Download Free Death Of A Tango King Book in PDF and EPUB Free Download. You can read online Death Of A Tango King and write the review.

A group of U.S. environmentalists try to enroll a drug lord to help save South American rain forests from destruction. They spring a woman bank robber, his cousin, from a U.S. jail and send her to Colombia to talk to him.
This book traces the origins of the legend that Jewish musicians in concentration camps were forced to play a Tango of Death at the gas chambers and shows how in this legend the actual history is hidden, distorted, or even lost altogether.
Death Tango traces the Middle East dynamic back to the events of March 27–29, 2002. March 27, Passover Eve, witnessed the most bloody and traumatic Arab terrorist attack in Israel’s history, the Park Hotel bombing in Netanya. On March 28, an Arab League summit in Beirut adopted the Arab Peace Initiative, the most far-reaching Arab attempt to set parameters for ending the Israel-Arab conflict. The next day, Israel invaded and reoccupied the West Bank in Operation Defensive Shield. Alpher illustrates the interaction between these three critical events and depicts the key personalities—politicians, generals, and a star journalist—involved on all sides. It moves from a suicide bombing to the deliberations of Arab leaders; from the Israel Prime Minister’s Office—where Ariel Sharon fulminated against Yasser Arafat—to Washington, where the United States fumbled and misunderstood the dynamics at work; and on to the Jenin refugee camp, where Israeli soldiers won a bloody military battle but Israel lost the media battle of public opinion. Based on extensive interviews and his deep personal knowledge, Alpher analyzes the three days in late March 2002 as a catalyst of extensive change in the Middle East, concluding that Arabs and Israelis are dancing a kind of “death tango.”
A Study Guide for Wole Soyinka's "Death and the King's Horsemen," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
In a Utopian twenty-third-century New York City, where corporations have replaced governments, AI dictates culture, and citizens are free to people-watch any other citizen they choose through an app, this horror-laden Sci-Fi Thriller follows four mis-matched coeds as they attempt to solve the murder of an eccentric parascientist. Only someone or some thing able to navigate outside the highest levels of crowd-sourced surveillance could get away with murder in this town. If the team can't work quickly to solve the case, New York will be devoured by a dark plague the eccentric had been working on prior to his death, a plague which, overtime, appears to be developing sentience. ,
Narrated in Lincoln’s own voice, the tragicomic I Am Abraham promises to be the masterwork of Jerome Charyn’s remarkable career. Since publishing his first novel in 1964, Jerome Charyn has established himself as one of the most inventive and prolific literary chroniclers of the American landscape. Here in I Am Abraham, Charyn returns with an unforgettable portrait of Lincoln and the Civil War. Narrated boldly in the first person, I Am Abraham effortlessly mixes humor with Shakespearean-like tragedy, in the process creating an achingly human portrait of our sixteenth President. Tracing the historic arc of Lincoln's life from his picaresque days as a gangly young lawyer in Sangamon County, Illinois, through his improbable marriage to Kentucky belle Mary Todd, to his 1865 visit to war-shattered Richmond only days before his assassination, I Am Abraham hews closely to the familiar Lincoln saga. Charyn seamlessly braids historical figures such as Mrs. Keckley—the former slave, who became the First Lady's dressmaker and confidante—and the swaggering and almost treasonous General McClellan with a parade of fictional extras: wise-cracking knaves, conniving hangers-on, speculators, scheming Senators, and even patriotic whores. We encounter the renegade Rebel soldiers who flanked the District in tattered uniforms and cardboard shoes, living in a no-man's-land between North and South; as well as the Northern deserters, young men all, with sunken, hollowed faces, sitting in the punishing sun, waiting for their rendezvous with the firing squad; and the black recruits, whom Lincoln’s own generals wanted to discard, but who play a pivotal role in winning the Civil War. At the center of this grand pageant is always Lincoln himself, clad in a green shawl, pacing the White House halls in the darkest hours of America’s bloodiest war. Using biblically cadenced prose, cornpone nineteenth-century humor, and Lincoln’s own letters and speeches, Charyn concocts a profoundly moral but troubled commander in chief, whose relationship with his Ophelia-like wife and sons—Robert, Willie, and Tad—is explored with penetrating psychological insight and the utmost compassion. Seized by melancholy and imbued with an unfaltering sense of human worth, Charyn’s President Lincoln comes to vibrant, three-dimensional life in a haunting portrait we have rarely seen in historical fiction.
Longlisted for the Frank O’Connor International Short Story Award Brooklyn is dead. Long live the Bronx! In Bitter Bronx, Jerome Charyn returns to his roots and leads the literary renaissance of an oft-overlooked borough in this surprising new collection. In Bitter Bronx, one of our most gifted and original novelists depicts a world before and after modern urban renewal destroyed the gritty sanctity of a land made famous by Ruth, Gehrig, and Joltin' Joe. Bitter Bronx is suffused with the texture and nostalgia of a lost time and place, combining a keen eye for detail with Jerome Charyn's lived experience. These stories are informed by a childhood growing up near that middle-class mecca, the Grand Concourse; falling in love with three voluptuous librarians at a public library in the Lower Depths of the South Bronx; and eating at Mafia-owned restaurants along Arthur Avenue's restaurant row, amid a "land of deprivation…where fathers trundled home…with a monumental sadness on their shoulders." In "Lorelei," a lonely hearts grifter returns home and finds his childhood sweetheart still living in the same apartment house on the Concourse; in "Archy and Mehitabel" a high school romance blossoms around a newspaper comic strip; in "Major Leaguer" a former New York Yankee confronts both a gang of drug dealers and the wreckage that Robert Moses wrought in his old neighborhood; and in three interconnected stories—"Silk & Silk," "Little Sister," and "Marla"—Marla Silk, a successful Manhattan attorney, discovers her father's past in the Bronx and a mysterious younger sister who was hidden from her, kept in a fancy rest home near the Botanical Garden. In these stories and others, the past and present tumble together in Charyn's singular and distinctly "New York prose, street-smart, sly, and full of lurches" (John Leonard, New York Times). Throughout it all looms the "master builder" Robert Moses, a man who believed he could "save" the Bronx by building a highway through it, dynamiting whole neighborhoods in the process. Bitter Bronx stands as both a fictional eulogy for the people and places paved over by Moses' expressway and an affirmation of Charyn's "brilliant imagination" (Elizabeth Taylor, Chicago Tribune).
"Still known as "Baby", although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of twelve-year-old wannabe gangsters who meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian emigre. He becomes famous for his black-and-tans - a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans, and "a touch of bitterness that may have been the Bronx". So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster, called "The Little Man", Meyer Lansky."--BOOK JACKET.
This volume of fourteen interviews covers the prolific and rich career of author Jerome Charyn (b. 1937). Four of the interviews appear in English for the first time, and two interviews appear here in print for the first time as well. As one of his autobiographical volumes claims, Jerome Charyn is a “Bronx Boy,” a child born from immigrant parents who went through Ellis Island in the 1920s like so many other travelers without luggage, a “little werewolf” who grew up on his own in the chaos of the Bronx ghetto. “I think I was defined by two things: World War II and the movies.” His work remains deeply marked by this childhood largely forgotten by the American Dream. If Charyn has spent much of his life in Paris, he has paradoxically never left the Bronx: “‘El Bronx’ is there inside my head, and I revisit it the way Hemingway would fish the Big Two-Hearted River in his dreams.” His whole work is a long attempt at evoking his own history and celebrating his lifelong marveling at the power of language—“our second skin”—as well as his deep, unflinching belief in the promises of fiction. Since 1964, Charyn has published more than fifty books ranging from fiction to nonfiction and including short stories; very popular crime novels; graphic novels cowritten with European artists; essays on American culture and cinema as well as on New York; autobiography; and biography—an ever-changing production that has made it difficult for critics to classify him. And yet in many ways Charyn's writing thrives on constant currents: the words “voice,” “song,” “undersong,” or “rhythm” return frequently in his interviews as he explains what literature is to him and ceaselessly asserts that he is trying “to find a music for a musicless world,” a language for “people who cannot speak.”
A celebration of the legacy of the Village Voice bookshop in Paris, founded by Odile Hellier in 1982—a hub of social life and a refuge for artists, writers, and anglophone literary life for over three decades until it closed in 2012. “My entire sense of Paris centers on Odile and the bookshop.” —Richard Ford "For literature lovers, it’s a feast." —Publishers Weekly ­ In July of 1982, on a quiet boulevard just off the bustling Boulevard Saint-German, Odile Hellier opened the Village Voice Bookshop. Over the next three decades, the blue-shuttered shop would become one of the most famous English-language bookstores in Paris—a vivacious hub for artists, writers, and a haven for anglophone literary life. After the its closing, Odile found herself with hundreds of tapes of various talks given at the bookshop by the greatest artists of their generation. These voices from the past were the spontaneous exchanges of literary and cultural icons such as Susan Sontag, Margaret Atwood, Don DeLillo, Allen Ginsberg, Toni Morrison, Michael Ondaatje, Jim Harrison, Barry Gifford, Adrienne Rich, David Sedaris, Amy Tan, Edmund White, Art Spiegelman, and Stephen Spender, all of whom were drawn to Odile’s tiny bookstore on Rue Princesse. This carefully curated historical archive is an enduring conversation across time, and a memoir of one woman’s beloved store. “… when you squeezed into the narrow event space on the Voice’s upper floor, French and international book lovers mingled with Parisian editors and publishers, shared a glass of wine, a new discovery, a heretical opinion, and took the conversation outside to the sidewalk of the Rue Princesse, for another shared pleasure: an unguilty cigarette.” — Livia Manera, The New Yorker “A stroll from rue de l’Odéon, Les Deux Magots or the Luxembourg Gardens, the hanging sign reads Village Voice: Anglo-American Bookshop. The narrow door and window frames are painted Greek island blue… Lingering a while in front of the window display, you’ll want to dive inside, into an ocean of story.” —Hazel Rowley, Bookforum