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Chief Inspector of Detectives Peter McGarr is the hard-nosed policeman of Bartholomew Gill's widely acclaimed series of atmospheric Irish mysteries. Now, here is the novel that started it all--the Chief Inspector's very first appearance. It was twilight on Killiney Bay when they pulled the Yank out of the water, his head split open by a violent blow. For McGarr, the case was a welcome chance to escape the gloom of Dublin. But from his first moment at the injured man's yacht club, McGarr realizes getting at the truth will require fitting together a number of jagged pieces: the world-class sailor who ran both his boat and his life aground; the beautiful woman who paid his bills; and the politician who was uncharacteristically involving himself in a homicide investigation. Suddenly, McGarr must face a malevolent plot of IRA gunrunning, betrayal, and conspiracy--all aimed at not just killing one unhappy sailor, but framing a certain Chief Inspector, and keeping him away from secrets even more dangerous than murder. Chief Inspector of Detectives Peter McGarr is the hard-nosed policeman of Bartholomew Gill's widely acclaimed series of atmospheric Irish mysteries.Now, here is the novel that started it all--the Chief Inspector's very first appearance. It was twilight on Killiney Bay when they pulled the Yank out of the water, his head split open by a violent blow. For McGarr, the case was a welcome chance to escape the gloom of Dublin. But from his first moment at the injured man's yacht club, McGarr realizes getting at the truth will require fitting together a number of jagged pieces: the world-class sailor who ran both his boat and his life aground; the beautiful woman who paid his bills; and the politician who was uncharacteristically involving himself in a homicide investigation. Suddenly, McGarr must face a malevolent plot of IRA gunrunning, betrayal, and conspiracy--all aimed at not just killing one unhappy sailor, but framing a certain Chief Inspector, and keeping him away from secrets even more dangerous than murder.
It's a rare occurrence when Chief Inspector of Detectives Peter McGarr leaves the shores of his beloved Ireland -- but this time he has little choice. The blood of two prominent British subjects -- both former S.I.S. chiefs, both brutally murdered -- is staining Irish soil. And Sir Colin Cummings, the current head of Britain's elite secret service -- and potential third victim -- en route to Italy, with McGarr coming along for the man's protection. A macabre conspiracy of murder and revenge is spreading its tentacles across several nations, and McGarr's time spent amidst the charm and rustic beauty of Siena promises to be anything but restful. Because there are many hidden players in this most deadly game -- from ex-spies to Communist rabble rousers to wealthy Italian industrialists. And a single misstep could place one dedicated and inquisitive Chief Inspector of the Garda Soichana directly in the line of killing fire.
Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers—including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black—The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition. Contributors: Carol Baraniuk, Nancy Marck Cantwell, Brian Cliff, Fiona Coffey, Charlotte J. Headrick, Andrew Kincaid, Audrey McNamara, and Shirley Peterson.
From Tony Hillerman's Navajo Southwest to Martin Cruz Smith's Moscow, an exotic, vividly described locale is one of the great pleasures of many murder mysteries. Indeed, the sense of place, no less than the compelling character of the detective, is often what keeps authors writing and readers reading a particular series of mystery novels. This book investigates how "police procedural" murder mysteries have been used to convey a sense of place. Gary Hausladen delves into the work of more than thirty authors, including Tony Hillerman, Martin Cruz Smith, James Lee Burke, David Lindsey, P. D. James, and many others. Arranging the authors by their region of choice, he discusses police procedurals set in America, the United Kingdom and Ireland, Europe, Moscow, Asia, and selected locales in other parts of the world, as well as in historical places ranging from the Roman Empire to turn-of-the-century Cairo.
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
Helleiner's study documents anti-Traveller racism in Ireland and explores the ongoing realities of Traveller life as well as the production and reproduction of contemporary Traveller collective identity and culture.
Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. The essays collected here connect their immediate subjects—contemporary Irish crime writers—to Irish culture, literature, and history. Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction. Guilt Rules All considers best-sellers like Adrian McKinty and Liz Nugent, as well as other significant writers whose work may fall outside of traditional notions of Irish literature or crime fiction. The essays consider a range of themes—among them globalization, women and violence, and the Troubles—across settings and time frames, allowing readers to trace the patterns that play a meaningful role in this developing genre.
Margaret Mead Award finalist! Nan Donohoe was an Irish Travelling woman, one of Ireland’s indigenous gypsies or “tinkers.” Traditionally, they traveled the countryside making and repairing tinware, sweeping chimneys, selling small household wares, and doing odd-job work. Over time, they came to live on the roadside in trailers and in government-built camps. Told largely in her own voice, Nan’s saga begins in 1919 with her birth in a tent in the Irish Midlands; it follows her life in Ireland and England, in countryside and city slums, through adversity and adventure. Gmelch brings to her task not only the resources of anthropology, but the skill of a sensitive writer and a warmth that allows her to see Nan as a person, not a subject. What emerges is a human story, filled with cruelty and compassion, sorrow and humor, bad luck and good.
Society has become increasingly diverse; multi-cultural, multi-faith and wide ranging in family structures. The wealthier are healthier and social inequalities are more pronounced. Respecting and working with the range of 'differences' among service users, families and communities in health and social care with ill, dying and bereaved people is a neglected area in the literature. As the principles of palliative and end of life care increasingly permeate the mainstream of health and social care services, it is important that professionals are sensitive and respond to the differing needs of individuals from diverse socio-economic backgrounds, ethnicities, beliefs, abilities and sexual orientations, as well as to the different contexts and social environments in which people live and die. This book explores what underpins inequality, disadvantage and injustice in access to good end of life care. Increasingly clinicians, policy planners, and academics are concerned about inequity in service provision. Internationally, there is an increasing focus and sense of urgency both on delivering good care in all settings regardless of diagnosis, and on better meeting the needs of vulnerable and disadvantaged groups. National initiatives emphasise the importance of resolving disparities in care and harnessing empowered user voices to drive change. This newly expanded, fully revised second edition, with 11 new chapters, provides a comprehensive analysis of discrimination, difference and disadvantage in end of life care, and offers practical guidance for all who seek to support the equitable provision of good end of life care.
New York Times–bestselling author This exciting new installment in the County Cork Mystery series has “plenty for cozy lovers to enjoy” and drips with the charm—and menace—of its atmospheric Irish setting (New York Journal of Books) Some secrets are too big to stay buried... A few months ago, Boston expat Maura Donovan was rekindled with her mother after more than twenty years of absence. Since then, Maura has been getting accustomed to Irish living, complete with an inherited house and a pub named Sullivan’s. But now, her mother has returned—and she’s brought Maura’s half-sister in tow. To make matters more confusing, a handful of Cork University students are knocking on Maura’s door asking about a mystical fairy fort that happens to be located on Maura’s piece of land. The lore indicates that messing with the fort can cause bad luck, and most everyone is telling Maura not to get too involved for fear of its powers, but Maura is curious about her own land, and she definitely doesn't buy into the superstition. Then one of the students disappears after a day of scoping out the fort on Maura’s property. Maura treads carefully, asking the folks around town who might have an idea, but no one wants anything to do with these forts. She has to take matters into her own hand—it’s her land, after all. But when she uncovers a decades-old corpse buried in the center of the fort, nothing is for certain.