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The upper-class inhabitants of the locked-gate community called Holroyd Square in Templeton, Texas, are used to their sedate, private lives-and the equally private secrets that each of them keeps hidden from the others. But when a vicious blackmailer rudely interrupts their existence, and then is found murdered in the Square, the police must be called, and only Assistant Chief Wash Shipp can uncover the killer and save their tattered reputations. A psychodrama in the best Agatha Christie tradition!
For more than a century, the term "Main Street" has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis. Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces--as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany--actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.
The acclaimed science author’s illustrated exploration of death from ancient burial practices to the latest theories of immortality, resurrection and more. Throughout history, the nature and mystery of death has captivated artists, scientists, philosophers, physicians, and theologians. This eerie chronology ventures right to the borderlines of science and sheds light into the darkness. Here, topics as wide ranging as the Maya death gods, golems, and séances sit side by side with entries on zombies and quantum immortality. With the turn of every page, readers will encounter beautiful artwork, along with unexpected insights about death and what may lie beyond.
In 1987, the death of Ben Linder, the first American killed by President Reagan's "freedom fighters" -- the U.S.-backed Nicaraguan Contras -- ignited a firestorm of protest and debate. In this landmark first biography of Linder, investigative journalist Joan Kruckewitt tells his story. In the summer of 1983, a 23-year-old American named Ben Linder arrived in Managua with a unicycle and a newly earned degree in engineering. In 1986, Linder moved from Managua to El Cuá, a village in the Nicaraguan war zone, where he helped form a team to build a hydroplant to bring electricity to the town. He was ambushed and killed by the Contras the following year while surveying a stream for a possible hydroplant. In 1993, Kruckewitt traveled to the Nicaraguan mountains to investigate Linder's death. In July 1995. she finally located and interviewed one of the men who killed Ben Linder, a story that became the basis for a New Yorker feature on Linder's death. Linder's story is a portrait of one idealist who died for his beliefs, as well as a picture of a failed foreign policy, vividly exposing the true dimensions of a war that forever marked the lives of both Nicaraguans and Americans.
Sarah and Frank Malloy must catch a scheming killer in this latest gripping installment in the USA Today bestselling Gaslight Mysteries . Former policeman Frank Malloy is frustrated when a woman requests his private detective services to implicate her wealthy husband in adultery, the only legal grounds for divorce in New York state. Although Mrs. Bing seems genuinely distressed about her marriage and desperate to end it, she refuses to tell Frank the reason she absolutely must divorce her husband and admits she has no legal grounds. Frank explains he won't manufacture evidence for her and sends her on her way. The following week, Frank and Sarah happen to be attending the first ever auto show in Madison Square Garden when they meet the woman's husband, Alfred Bing, who has invested in a company that produces one of the electric motorcars on display. A few days later, the newspapers report that millionaire Alvin Bing has been found dead, pinned beneath one of the wheels of his very own motorcar. But who was driving it? The obvious suspect is Mrs. Bing, but Frank and Sarah find that nothing is as it seems in their puzzling, dangerous search for truth.
When a murder hits close to home, Frank finds himself in an unusual position--the prime suspect in the latest installment of the national bestselling Gaslight Mystery series... Sarah and Frank Malloy are enjoying married life and looking to make their family official by adopting Catherine, the child whom Sarah rescued and has been raising as her daughter. The process seems fairly straightforward, but at the last minute, the newlyweds discover that Parnell Vaughn, Catherine's legal father, has a claim on the child, and his grasping fiancée is demanding a financial settlement to relinquish parental rights. Even though exchanging money for a child is illegal, Frank and Sarah's love for Catherine drives them to comply. When Frank returns with the money and finds Vaughn beaten to death, all evidence points to Frank as the culprit. A not-quite-famous actor with modest means, Vaughn seems an unlikely candidate for murder, particularly such a violent crime of passion. But Frank soon uncovers real-life intrigue as dramatic as any that appears on stage. Sarah and Frank enlist those closest to them to help hunt for Vaughn's killer as Frank's own life--and the future of their family--hang in the balance.
The story begins with a horrible brutal killing of a very beautiful girl. A member of the Hartford Hockey team mentions that this girl got herself pregnant and says that he is the father. Of course he is, but he proclaims his innocence. He has been sleeping with a Registered Nurse who happens to be the floor supervisor where the Student Nurses are assigned for training. She decides to enroll these Students into a Black Supremacy Political Action Committee. She had also tried to form such a committee while in College but there were not enough black students. Therefore, now that she had more black students. She was more successful. And, she began to brainwash them with subtle lies. Unfortunately they listened and began to believe her lies. This led to the horrible blood bath in the Ladies room at the Old State House and the removal of Allison's Baby. It now became Harry Smith's job to solve the murder. In the end the Supervisor is found guilty of the murder as well as causing Juveniles to commit Capital Felonry Murder. She receives the Death Sentence and is executed. Now! The wicked witch of the East is dead. Her Young Students are absolved of the crime. The little Student who killed Annie the Bag Lady is also absolved of her crime and everything ends but, not until Harry and Sharon having a Binge Party.
Offering “a vibrant picture of the roles Black and mixed-race people played in Regency life” (Publishers Weekly), this unique historical mystery series, featuring a mixed-race heroine with a notorious past, will appeal to Bridgerton fans who want a sharper edge to their drama. A marriage of convenience saved Lady Abigail Worthing’s family from disgrace, but she’s finding her absent husband's endless conditions increasingly repressive. Unable to stay at their London home during the oncoming winter, she accepts a ride to the country from her neighbor, Stapleton Henderson. However, she's less than delighted that she’s his excuse to avoid a dinner held by Lord Charles Duncan, one of London's most powerful—and relentless—magistrates. More irritating, women are decidedly unwelcome at the evening’s prestigious discussion of criminality—even though Abigail and Stapleton have solved several cases together . . . Then an unexpected blizzard strands them at Lord Duncan’s with his now-houseguests. Suddenly, an evening of fine dining, fine brandy, and insightful debate becomes an inescapable—and deadly—ordeal. The ultimate test for Abigial’s skill. One of the dinner guests is found dead in front of the Berkley Square mansion. And when another party is murdered, Abigail discovers each had received a taunting, prophetic nursery rhyme . . . coincidence, or clues left by a killer on the loose? Through deft interrogation, she learns everyone present is connected to Lord Duncan's greatest failure in the courts: the conviction of a Martinique plantation informant for a murder he didn’t commit. But as Abigail races to find who was really responsible for the miscarriage of justice, she'll be forced to put her own and Stapleton's lives at risk in a gambit that will alter their fates forever—or end them permanently.
Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars to begin solving crimes that go unnoticed by the Bow Street Runners, which take him from the mansions of Mayfair to the backstreets of London's rookeries. Captain Gabriel Lacey begins Spring 1818 preparing for a duel. But while he focuses on the affair of honor, darkness, greed, and death stalk the streets of London and bring tragedy to a family Lacey has grown close to. With the aid of Lucius Grenville, London’s most famous dandy, and Brewster, a ruffian employed by an underworld criminal, Lacey explores the world of molly houses and the double lives some men of society lead. His investigation takes him from the elegant mansions of Grosvenor Square to the squalid lanes of Seven Dials, to taverns that practice a highly illegal trade, spelling ruin and possible hanging for those caught within. Lacey once again comes into the realm of James Denis, a crime lord, when what appears to be a simple crime of hatred becomes far more complex.
Nation states and communities throughout the world have reached certain decisions about capital punishment: It is the destruction of human life. It is ineffective as a deterrent for crime. It is an instrument the state uses to contain or eliminate its political adversaries. It is a tool of “justice” that disproportionality affects religious, social, and racial minorities. It is a sanction that cannot be fixed if unjustly applied. Yet the United States—along with countries notorious for human rights abuse—remains an advocate for the death penalty. In these thirteen pieces, Mario Marazziti exposes the profound inhumanity and irrationality of the death penalty in this country, and urges us to join virtually every other industrialized democracy in rendering capital punishment an abandoned practice belonging to a crueler time in human history. A polemical book, yes, yet one that brings together a wide range of stories to compel the heart as well the mind.