrible journey...& we are all made the richer for it." UNDER THE RISING SUN contains photographs. Available from Wolfenden, P.O. Box 789, Miranda, CA 95553; 707-923-2455.
Late in 1940, the young men of the 2nd Battalion, 131st Field Artillery Regiment stepped off the trucks at Camp Bowie in Brownwood, Texas, ready to complete the training they would need for active duty in World War II. Many of them had grown up together in Jacksboro, Texas, and almost all of them were eager to face any challenge. Just over a year later, these carefree young Texans would be confronted by horrors they could never have imagined. The battalion was en route to bolster the Allied defense of the Philippines when they received news of the Japanese bombing of Pearl Harbor. Soon, they found themselves ashore on Java, with orders to assist the Dutch, British, and Australian defense of the island against imminent Japanese invasion. When war came to Java in March 1942, the Japanese forces overwhelmed the numerically inferior Allied defenders in little more than a week. For more than three years, the Texans, along with the sailors and marines who survived the sinking of the USS Houston, were prisoners of the Imperial Japanese Army. Beginning in late 1942, these prisoners-of-war were shipped to Burma to accelerate completion of the Burma-Thailand railway. These men labored alongside other Allied prisoners and Asian conscript laborers to build more than 260 miles of railroad for their Japanese taskmasters. They suffered abscessed wounds, near-starvation, daily beatings, and debilitating disease, and 89 of the original 534 Texans taken prisoner died in the infested, malarial jungles. The survivors received a hero’s welcome from Gov. Coke Stevenson, who declared October 29, 1945, as “Lost Battalion Day” when they finally returned to Texas. Kelly E. Crager consulted official documentary sources of the National Archives and the U.S. Army and mined the personal memoirs and oral history interviews of the “Lost Battalion” members. He focuses on the treatment the men received in their captivity and surmises that a main factor in the battalion’s comparatively high survival rate (84 percent of the 2nd Battalion) was the comraderie of the Texans and their commitment to care for each other. This narrative is grueling, yet ultimately inspiring. Hell under the Rising Sun will be a valuable addition to the collections of World War II historians and interested general readers alike.
A never-before-published account of the experience of an American officer at the hands of Japanese captors, Prisoner of the Rising Sun offers new evidence of the treatment accorded officers and shows how the Corregidor prisoners fared compared with the ill-fated Bataan captives. When Japanese aircraft struck airfields in the Philippines on December 8, 1941, Col. Lewis C. Beebe was Gen. Douglas MacArthur’s chief supply officer. Promoted to brigadier general, he would become chief of staff for General Wainwright in early March, 1942. From his privileged vantage point, Beebe kept diary records of the Japanese invasion of the Philippines, their advance to Manila and capture of the Bataan Peninsula, and their assault on Corregidor. On May 6, Japanese troops assaulted Corregidor and secured the island in less than twelve hours. Beebe was among those captured and held prisoner until the end of the war in the Pacific, more than four years later. During his captivity, Beebe managed to keep a diary in which he recorded the relatively benign treatment he and his fellow officers received (at least in comparison with the horrific conditions described in the better-known accounts of less high-ranking POWs held by the Japanese elsewhere). He reports on poor rations, less than adequate medical care, and field work in camps in the Philippines, on Taiwan, and in Manchuria. He also describes the sometimes greedy and selfish behavior of his fellow captives, as well as a lighter side of camp life that included work on a novel, singing, POW concerts, and Red Cross visits. His philosophy demanded that captivity should be borne with optimism and self-respect. Annotation and an epilogue by General Beebe’s son, Rev. John M. Beebe, add details about his military career, and an informative introduction by historian Stanley L. Falk places the diary in the context of the broader American experience of captivity at the hands of the Japanese. The diary itself not only provides new details of the treatment of officers by the Japanese army, but also offers a glimpse into the psyche of one of the members of the Greatest Generation who transformed his captivity by using it to sort out what was most important in life.
Considered by many to be the finest Irish writer now working in prose, John McGahern's That They May Face the Rising Sun vividly brings to life a whole world and its people with insight and humour and deep sympathy. Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. By the novel's close we feel that we have been introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere. 'It is a simple and ordinary story, calmly, wryly crafted with subtle detail - and therein lies McGahern's genius. As sharply, brilliantly observed as any he has written . . . McGahern, a supreme chronicler of the ordinary . . . has created a novel that lives and breathes as convincingly as the characters who inhabit it.' Irish Times
Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.
In his award-winning book Beyond Valor, Patrick O’Donnell reveals the true nature of the European Theater in World War II, as told by those who survived. Now, with Into the Rising Sun, O’Donnell tells the story of the brutal Pacific War, based on hundreds of interviews spanning a decade. The men who fought their way across the Pacific during World War II had to possess something more than just courage. They faced a cruel, fanatical enemy in the Japanese, an enemy willing to use anything for victory, from kamikaze flights to human-guided torpedoes. Over the course of the war, Marines, paratroopers, and rangers spearheaded D-Day–sized beach assaults, encountered cannibalism, suffered friendly-fire incidents, and endured torture as prisoners of war. Though they are truly heroes, they claim no glory for themselves. As one soldier put it, "When somebody gets decorated, it’s because a lot of other men died." By at last telling their stories, these men present a hard, unvarnished look at the war on the ground, a final gift from aging warriors who have already given so much. Only with these accounts can the true horror of the war in the Pacific be fully known. Together with detailed maps of each battle, Into the Rising Sun offers a complete yet deeply personal account of the war in the Pacific and a ground-level view of some of history’s most brutal combat.