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"In this second Family History mystery, a professional genealogist realizes the family history she's tracing may be repeating itself after her client's son-in-law turns up dead. When genealogist duo Sophreena McClure and Esme Sabatier are hired to trace the family tree of Olivia Clement, they think the job will be an easy one. But then Olivia's son-in-law is murdered. As the investigation begins, an ill wind of suspicion sweeps through the small town of Morningside, North Carolina. And as Sophreena and Esme delve into Olivia's family history to find out more about her father's disappearance back in the 1940s, they discover that the events of the past are proving to shed light on the present.."--
In this authoritative work, Seiler and Seiler argues that the establishment and development of moviegoing and movie exhibition in Prairie Canada is best understood in the context of changing late-nineteenth-century and early-twentieth-century social, economic, and technological developments. From the first entrepreneurs who attempted to lure customers in to movie exhibition halls, to the digital revolution and its impact on moviegoing, Reel Time highlights the pivotal role of amusement venues in shaping the leisure activities of working- and middle-class people across North America.
"Make no bones about it, genealogist Sophreena McClure and her psychic business partner Esme Sabatier have a lot of dirty work ahead of them. "The Forgotten man," a skeleton found inside of an unusual coffin in a nearby backyard, is creating a buzz around their small town. But it's the fresh corpse of a mysterious young woman that soon grabs everyone's attention ..."--Page 4 of cover.
The London FilmMakers Cooperative was founded in 1966 by a group of artists who sought to explore the possibilities of the moving image whilst maintaining autonomy over the production, distribution, and exhibition of their work. Although their films were not overtly political, artists nevertheless expressed their political attitudes by creating nonnarrative films, thereby rejecting conventional narrative structures associated with mainstream, commercial cinema, which they perceived as supporting the dominant ideology in society. A return to narrative in the 1980s coincided with the introduction of British Art Cinema and the art-house films of Derek Jarman, Peter Greenaway, and Sally Potter, all of whom made experimental films in the early days of the London Co-op.
The charming genealogical gumshoes in the cozy southern Family History Mystery series give new meaning to the old saying “keep the home fires burning” when their investigation into a long-ago house fire leads to a modern-day murder. It’s not just politics as usual when genealogists Sophreena McClure and Esme Sabatier are hired to create scrapbook tributes for a former North Carolina senator’s intricate family heritage and illustrious career. Sifting through the ashes of his past, they discover his baby brother perished in a suspicious fire that burned down his childhood home. Still saddened by his late parents’ steadfast conviction—against all evidence to the contrary—that the fire was cover for a kidnapping, the senator wants this rumor put to rest once and for all. So with only snapshots of the evidence, Soph and Esme are determined to smother all speculation about the decades-old tragedy. The party lines are drawn when a shocking present-day murder turns up new candidates for the crime—including some suspects from the senator’s inner circle. Are the sleuthing scrapbookers trying to pin down a killer as adept at making laws as breaking them?
Hannah Ives uncovers a deadly connection between disturbing discoveries in the past and present in this gripping mystery. Hannah Ives and her husband are staying at their idyllic vacation cottage on Maryland’s eastern shore when a young friend, Noel Sinclair, stops by for a visit. As Hannah shows Noel around the property, they notice some bald eagles in a neighboring cornfield who look seriously ill. Could these magnificent birds have been poisoned? Hannah’s investigation soon clashes with powerful commercial agricultural interests. Meanwhile, Noel uncovers some shocking news of her own when she and her sister receive the results of their DNA tests. As Hannah tries to discover who is tormenting the birds while also delving into Noel’s family tree, the last thing she expects to uncover is a deadly connection between the two . . .
Reveling in joy of fishing, Steve lands spiritual truths that inspire readers to seek a deeper relationship with God. This compact book of fun-to-read devotions can be packed along with the fishing gear.
This collection of specially commissioned essays offers a wide array of new psychoanalytic approaches impacted by Lacanian theory, queer studies, post-colonial studies, feminism, and deconstruction in the domains of film and literature. We have witnessed a remarkable return to psychoanalysis in those fields, fields from which it had been excluded or discredited for a while. This has changed recently, and we need to understand why. The fourteen essays make use a freshly minted psychoanalytic concepts to read diverse texts, films and social practices. The distinguished authors gathered here, an international group of scholars coming from Japan, China, Korea, India, Belgium, Greece, France, Australia, and the USA, are all cognizant of the advances of theory under the form of deconstruction, feminism, post-colonial studies and trauma studies. These essays take into account the latest developments in Lacanian theory and never bracket off subjective agency when dealing with literature or film. The authors make sense of changes brought to psychoanalytical theory by redefinitions of the Oedipus complex, reconsiderations of the death drive, applications of Lacan’s symptom and the concept of the Real, reassessments of the links between affect and trauma, insights into the resilience of Romantic excess and jouissance, awareness of the role of transference in classical and modernist texts, and pedagogical techniques aimed at teaching difficult texts, all the while testifying to the influence on Lacanian theory of thinkers like Maurice Blanchot, Roland Barthes, Melanie Klein, Didier Anzieu, Jacques Derrida, Judith Butler, Gilles Deleuze, Alain Badiou, and Slavoj Zizek. Chapter 3 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781003002727
Dwight Little's Hollywood career includes directing and producing major motion pictures for multiple studios, acclaimed television series and even video games. In this memoir, he takes readers along on a movie-making adventure that is by turns funny and brutally honest. There are many on-set interactions with well-known producers and stars along with detailed descriptions of film shoots from the wilds of India to the banks of the River Kwai. Included are tales from the jails of Madrid to the jungles of Fiji and the cold war streets of Budapest. The work seamlessly connects the Golden Age of Hollywood to the highly successful premium television of today. Make or break creative battles, Hollywood intrigues, unpredictable studio executives, and temperamental actors are all documented in colorful detail. Whether the reader is an aspiring filmmaker or just a movie lover, this book has it all, including a unique insight into television directing in the new streaming age and 41 photos, many on-set.
As President of the Film & TV Club, Parker prides themself on their knowledge of film and TV. They see the entire world as one big production: Math Class is a horror movie, the lunchroom is a cooking show, and Phys Ed is a war documentary. When a new student, Dallas, transfers to Somerset High, Parker discovers a new genre - romance. Soon a whole team of students with surprising talents are working together to help Parker make a big cinematic gesture in real life. But can you really connect with somebody you only see as a character? Maybe this isn’t a rom-com - it’s a joyfully hilarious coming-of-age story…with cow costumes. Reel Times at Somerset High was developed through the Stage Partners One-Act Play Commission program with EdTA, and workshopped with a cast of Thespians from across the country at International Thespian Festival 2024, culminating in a premiere staged reading.