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A retirement home hides a surprising amount of intrigue and danger in this novel by a two-time finalist for the Lefty Award for Humorous Mystery. A failing retirement home needs to be turned around—and unfortunately, the job has been given to a financial hatchet man who dislikes old people. But his foray into the world of geezers and geezerettes will turn out to be a life-transforming experience. He must deal with a suspicious death, a scam, a hit man, an unexpected romance—and retired magician Jerry Rhine and his five wacky sidekicks known as the Jerry-atrics. And he will face the most important decision of his life when he uncovers the secret behind an unusual murder… Praise for Mike Befeler’s mysteries: “Witty, clever, and wholly entertaining.”—Margaret Coel, New York Times-bestselling author of the Wind River Mysteries “Delightful.”—Maggie Sefton, New York Times-bestselling author of the Knitting Mysteries
The undisputed king of the confidence men of the Old West, Jefferson Randolph Smith II (Soapy Smith) ruled criminal gangs in Colorado and Alaska. No other scoundrel could match Soapy Smith’s utter audacity and unrelenting pursuit of skinning a sucker. He was a genius at running a scam, at organizing a gang of confederates, and at paying off authorities. He had the inherent ability to look a man in the eye and lie like every word was etched in stone.  But, on July 8 1898, Soapy was killed in a shootout in Skagway, Alaska. At the time, newspapers attributed a man, Frank Reid, with putting the fatal bullet through Soapy’s heart. Now, 100 years later, historical research has shown that was not the case. Death of a Con Man is a concise, accurate account of the truth behind the myth. Entertaining, as well as informative, the story of the most notorious con man is told with many vintage photographs
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Like no event in history, the real estate appraisal industry has been slandered, steered, and stomped into submission. Charged and convicted of a crime they did not commit. Big banking is leading a new revolution, taking real estate appraisers out of the mortgage lending process. Enter computerized home valuation services, being promoted as the "technology-based" saviors to the home buying public. The greatest sales job ever, sold to a real estate weary public who just wants to know they are paying a fair price. Discover the misinformation that is killing an entire industry that consumers need now more than ever before. Caveat Emptor!
Some people are just dying for change! St. Rita's was a vibrant suburban church whose parishioners liked things on the traditional side: old-fashioned hymns from the choir and no-nonsense preaching from the priests, pious devotions in the chapel and warm pastries in the rectory kitchen. All that ended the day the liturgist arrived. He promised to bring the parish up to date, to get more people to participate, to make the Mass more appealing to the tastes of modern Catholics. But all he did was make enemies; it seems St. Rita's wasn't ready to sing a new church into being quite yet. So when the liturgist turned up dead, under violent and mysterious circumstances, everyone was a suspect Death of a Liturgist features the return of Francesca Bibbo, the irrepressible heroine of Death in the Choir. Join her and the rest of St. Rita's eccentric crew, including Sister Therese, Detective Tony Viscardi, and Ignatius the Hamster (with a little help from the archbishop, too), as they try to solve the mystery and make St. Rita's safe for tradition again.
Autopsies: Pathologists at Work illustrates the careers of criminal pathologists in illustrated form. With detailed artwork in the graphic novel style, readers are introduced to three real-life cases in which autopsies were conducted to unveil the mysteries of the victims’ deaths. In addition, this book highlights the tools and procedures the pathologists use to conduct their work, which makes it a fascinating, if not thrilling, read.
A detective follows a case from Dublin to Cornwall—but the suspect keeps disappearing into the mist . . . When Detective Garda Sergeant Mike West is called to investigate a murder in a Dublin graveyard, suspicion immediately falls on a local woman, Edel Johnson, whose husband disappeared some months before. But then she vanishes. Evidence leads West to a small village in Cornwall, but when he checks in to an inn, he finds Edel has arrived ahead of him. Her explanation seems to make sense, but just as West begins to think his suspicions of her are unfounded, she disappears again. Is she guilty? West, fighting an unsuitable attraction, doesn’t want to believe it. But the case against her is growing. Back in Dublin, his team uncovers evidence of blackmail and illegal drugs connected to Edel’s missing husband. When another man is murdered, she once again comes under suspicion. West knows he has to untangle the truth—but it may not be the truth he wants to hear . . . Previously published under the title That One May Smile
In the third Magical Cats mystery, small town librarian Kathleen Paulson and her very special cats must go on the hunt to find a clever killer... It's been raining cats and dogs in Mayville Heights. The small town's been deluged, and now the local artists' co-op is on the verge of flooding. Kathleen has been up all night helping her friends move their creations to the safety of the upstairs studio. The artwork survives, but when controversial mask maker Jaeger Merrill is found drowned in the co-op basement, Kathleen questions whether the death was accidental. After she discovers the artist was using an assumed name, she realizes she can't actually assume anything about him. With the help of handsome detective Marcus Gordon—and Owen and Hercules's extraordinary powers of feline detection—it's up to Kathleen to unmask a killer.
A pattern emerges in a string of "accidental deaths" involving criminals who've escaped the law. Police chief Max Zirinsky suspects that someone is doling out their own form of justice…murder. Police chief Max Zirinsky's hunt for a serial killer leads him to the rareifed circles of Courage Bay's social elite. He needs a way to infiltrate their ranks, and turns to socially prominent hospital chief of staff Callie Baker. Her solution: pretend their dating. But the attraction is all too real, and neither of them can "pretend" for long. Then the killer sees through their relationship. Callie is helping Max's investigation. And for that, she'll have to die….
The "419" scam is an aspect of transnational financial crime with a 'modus operandi' peculiar to the Nigerian swindler. The most recurrent type of transnational "419" scam is the "advance fee fraud". It is usually introduced in the form of a business contract, a transfer of stolen money or money from over-invoiced contract, the purchase of crude oil from Nigeria at a relatively cheap rate, and transfer of money left by a deceased person (will scam). In all situations, the victim is eventually lured into an endless period of advance fee payment. The "black money" scam is almost as popular as the advance fee fraud and is sometimes, practiced in continuation of advance fee scam. The victim is introduced to a large sum of money that needs to be cleaned by a special liquid solution. The victim parts with money upon the supposition that the black money would be cleaned and given to him. The con man gets away with the victim's money leaving him with a bunch of worthless papers. The 419 Scam business is not restricted to defrauding foreigners. There are two groups of con men in Nigeria: The local and the International "419ners". The local groups specialize in defrauding Nigerians while the more advanced International syndicates fish out victims from Europe, America, Asia and South Africa. The local ones eventually grow to international status after they have made enough money to acquire computers, facsimile and telephone lines and other gadgets necessary for the scam business. "Tive's insight of the perpetrators behind the advance fee fraud coupled with his knowledge on the topic show that he is a true authority on the subject."- Ralph A. Gonzales, Special Agent-in-Charge, United States Secret Service "This book by Charles Tive is an excellent portrayal of the 419 scam, its operators, and its basic operations."-Gary M. Gibson, Regional Security Officer, U.S. Consulate Lagos. ".is a scholarly but readable summary of the history of and methods used by Nigerian scam / 419 operations."-The 419 Coalition, USA.