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When a serial killer stalks a sleepy English village, a Scotland Yard detective must search for clues among terrified townsfolk in this classic mystery. Samuel Bracknell is found dead in his home with a knife in his back. It’s the third murder of its kind in as many weeks, and the residents of Carleton Unthank are left shaken. When Superintendent Littlejohn learns that all three crimes were committed with the same knife, a disturbing question arises: why, then, was the knife left in Bracknell’s body? When a fourth body turns up, this one an apparent suicide, Littlejohn is baffled. This once quaint village is gaining a ghoulish reputation. As the threat of murder looms each time the sun sets, Littlejohn must face sleep-deprived residents, no clues, and a race against the clock to prevent the body count from rising any further.
When a serial killer stalks a sleepy English village, a Scotland Yard detective must search for clues among terrified townsfolk in this classic mystery. Samuel Bracknell is found dead in his home with a knife in his back. It's the third murder of its kind in as many weeks, and the residents of Carleton Unthank are left shaken. When Superintendent Littlejohn learns that all three crimes were committed with the same knife, a disturbing question arises: why, then, was the knife left in Bracknell's body? When a fourth body turns up, this one an apparent suicide, Littlejohn is baffled. This once quaint village is gaining a ghoulish reputation. As the threat of murder looms each time the sun sets, Littlejohn must face sleep-deprived residents, no clues, and a race against the clock to prevent the body count from rising any further.
The bonds of family are tested in the wake of a profound tragedy, providing a look at the darker side of our society
Julie Holmes has always held a seductive power over men. Her golden hair and deep blue eyes entrance admirers wherever she goes, even after she leaves London for peaceful Kent with her doting husband. But could any of these devotees have become so obsessed as to turn a knife on her? Inspector Thanet refuses to accept this assumption. He is much more curious about the events of a foggy November evening nearly twenty years ago, when Julie was only three, and their link to the hideous nightmares she suffered in the weeks prior to her death. Slowly, as Thanet works through his feverish thoughts, he comes upon a theory that would solve not one murder but two . . .
In his usual light and irreverent style, Stubbs demolishes ignorance of life's final taboo--death--by sharing first-hand accounts, told through mediums, of what it's like to die, what the afterlife is like, and what people do on the other side.
When a seaside festival ends in murder, Superintendent Littlejohn gets caught up in a baffling investigation in this acclaimed British mystery series. It’s holiday time in Douglas and the town is alive with the local carnival. A brass band and bagpipes lead a procession down the promenade, and the cheering onlookers slowly make their way to the pier. But when the crowd thins and the promenade empties, a man is found dead at the center . . . Detective Littlejohn, who happens to be in town visiting a friend, now faces a perplexing case. In a small town that runs on gossip, nobody seems to know the victim. The waitress who identified him knew him only as ‘Uncle Fred.’ Who would want to murder an anonymous man? It soon becomes clear there is more to Uncle Fred than initially thought. As Littlejohn is pulled deeper into the mystery, the layers of Uncle Fred’s secretive life begin to unravel and the superintendent finds himself racing to prevent a second murder . . .
“Slow and steady wins the case” as a dedicated London policeman puzzles through a fatal fall, a financial mystery, and an eccentric family’s many secrets (Kirkus Reviews). Miss Penelope Blow’s fatal fall from her bedroom window would seem like a tragic accident, if it weren’t for Penelope’s multiple visits to Scotland Yard before her death, trying to get in touch with Inspector Littlejohn. Now, before he ever had a chance to talk to the woman, he’s driven to look deeper into a case that may very well be murder—with no cooperation from Penelope’s wealthy, secretive, and thoroughly odd family . . . “As is often the case in Bellairs’ novels, his prose is often very wryly amusing. . . . One of his most readable tales, offering an interesting mix of characters and a satisfying puzzle to solve.” —Mysteries Ahoy