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By the end of the fifteenth century, Florence was well established as the home of the Renaissance. As generous patrons to the likes of Botticelli and Michelangelo, the ruling Medici embodied the progressive humanist spirit of the age, and in Lorenzo de' Medici they possessed a diplomat capable of guarding the militarily weak city in a climate of constantly shifting allegiances. In Savonarola, an unprepossessing provincial monk, Lorenzo found his nemesis. Filled with Old Testament fury, Savonarola's sermons reverberated among a disenfranchised population, who preferred medieval Biblical certainties to the philosophical interrogations and intoxicating surface glitter of the Renaissance. The battle between these two men would be a fight to the death, a series of sensational events—invasions, trials by fire, the 'Bonfire of the Vanities', terrible executions and mysterious deaths—featuring a cast of the most important and charismatic Renaissance figures.In an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts, and political compromises that made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Florence, October 1966. The rain is never-ending. When a young boy vanishes on his way home from school the police fear the worst, and Inspector Bordelli begins an increasingly desperate investigation. Then the flood hits. During the night of 4th November the swollen River Arno, already lapping the arches of the Ponte Vecchio, breaks its banks and overwhelms the city.
In 1554, a group of idealistic laywomen founded a home for homeless and orphaned adolescent girls in one of the worst neighborhoods in Florence. Of the 526 girls who lived in the home during its fourteen-year tenure, only 202 left there alive. Struck by the unusually high mortality rate, Nicholas Terpstra sets out to determine what killed the lost girls of the House of Compassion shelter (Casa della Pietà). Reaching deep into the archives' letters, ledgers, and records from both inside and outside the home, he slowly pieces together the tragic story. The Casa welcomed girls in bad health and with little future, hoping to save them from an almost certain life of poverty and drudgery. Yet this "safe" house was cruelly dangerous. Victims of Renaissance Florence’s sexual politics, these young women were at the disposal of the city’s elite men, who treated them as property meant for their personal pleasure. With scholarly precision and journalistic style, Terpstra uncovers and chronicles a series of disturbing leads that point to possible reasons so many girls died: hints of routine abortions, basic medical care for sexually transmitted diseases, and appalling conditions in the textile factories where the girls worked. Church authorities eventually took the Casa della Pietà away from the women who had founded it and moved it to a better part of Florence. Its sordid past was hidden, until now, in an official history that bore little resemblance to the orphanage’s true origins. Terpstra’s meticulous investigation not only uncovers the sad fate of the lost girls of the Casa della Pietà but also explores broader themes, including gender relations, public health, church politics, and the challenges girls and adolescent women faced in Renaissance Florence.
Tells the story of Florence Harding's rise from young unwed mother to First Lady and reveals her influence behind Harding's ascent to America's most scandal-ridden presidency and her role in his death. The drama of her life is set against the stage of the White House in the Jazz Age, and involves exciting elements such as mistresses, blackmail, poisoning, and opium addicts. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR
“The perfect summer read” (USA TODAY) begins with a shocking tragedy that results in three generations of the Adler family grappling with heartbreak, romance, and the weight of family secrets over the course of one summer. *A New York Times Book Review Editors’ Choice * One of USA TODAY’s “Best Books of 2020” * One of Good Morning America’s “25 Novels You'll Want to Read This Summer” * One of Parade’s “26 Best Books to Read This Summer” Atlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. Despite the cramped quarters, this is the apartment where they raised their two daughters, Fannie and Florence, and it always feels like home. Now, Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams. Esther only wants to keep her daughters close and safe but some matters are beyond her control: there’s Fannie’s risky pregnancy—not to mention her always-scheming husband, Isaac—and the fact that the handsome heir of a hotel notorious for its anti-Semitic policies, seems to be in love with Florence. When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal. “Readers of Emma Straub and Curtis Sittenfeld will devour this richly drawn debut family saga” (Library Journal) that’s based on a true story and is a breathtaking portrayal of how the human spirit can endure—and even thrive—after tragedy.
Chief Superintendent Michele Ferrara knows that the beautiful surface of his adopted city, Florence, hides dark undercurrents. When called in to investigate a series of brutal and apparently random murders, his intuition is confirmed. Distrusted by his superiors and pilloried by the media, Ferrara finds time running out as the questions pile up. Is there a connection between the murders and the threatening letters he has received? Are his old enemies, the Calabrian Mafia, involved? And what part is played by a beautiful young woman facing a heart-rending decision, a priest troubled by a secret from his past, and an American journalist fascinated by the darker side of life? Ferrara confronts the murky underbelly of Florence in an investigation that will put not only his career but also his life on the line. Originally published in Italy as Scarabeo.
A gripping and beautifully written narrative that reads like a novel, Fire in the City presents a compelling account of a key moment in the history of the Renaissance, illuminating the remarkable man who dominated the period, the charismatic Girolamo Savonarola. Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in "the bonfire of the vanities." But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. Here, Savonarola emerges as a complex and subtle man, both a religious and a civic leader--who inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence. For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.
“When you think that life cannot get better, Blake Pierce comes up with another masterpiece of thriller and mystery! This book is full of twists, and the end brings a surprising revelation. Strongly recommended for the permanent library of any reader who enjoys a very well-written thriller.” --Books and Movie Reviews (re Almost Gone) DEATH IN FLORENCE is book #2 in a charming new cozy mystery series by USA Today bestselling author Blake Pierce, whose #1 bestseller Once Gone has received 1,500 five-star reviews. The series (A YEAR IN EUROPE) begins with book #1 (A MURDER IN PARIS). Diana Hope, 55, is still adjusting to her recent separation when she discovers her ex-husband has just proposed to a woman 30 years younger. Secretly hoping they would reunite, Diana is devastated. She realizes the time has come to reimagine life without him—in fact, to reimagine her life, period. Devoting the last 30 years of her life to being a dutiful wife and mother and to climbing the corporate ladder, Diana has been relentlessly driven, and has not taken a moment to do anything for herself. Now, the time has come. Diana never forgot her first boyfriend, who begged her to join him for a year in Europe after college. She had wanted to go so badly, but it had seemed like a wild, romantic idea, and a gap year, she’d thought, would hinder her resume and career. But now, with her daughters grown, her husband gone, and her career no longer fulfilling, Diana realizes it’s time for herself—and to take that romantic year in Europe she’d always dreamed of. Diana prepares to embark on the year of her life, finally turning to her bucket list, hoping to tour the most beautiful sights and sample the most scrumptious cuisines—and maybe, even, to fall in love again. But a year in Europe may have different plans in store for her. Can A-type Diana learn to go with the flow, to be spontaneous, to let down her guard and to learn to truly enjoy life again? In DEATH IN FLORENCE (Book #2), Diana arrives in Florence, ready to shake off the events of Paris and fulfill her lifelong dream of being proposed to on the romantic Ponte Vecchio bridge. But Diana can never possibly anticipate what she is about to find on that bridge, and how it may just turn her romantic dream into a ridiculous nightmare! A YEAR IN EUROPE is a charming and laugh-out-loud cozy mystery series, packed with food and travel, with mysteries that will leave you on the edge of your seat, and with experiences that will leave you with a sense of wonder. As Diana embarks on her quixotic quest for love and meaning, you will find yourself falling in love and rooting for her. You will be in shock at the twists and turns her journey takes as she somehow finds herself at the center of a mystery, and must play amateur sleuth to solve it. Fans of books like Eat, Pray, Love and Under the Tuscan Sun have finally found the cozy mystery series they’ve been hoping for! Book #3 (VENGEANCE IN VIENNA) in the series is now also available!
"In the tradition of Tracy Chevalier’s Girl with a Pearl Earring, Palombo has married fine art with romantic historical fiction in this lush and sensual interpretation of Medici Florence, artist Sandro Botticelli, and the muse that inspired them all." - Booklist A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th Century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence—most notably the rakish Giuliano de’ Medici—become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus. Alyssa Palombo’s The Most Beautiful Woman in Florence vividly captures the dangerous allure of the artist and muse bond with candor and unforgettable passion.