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Marks the long-awaited arrival—in English—of a masterful voice in Mexican and noir fiction Death in Veracruz is a gritty and atmospheric noir centered on the so-called oil wars of the late 1970s, which pitted the extremely powerful and corrupt government-owned oil cartel against the agrarian landowners in the Tabasco region of Southern Mexico. This novel, translated for the first time in English since its publication 30 years ago, concerns a journalist who investigates the death of a colleague and friend Rojano in a bizarre shooting incident that takes place in a small rural village, and who finds himself up against crooked police and petty government officials bought by the oil conglomerate. But, as he gets deeper and deeper into this Mexican Heart of Darkness, he finds Rojano was not all he seemed, and neither was his widow with whom he falls into a doomed affair. Death in Veracruz.
In Shelton's fourth collection of poems, he writes of the desert Southwest, and through it gives his unique view of the world. The poems speak of landscape, marriage, freedom, and death.
Certified statement of November 7, 1692 by Thomas Sánchez del Avandero, attesting to the death of Juan Pérez de Garayo, captain of the king's ship, the Santísima Trinidad. Avandero testifies that at nine in the morning, in a room of Garayo's house in Veracruz, he saw the captain's body, already stiff and cold, laid out on a table surrounded by wax tapers and dressed in the cape of the military order of which he was a knight. Later that afternoon, funeral services were held in the parish church, in the chapel of Nuestra Señora de la Soledad. Avandero's certification was made at the request of Pedro Fernández del Campo, an executor of Garayo's estate. The document is countersigned by several notaries on November 8, 1692.
Johann Walbrecht, a young Germanic hunter/soldier, is immersed in medical training at Marburg University when he is forced to flee his country after a pistol duel with the son of the region's Baron. It is November 1840 when he boards a ship bound for America. Four months later, John arrives in New Orleans, Louisiana, aboard the slave ship he has worked on keeping the captives alive. He acquires Mississippi riverside land neighboring Joseph Davis (older brother of Jefferson Davis), completes his medical training, and is recruited as an army surgeon during the Mexican War of 1847.
Waking up in Mictlan, the underworld entrance of the North, nearly dead from an evil witch's attack—this is where James Endredy's gripping true account of his experience with the witches of Veracruz begins. As the apprentice of a powerful curandero, or healer, Endredy learns the dangerous magic and mystical arts of brujería, a nearly extinct form of Aztec witchcraft, and his perilous training is fraught with spiritual trials and tests. Taught how to invoke spirits of the underworld for assistance and use dream trance to "fly," Endredy is subjected to the black magic of a brujo negro and left alone in the graveyard of the brujo masters to fight for his life. He is also called upon to do battle with the most sinister of all witches—el Brujo de Muerte, the Witch of Death. Upon becoming a curandero himself, Endredy takes on harrowing real-life cases: healing a young man possessed by the spirit of an Aztec warrior, rescuing a teenage girl from a Mexican drug cartel, and hunting down a vampire witch terrorizing a small community.
Since 2000, more than 150 journalists have been killed in Mexico. Today the country is one of the most dangerous in the world in which to be a reporter. In Surviving Mexico, Celeste González de Bustamante and Jeannine E. Relly examine the networks of political power, business interests, and organized crime that threaten and attack Mexican journalists, who forge ahead despite the risks. Amid the crackdown on drug cartels, overall violence in Mexico has increased, and journalists covering the conflict have grown more vulnerable. But it is not just criminal groups that want reporters out of the way. Government forces also attack journalists in order to shield corrupt authorities and the very criminals they are supposed to be fighting. Meanwhile some news organizations, enriched by their ties to corrupt government officials and criminal groups, fail to support their employees. In some cases, journalists must wait for a “green light” to publish not from their editors but from organized crime groups. Despite seemingly insurmountable constraints, journalists have turned to one another and to their communities to resist pressures and create their own networks of resilience. Drawing on a decade of rigorous research in Mexico, González de Bustamante and Relly explain how journalists have become their own activists and how they hold those in power accountable.
A harrowing and unforgettable look at reporting in Mexico, one of the world's most dangerous countries to be a journalist In 2017, Mexico edged out Iraq and Syria as the deadliest country in the world in which to be a reporter, with at least fourteen journalists killed over the course of the year. The following year another ten journalists were murdered, joining the almost 150 reporters who have been killed since the mid-2000s in a wave of violence that has accompanied Mexico's war on drugs. In Killing the Story, award-winning journalist and filmmaker Témoris Grecko reveals how journalists are risking their lives to expose crime and corruption. From the streets of Veracruz to the national television studios of Mexico City, Grecko writes about the heroic work of reporters at all levels—from the local self-trained journalist, Moises Sanchez, whose body was found dismembered by the side of a road after he reported on corruption by the state's governor, to high-profile journalists such as Javier Valdez Cárdenas, gunned down in the streets of Sinaloa, and Carmen Aristegui, battling the forces attempting to censor her. In the vein of Charles Bowden's Murder City and Anna Politskaya's A Russian Diary, Killing the Story is a powerful memorial to the work of Grecko's lost colleagues, which shows a country riven by brutality, hypocrisy, and corruption, and sheds a light on how those in power are bent on silencing those determined to reveal the truth and bring an end to corruption.
The English-language debut of one of the most thrilling and accomplished young Mexican writers Winner of the Queen Sofía Spanish Institute's Tanslation Prize Longlisted for the National Book Award Shortlisted for the Booker Prize Winner of the Internationaler Literaturpreis New York Public Library Best Books of 2020 Chicago Public Library Best Book of 2020 The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters—inners whom most people would write off as irredeemable—forming a lasting portrait of a damned Mexican village. Like Roberto Bolano’s 2666 or Faulkner’s novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more and more terrifying the deeper you explore it.
Shortlisted for the Juan E. Mendez Book Award for Human Rights in Latin America “Chilling and nuanced ... a murder mystery but also, more important, a portrait of a nation where no one knows what to believe, or whom to trust."--Mark Bowden, The New York Times Book Review "Epic ... deeply reported and riveting."--NPR Online Former AP Mexico bureau chief Katherine Corcoran's pulsating investigation into the murder of a legendary woman journalist on the verge of exposing government corruption in Mexico. Regina Martínez was no stranger to retaliation. A journalist out of Mexico's Gulf Coast state of Veracruz, Regina's stories for the magazine Proceso laid out the corruption and abuse underlying Mexican politics. She was barred from press conferences, and copies of Proceso often disappeared before they made the newsstands. In 2012, shortly after Proceso published an article on corruption and two Veracruz politicians, and the magazine went missing once again, she was bludgeoned to death in her bathroom. The message was clear: No journalist in Mexico was safe. Katherine Corcoran, then leading the Associated Press coverage of Mexico, admired Regina Martínez's work. Troubled by the news of her death, Corcoran journeyed to Veracruz to find out what had happened. Regina hadn't even written the controversial article. But did she have something else that someone didn't want published? Once there, Katherine bonded with four of Regina's grief-stricken mentees, each desperate to prove who was to blame for the death of their friend. Together they battled cover-ups, narco-officials, red tape, and threats to sift through the mess of lies-and discover what got Regina killed. A gripping look at reporters who dare to step on the deadly “third rail,” where the state and organized crime have become indistinguishable, In the Mouth of the Wolf confronts how silencing the free press threatens basic protections and rule of law across the globe.