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A former stripper turned suburban housewife is exposed as a brutal killer in this shocking true crime tale of a loving husband beheaded in Phoenix. Phoenix, Arizona, 2004. Marjorie Orbin filed a missing person’s report on her husband, Jay. She claimed that the successful art dealer had left town on business after celebrating their son’s birthday more than a month before. But no one believed that Jay would abandon the family he loved. Authorities suspected foul play . . . As the search for Jay made local headlines, Marjorie’s story starting coming apart. Why did she wait so long before going to police? If Jay was away on business, why were there charges made to his credit card in Phoenix? Then, the unthinkable happened. Jay’s headless, limbless torso was discovered on the outskirts of the Phoenix desert—and all evidence pointed to Marjorie as the killer. The investigation revealed surprising details about her life—six previous marriages, an ongoing affair with a man from her gym, and alleged ties to the New York mafia.
While investigating a doctor accused of drug-facilitated sexual assaults, Manhattan Assistant DA Alex Cooper learns of the grisly death of a world-class ballerina at Lincoln Center. Fairstein's latest "New York Times" bestseller is available in a Premium Edition.
Photographs of a ten-year-old student in George Balanchine's School of American Ballet, supplemented by her descriptions of her feelings and experiences, provide insight to the excitement and hard work involved in auditioning and rehearsing for and playin
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
Dancers At The Gate Of Death is a ground breaking book. It is fresh and hot from the throne of God. It is a timely message for this generation. The uniqueness of this book is that it contains the mind of God Almighty on practical issues of life. It is released by the Holy Ghost to salvage our generation from a deadly epidemic that is ravaging every cadre of people in the society. From the prophetic pen of Christendom's celebrated author, Dr D.K. Olukoya, comes a book that is down to earth, practical, dynamic and thought provoking. The author has made bold statements where many preachers and authors are silent. The approach is uncommon, the style is challenging and the handling of the topic is so compelling that the book will surely spark up a revolution that will affect this generation for good. Well illustrated, powerfully presented and released at a time when God's people are eager to hear what the Holy Spirit is saying today. Dancers at the Gate of Death will surely impact millions of lives globally.
In 1925, Dassas Cormier makes good on a promise and escorts his nephew Frank to New Orleans, but their vacation quickly turns into a search for a killer when Dassas learns a friend, an exotic dancer, has been murdered. As he digs deeper into the dark side of the city, Dassas discovers secrets that involve politicians, bootleggers, federal agents, and underworld thugs—and confronts the shadows that haunt his own heart.
The new book by prize-winning biographer Evelyn Juers, author of The House of Exile and The Recluse, portrays the life and background of a pioneering Australian dancer who died at the age of twenty-five in a remote town in India. A uniquely talented dancer and choreographer, Philippa Cullen grew up in Australia in the 1950s and 60s. In the 1970s, driven by the idea of dancing her own music, she was at the forefront of the new electronic music movement, working internationally with performers, avant-garde composers, engineers and mathematicians to build and experiment with theremins and movement-sensitive floors, which she called body-instruments. She had a unique sense of purpose, read widely, travelled the world, and danced at opera houses, art galleries and festivals, on streets and bridges, trains, clifftops, rooftops. She wrote, I would define dance as an outer manifestation of inner energy in an articulation more lucid than language. An embodiment of the artistic aspirations of her age, she died alone in a remote hill town in southern India in 1975. With detailed reference to Cullen’s personal papers and the recollections of those who knew her, and with her characteristic flair for drawing connections to bring in larger perspectives, Evelyn Juers’ The Dancer is at once an intimate and wide-ranging biography, a portrait of the artist as a young woman.
Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.
Who knew ballet could be so dangerous?Val Aalto, a tattooed ballet dancer, stands primed for huge success -- and all he wants is to dance Romeo.Andrew Preston, a by-the-book detective, chases a serial killer who's murdering dancers -- and all he wants is to catch him.When the premier dancer who hates Val's guts turns up murdered, Val and Andrew meet and what they want gets way hotter!But mounting evidence makes Val the lead suspect, the killer starts stalking him, and Val's dance of love turns to a dance with death in the ego-fueled halls of ballet.DEATH DANCER is a romantic suspense, total opposites attract, creepy serial killer, sexy tatted bad boy, men-in- tights, MM romance - with dessert.