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A rip-roaring, cosy crime novel, perfect for fans of Richard Osman’s The Thursday Murder Club and M. C. Beaton’s Agatha Raisin series. Good detectives come in all manner of guises . . . Meet Siiri and Irma, best friends and the queen bees of Sunset Grove, a retirement community for those still young at heart. With a combined age of nearly 180, Siiri and Irma are still just as inquisitive and witty as when they first met decades ago. But when their comfortable world is upturned by a suspicious death at Sunset Grove, Siiri and Irma are shocked into doing something about it. Determined to find out exactly what happened and why, they begin their own private investigations and form The Lavender Ladies Detective Agency. The trouble is, beneath Sunset Grove's calm facade, there is more going on than meets the eye, and Siiri and Irma soon discover far more than they bargained for . . . Death in Sunset Grove by Minna Lindgren is full of wit and warmth, continue the mystery series with Escape from Sunset Grove.
Irma and Siiri go out with a bang in The End of Sunset Grove, the conclusion to Minna Lindgren's Lavender Ladies Detective Agency trilogy. A hilarious cosy crime mystery, perfect for fans of Richard Osman’s The Thursday Murder Club and M.C. Beaton. Best friends Irma and Siiri are relieved when they can finally return home, but things have changed in the retirement home . . . Sunset Grove is under new management, a sinister organization that promises spiritual enlightenment in return for donations from its residents. And the staff seem to have disappeared, replaced by technology that remotely takes care of all of their needs, if only they could work out how to use it . . . The Lavender Ladies are increasingly suspicious of the new order and plan an elaborate act of sabotage. But their last hurrah has some drastic consequences – will the Lavender Ladies get more than they bargained for?
It’s not easy sharing a flat. Especially when you’re 95 years old . . . Escape from Sunset Grove is the second hilarious and heartwarming crime caper in Minna Lindgren's Lavender Ladies Detective Agency trilogy. Perfect for fans of Richard Osman’s The Thursday Murder Club and M.C. Beaton Change is afoot at Sunset Grove retirement home, and its residents aren’t impressed. Under threat from falling masonry, best friends Irma and Siiri are forced out of their home to negotiate twenty-first-century living in the centre of Helsinki. Their new surroundings throw up an endless number of daily challenges, from caring for the ailing Anna-Lisa to the mystery of which of the many remotes controls the TV. The pair are joined by growing numbers of friends in their flat-share, and their new close-quarters living raises some unexpected questions. As the Lavender Ladies begin to dig a little deeper, they find themselves following a trail of corruption, deceit and intimidation that might just lead them to their own front door . . . The Lavender Ladies must steel themselves for what is set to be their most dangerous case yet. Filled with wit and warmth, continue the cosy crime series with The End of Sunset Grove.
This book examines narratives of dementia in contemporary literary texts, studying what is now a pressing issue with deep political, economic, and social implications for many ageing societies. As part of the increasing visibility of dementia in social and cultural life, these narratives pose ethical, aesthetic, and political questions about subjectivity, agency, and care that help us to interrogate the cultural discourse of dementia. Contemporary Narratives of Dementia is a seminal book that offers a sustained examination of a wide range of literary narratives, from auto/biographies and detective fiction, to children’s books and comic books. With its wide-reaching theoretical and critical scope, its comparative dimension, and its inclusion of multiple genres, this book is important for scholars engaging with studies of dementia and ageing in diverse disciplines. Sarah Falcus is a Reader in Contemporary Literature at the University of Huddersfield, UK. She has research interests in contemporary women’s writing, feminism and literary gerontology. She is the co-director of the Dementia and Cultural Narrative (DCN) network. Katsura Sako is an Associate Professor of English, at Keio University, Japan. Her main field of research is in post-war/contemporary British literature, and she has particular interests in gender, ageing and illness. She is a member of the steering committee of the DCN network.
Good detectives come in all manner of guises...Meet Siiri and Irma, best friends and the queen bees of Sunset Grove, a retirement community for those still young at heart. With a combined age of nearly 180, Siiri and Irma are still just as inquisitive and witty as when they first met decades ago. But when their comfortable world is upturned by a suspicious death at Sunset Grove, Siiri and Irma are shocked into doing something about it. They begin their own private investigations and form The Lavender Ladies Detective Agency. The trouble is, beneath Sunset Grove's calm facade, there is more going on than meets the eye. . .
With extensive research, this account of the Hollywood star and his legion of fans offers “the best narrative yet of Dean’s final ten hours” (San Francisco Examiner). Just before sunset on September 20, 1955, James Byron Dean’s Porsche 550 Spyder collided with Donald Gene Turnupseed’s Ford Tudor on California Highway 46. At age twenty-four, America’s newest screen idol was dead. But what really happened? Drawing on original documents, including the coroner’s inquest and other previously unpublished material, author Warren Newton Beath provides a painstakingly accurate reconstruction of Dean’s final hours and tragic death. In addition, Beath explores Dean’s life and his enduring status as a cultural icon, including Elvis Presley’s worship of him; Hitchcock’s use of Highway 46 in the famous crop-dusting scene in North by Northwest; death threats against Giant director George Stevens if he dared excise a single frame of Deans’ final performance; and many more fascinating facts about the enigmatic screen legend. Beath’s definitive account concludes with a memorable portrait of the James Dean cult, a strangely moving record of his posthumous life in the hearts of his adoring fans.
Best friends Irma and Siiri are relieved when they can finally return home, but things have changed in the retirement home ... Sunset Grove is under new management, a sinister organisation that promises spiritual enlightenment in return for donations from its residents. And the staff seem to have disappeared, replaced by technology that remotely takes care of all of their needs, if only they could work out how to use it ... The Lavender Ladies are increasingly suspicious of the new order and plan an elaborate act of sabotage. But their last hurrah has some drastic consequences - will the Lavender Ladies get more than they bargained for?
Winner of the Staunch Book Prize. “A beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations.” —Minneapolis Star-Tribune An extraordinary new novel by Samantha Harvey—whose books have been nominated for the Man Booker Prize, the Women’s Prize for Fiction (formerly the Orange Prize), and the Guardian First Book Award—The Western Wind is a riveting story of faith, guilt, and the freedom of confession. It’s 1491. In the small village of Oakham, its wealthiest and most industrious resident, Tom Newman, is swept away by the river during the early hours of Shrove Saturday. Was it murder, suicide, or an accident? Narrated from the perspective of local priest John Reve—patient shepherd to his wayward flock—a shadowy portrait of the community comes to light through its residents’ tortured revelations. As some of their darkest secrets are revealed, the intrigue of the unexplained death ripples through the congregation. But will Reve, a man with secrets of his own, discover what happened to Newman? And what will happen if he can’t? Written with timeless eloquence, steeped in the spiritual traditions of the Middle Ages, and brimming with propulsive suspense, The Western Wind finds Samantha Harvey at the pinnacle of her outstanding novelistic power. “Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . a story of a community crowded with shadows and secrets.” —The New York Times Book Review “Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities.” —The Wall Street Journal “Brings medieval England back to life.” —The Washington Post
A brilliant novel of LA’s underground from the author of Closer, “the last literary outlaw in mainstream American fiction” (Bret Easton Ellis). Chris is a young porn star who wants to experience death at someone else’s hand; Mason has lurid fantasies about members of British pop bands; Sniffles is a teenage runaway whose need for love outweighs his attachment to life. Courtesy of a frankly manipulative author/narrator named Dennis, these characters move through a subterranean Los Angeles where hallucination and reality, sex and suicide, love and indifference run together in terrifying ways. Guide, the fourth novel in a projected five-book cycle, continues to explore the boundaries of experience in the manner that has earned Dennis Cooper comparisons to Poe, Genet, and Baudelaire. “The most seductively frightening, best written novel of contemporary urban life that anyone has attempted in a long time; it’s the funniest, too.” —Los Angeles Times Book Review “With Guide, America’s most daring novelist has given us his masterpiece.” —The Face “Make[s] American Psycho and Lolita seem tame . . . A brilliantly base tale of human self-destruction for the brave.” —The Times (London) “Dante’s Inferno with George Bataille as your escort, damaged yet exhilarating.” —Arena “Though the story is as compelling as it is perverse, Cooper purposefully overrides it with an innovative style and raw, truthful character studies . . . With Guide, Cooper claims his place, alongside Genet and Burroughs, as a master of his own disenfranchised generation.” —Library Journal