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Antigone Samellas examines the modes of reception of Jesus' message of salvation. She explores the Greek and Jewish influence on Christian eschatology and traces the Hellenistic roots of Christian consolation philosophy. The author examines Christianity as a 'total therapy of grief' and highlights the differences that existed between the religious cures and the Hellenistic philosophical therapies. To gain a better understanding of the process of conversion to the new faith Antigone Samellas also investigates which aspects of Christianity were appealing and which repugnant in the eyes of pagans and Jews. Finally, she attempts to convey something of the wisdom of the East, in all its cultural and religious nuances, to the modern reader.
Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.Key featuresIncludes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sidewaysHighlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance
"John Wesley and George Whitefield are remembered as founders of Methodism, one of the most influential movements in the history of modern Christianity. Characterized by open-air and itinerant preaching, eighteenth-century Methodism was a divisive phenomenon, which attracted a torrent of printed opposition, especially from Anglican clergymen. Yet, most of these opponents have been virtually forgotten. The Struggle for True Religion is the first large-scale examination of the theological ideas of early anti-Methodist authors. By illuminating a very different perspective on Methodism, Simon Lewis provides a fundamental reappraisal of the eighteenth-century Church of England and its doctrinal priorities. For anti-Methodist authors, attacking Wesley and Whitefield was part of a wider defence of 'true religion', which demonstrates the theological vitality of the much-derided Georgian Church. This book, therefore, places Methodism firmly in its contemporary theological context, as part of the Church of England's continuing struggle to define itself theologically"--
This study focuses on the recording, study and publication of the corpus of the Late Antique lamps dating from the 3rd to the 7th centuries as found in rescue excavations in the town of Rhodes. The aim here is to present the diachronic changes in the artistic sensibility and preferences of this particular market.
This study examines how early Christian writers drew on ancient Jewish and Greco-Roman traditions to develop their own ideas about purity, purification, defilement, and disgust.
In this probing study of death rites, Leor Halevi plays prescriptive texts against material culture, advancing a new way of interpreting the origins of Islam. He shows how religious scholars produced codes of funerary law to create new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic from Christian, Jewish and Zoroastrian rites; and they changed the way men and women interacted publicly and privately. Each chapter explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. Highlighting economic and political factors, as well as key religious and sexual divisions, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve its own distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.
One of the most pressing issues for scholars of religion concerns the role of persuasion in early Christianities and other religions in Greco-Roman antiquity. The essays in Rhetoric and Reality in Early Christianities explore questions about persuasion and its relationship to early Christianities. The contributors theorize about persuasion as the effect of verbal performances, such as argumentation in accordance with rules of rhetoric, or as a result of other types of performance: ritual, behavioural, or imagistic. They discuss the relationship between the verbal performance of rhetoric and other performative modes in generating, sustaining, and transmitting a persuasive form of religiosity. The essays in this book cover a wide chronological range (from the first century to late antiquity) and diverse topical examples contribute to the collection’s thematic centre: the relations among formalized and technical verbal performances (rhetoric, texts) and other forms of persuasive performances (ritual, practices), the social agendas that early Christians pursued by means of verbal, rhetorical performances, and the larger social context in which Christians and other religious groups competitively jockeyed to attract the minds and bodies of audiences in the Greco-Roman world.
In this work, George Heyman offers a fresh perspective on the similarities between pagan Roman and Christian thinking about the public role of sacrifice in the first two and a half centuries of the Christian era.
Darlene L. Brooks Hedstrom offers a new history of the field of Egyptian monastic archaeology. It is the first study in English to trace how scholars identified a space or site as monastic within the Egyptian landscape and how such identifications impacted perceptions of monasticism. Brooks Hedstrom then provides an ecohistory of Egypt's tripartite landscape to offer a reorientation of the perception of the physical landscape. She analyzes late-antique documentary evidence, early monastic literature, and ecclesiastical history before turning to the extensive archaeological evidence of Christian monastic settlements. In doing so, she illustrates the stark differences between idealized monastic landscape and the actual monastic landscape that was urbanized through monastic constructions. Drawing upon critical theories in landscape studies, materiality and phenomenology, Brooks Hedstrom looks at domestic settlements of non-monastic and monastic settlements to posit what features makes monastic settlements unique, thus offering a new history of monasticism in Egypt.
"Hugo Lundhaug and Lance Jenott offer a sustained argument for the monastic provenance of the Nag Hammadi Codices. They examine the arguments for and against a monastic Sitz im Leben and defend the view that the Codices were produced and read by Christian monks, most likely Pachomians, in the fourth- and fifth-century monasteries of Upper Egypt. Eschewing the modern classification of the Nag Hammadi texts as “Gnostic,” the authors approach the codices and their ancient owners from the perspective of the diverse monastic culture of late antique Egypt and situate them in the context of the ongoing controversies over extra-canonical literature and the theological legacy of Origen. Through a combination of sources, including idealized hagiographies, travelogues, monastic rules and exhortations, and the more quotidian details revealed in documentary papyri, manuscript collections, and archaeology, monasticism in the Thebaid is brought to life, and the Nag Hammadi codices situated within it. The cartonnage papyri from the leather covers of the codices, which bear witness to the monastic culture of the region, are closely examined, while scribal and codicological features of the codices are analyzed and compared with contemporary manuscripts from Egypt. Special attention is given to the codices’ scribal notes and colophons which offer direct evidence of their producers and users. The study ultimately reveals the Nag Hammadi Codices as a collection of books completely at home in the monastic manuscript culture of late antique Egypt."--