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This volume contains fourteen essays in which different aspects of gerard Bucher's "thanatopoietic hypothesis" are examined. Initially, five papers (by Wilson Baldridge, Claire Nouvet, Jean-Michel Rabate, Helene Domon and Metka Zupancic) were presented at the International Association for Philosophy and Literature (IAPL), during its 2001 meeting in Atlanta. Subsequently Michel Deguy and Pierre Ouellet, together with Christian Garaud, Kuisma Korhonen, Michael Degener, and Maurizio Godorecci, were invited to explore various implications of Bucher's hypothesis. Bucher's own work, as shown in his contribution to this volume, analyzes the connection between our experience of death and the establishment of poetry as a means of approaching the truth of being, of aestheticism, and of ethics.
The rapid endangerment and death of many minority languages across the world is a matter of widespread concern, not only among linguists and anthropologists but among all concerned with issues of cultural identity in an increasingly globalized culture. By some counts, only 600 of the 6,000 or so languages in the world are 'safe' from the threat of extinction. A leading commentator and popular writer on language issues, David Crystal asks the fundamental question, 'Why is language death so important?', reviews the reasons for the current crisis, and investigates what is being done to reduce its impact. This 2002 book contains not only intelligent argument, but moving descriptions of the decline and demise of particular languages, and practical advice for anyone interested in pursuing the subject further.
Twenty-five languages die each year; at this pace, half the world’s five thousand languages will disappear within the next century. In this timely book, Claude Hagège seeks to make clear the magnitude of the cultural loss represented by the crisis of language death. By focusing on the relationship of language to culture and the world of ideas, Hagège shows how languages are themselves crucial repositories of culture; the traditions, proverbs, and knowledge of our ancestors reside in the language we use. His wide-ranging examination covers all continents and language families to uncover not only how languages die, but also how they can be revitalized—for example in the remarkable case of Hebrew. In a striking metaphor, Hagège likens languages to bonfires of social behavior that leave behind sparks even after they die; from these sparks languages can be rekindled and made to live again.
Explores the symbiosis of philosophy and literature in understanding negativity.
Part diatribe, part cool reflection on the state of Australia’s public language, Don Watson’s Death Sentence is scathing, funny and brilliant. ‘ ... in public life the language has never been held in less regard. It withers in the dungeons of the technocratic mind. It is butchered by the media. In politics it lacks all qualifications for the main game.’ Almost sixty years ago, George Orwell described the decay of language and why this threatened democratic society. But compared to what we now endure, the public language of Orwell's day brimmed with life and truth. Today's corporations, government departments, news media, and, perhaps most dangerously, politicians – speak to each other and to us in cliched, impenetrable, lifeless sludge. Don Watson can bear it no longer. In Death Sentence, part diatribe, part cool reflection on the state of Australia's public language, he takes a blowtorch to the words – and their users – who kill joy, imagination and clarity. Scathing, funny and brilliant, Death Sentence is a small book of profound weight – and timeliness.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
“Perhaps the finest and most profound account of ethnographic fieldwork and discovery that has ever entered the anthropological literature.” —The Wall Street Journal “If you want to experience a profoundly different culture without the exhausting travel (to say nothing of the cost), this is an excellent choice.” —The Washington Post As a young anthropologist, Don Kulick went to the tiny village of Gapun in New Guinea to document the death of the native language, Tayap. He arrived knowing that you can’t study a language without understanding the daily lives of the people who speak it: how they talk to their children, how they argue, how they gossip, how they joke. Over the course of thirty years, he returned again and again to document Tayap before it disappeared entirely, and he found himself inexorably drawn into their world, and implicated in their destiny. Kulick wanted to tell the story of Gapuners—one that went beyond the particulars and uses of their language—that took full stock of their vanishing culture. This book takes us inside the village as he came to know it, revealing what it is like to live in a difficult-to-get-to village of two hundred people, carved out like a cleft in the middle of a tropical rainforest. But A Death in the Rainforest is also an illuminating look at the impact of Western culture on the farthest reaches of the globe and the story of why this anthropologist realized finally that he had to give up his study of this language and this village. An engaging, deeply perceptive, and brilliant interrogation of what it means to study a culture, A Death in the Rainforest takes readers into a world that endures in the face of massive changes, one that is on the verge of disappearing forever.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
"This book is about dying, not about death. We are always dying a big, always giving things up, always having things taken away. Is there a person alive who isn't really curious about what dying is for them? Is there a person alive who wouldn't like to go to their dying full of excitement, without fear and without morbidity? This books tells you how." -- Front cover.